| P.M. Kean |
Drama and Religion in the English Mystery Plays: a Re-evaluation, by Eleanor Prosser |
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32/1, p. 77 |
| Ruth Evans |
Jocelyn Wogan-Browne, Saints' Lives and Women's Literary Culture, c.1150-1300: Virginity and its Authorisations |
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71/1, p. 125 |
| SARAH SALIH |
Jane Cartwright, Feminine Sanctity and Spirituality in Medieval Wales, Religion and Culture in the Middle Ages |
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78/1, p. 126 |
| Mark Campbell Chambers |
Katie Normington, Gender and Medieval Drama, Gender in the Middle Ages 1 |
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75/1, p. 152 |
| Leslie C. Brook |
Peter Abelard's Hymnarius Paraclitensis, vol. I, Introduction to Peter Abelard's Hymns: vol. II, The Hymnarius Paraclitensis, Text and Notes (Medieval Classics: Texts and Studies vols 2 and 3), Classical Folia editions, by Joseph Szövérffy |
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46/2, p. 294 |
| D.W. Russell |
Françoise Laurent, Plaire et édifier: les récits hagiographiques composés en Angleterre aux XIIe et XIIIe siècles, Nouvelle Bibliothèque du moyen âge 45 |
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69/2, p. 314 |
| Graham A. Runnalls |
Jean-Pierre Bordier, Le Jeu de la Passion: le message chrétien et le théâtre français (XIIIe-XVIe s.), Bibliothèque du XVe siècle 5 |
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68/2, p. 337 |
| KATHERINE L. JANSEN |
Theresa Coletti, Mary Magdalene and the Drama of the Saints: Theater, Gender, and Religion in Late Medieval England, The Middle Ages Series |
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74/2, p. 350 |