| Richard Axton |
Babio: A Twelfth Century Profane Comedy. The Citadel: Monograph Series, Number VII, by Malcolm M. Brennan |
|
39/1, p. 49 |
| Nevill Coghill |
The Characterisation of Pilate in the Towneley Plays, by Arnold Williams |
|
21/, p. 53 |
| F. Whitehead |
Le Jeu de Saint Nicolas, by F. J. Warne |
|
21/, p. 71 |
| Phyllis Abrahams |
Das europäische Theater im Mittelalter und in der Renaissance, by Hans Heinrich Borcherdt |
|
7/1, p. 72 |
| J.A.W. Bennett |
The Middle English Miracles of the Virgin, by Beverly Boyd |
|
36/1, p. 93 |
| ALAN J. FLETCHER |
The Theater of Devotion: East Anglian Drama and Society in the Late Middle Ages, by Gail McMurray Gibson |
|
60/1, p. 123 |
| Mark Campbell Chambers |
Sarah Carpenter and Meg Twycross, Masks and Masking in Medieval and Early Tudor England, Studies in Performance and Early Modern Drama |
|
73/1, p. 129 |
| Joan Crow |
Sur la 'Farce de Maître Pierre Pathelin', Collection Unichamp, 13, by Jean Dufournet, Michel Rousse |
|
57/1, p. 136 |
| DAVID MILLS |
The N-Town Play: Cotton MS Vespasian D.8, Early English Text Society, Supplementary Series, 11, 12, 2 vols., by Stephen Spector |
|
62/1, p. 137 |
| DAVID COWLING |
Jean-Claude Mühlethaler and Jacqueline Cerquiglini-Toulet (eds), Poétiques en transition: entre Moyen Âge et Renaissance |
|
73/1, p. 141 |
| ELISABETH SCHULZE-BUSACKER |
Nadine Henrard, Le Théâtre religieux médiéval en langue d'oc, Bibliothèque de la Faculté de Philosophie et Lettres de l'Université de Liège, Fascicule 273 |
|
73/1, p. 142 |
| JEAN CHARLES PAYEN |
'La farce du Cuvier', presented with Introduction, Notes and Production Guide, together with a facsimile of the Lyons edition of c. 1545. (Hull French Texts, 4), by Alan Hindley |
|
50/1, p. 145 |
| SANDRA BILLINGTON |
Fools' Plays: a Study of Satire in the 'Sottie', by Heather Arden |
|
50/1, p. 147 |
| Graham A. Runnalls |
Pierre Servet (ed.), Le Mystère de la Sainte Résurrection (Angers 1456), Textes littéraires 435 |
|
68/1, p. 147 |
| Joan Crow |
Nicolas de La Chesnaye: ‘La Condamnation de Banquet’, Textes littéraires français, 395, by Jelle Koopmans, Paul Verhuyck |
|
61/1, p. 151 |
| Richard Axton |
Adam de la Halle. Le Jeu de la Feuillée, by Jean Dufournet |
|
49/1, p. 153 |
| K. JANET RITCH |
Jean-Pierre Perrot and Jean-Jacques Nonot (eds and trans.), Le Jour du Jugement: texte original du XIVe siècle |
|
72/1, p. 157 |
| VIRGINIE GREENE |
Élisabeth Gaucher, Robert le Diable: histoire d'une légende, Essais sur le Moyen Âge 29 |
|
73/1, p. 161 |
| ARDIS BUTTERFIELD |
From Song to Book: the Poetics of Writing in Old French Lyric and Lyrical Narrative Poetry, by Sylvia Huot |
|
58/1, p. 165 |
| ALAN HINDLEY |
Graham A. Runnalls, Les Mystères dans les provinces françaises (en Savoie et en Poitou, à Amiens et à Reims) |
|
73/1, p. 169 |
| Margaret Thomas |
Die Gebärde im Drama des Mittelalters: Osterfeiern. Osterspiele. (Münchener Texte und Untersuchungen zur deutschen Literatur des Mittelalters 49), by Anke Roeder |
|
47/1, p. 182 |
| Richard Axton |
The Play of Antichrist, by John Wright |
|
38/2, p. 183 |
| John Stevens |
Trois Pièces Médiévales préparées, by A. Robert Harden |
|
38/2, p. 224 |
| Alfred Ewert |
Rutebeuf : Le Miracle de Théophile, by Gustave Cohen |
|
3/3, p. 226 |
| Alfred Ewert |
Le Jeu d'Adam et Eve, Mystère du XIIe siècle. Transposition littéraire de Gustave Cohen, by Jacques Chailley |
|
6/3, p. 226 |
| Louis Brandin |
Die romanische Geste im Rolandslied. (Schriften des Albertus-Universität Herausgegeben vom Königsberger Universitätsbund. Geisteswissenchaftliche Reihe, Band 10), by Ruth Hoppe |
|
8/3, p. 238 |
| Michel Huglo |
Ein Festoffizium des Mittelalters aus Beauvais in seiner liturgischer und musikalischer Bedeutung, by Wulf Arlt |
|
46/2, p. 298 |
| Richard Beadle |
From Creation to Doom: the York Cycle of Mystery Plays, by Clifford Davidson |
|
55/2, p. 299 |
| Laurence Eldredge |
Nine Medieval Latin Plays, Cambridge Medieval Classics 1, by Peter Dronke |
|
64/2, p. 304 |
| Neville Denny |
The Cornish Ordinalia, by Markham Harris |
|
40/3, p. 305 |
| Richard Beadle |
Un Cycle du Théâtre Religieux Anglais du Moyen Âge, by Claude Gauvin |
|
44/3, p. 305 |
| EDWARD WHEATLEY |
David Mills, Recycling the Cycle: The City of Chester and its Whitsun Plays, Studies in Early English Drama 4 |
|
69/2, p. 312 |
| Lynette Muir |
La Passion d'Auvergne, une édition du manuscrit nouvelle acquisition française 462 de la Bibliothèque Nationale de Paris, by Graham A. Runnalls |
|
52/2, p. 325 |
| ANDREW BREEZE |
Cornish Literature, by Brian Murdoch |
|
63/2, p. 325 |
| Graham A. Runnalls |
Le Jeu des Trois Rois de Neuchâtel, Textes Littéraires Français, 301, by André de Mandach |
|
52/2, p. 327 |
| Alan H. Nelson |
Liber Apologeticus de Omni Statu Humanae Naturae: A Defense of Human Nature in Every State, by Thomas Chaundler, Doris Enright-Clark Shoukri |
|
44/3, p. 327 |
| JANE TOLMIE |
Pamela M. King and Clifford Davidson (eds), The Coventry Corpus Christi Plays, Early Drama, Art and Music Monograph Series 27 |
|
70/2, p. 330 |
| Richard Beadle |
Alan J. Fletcher, Drama, Performance, and Polity in Pre-Cromwellian Ireland |
|
70/2, p. 331 |
| Aisling Byrne |
Kim M. Phillips, Before Orientalism: Asian Peoples and Cultures in European Travel Writing, 1245–1510 (Aisling Byrne) |
|
84/2, p. 333 |
| DAVID WALLACE |
Culture and History 1350-1600: Essays on English Communities, Identities and Writing, by David Aers |
|
62/2, p. 335 |
| Richard Beadle |
The Mediæval English Stage: Corpus Christi Pageants and Plays, by Alan Nelson |
|
|
| JEAN-PIERRE BORDIER |
The Vengeance of Our Lord: Medieval Dramatisations of the Destruction of Jerusalem, Studies and Texts, 89, by Stephen K. Wright |
|
61/2, p. 347 |
| FRANCIS GINGRAS |
Karin Ueltschi, La 'Mesnie Hellequin' en conte et en rime: Mémoire mythique et poétique de la recomposition |
|
78/2, p. 349 |
| KATHERINE L. JANSEN |
Theresa Coletti, Mary Magdalene and the Drama of the Saints: Theater, Gender, and Religion in Late Medieval England, The Middle Ages Series |
|
74/2, p. 350 |
| WILLIAM TYDEMAN |
Non-Cycle Plays and the Winchester Dialogues. Facsimiles of Plays and Fragments in Various Manuscripts and the Dialogues in Winchester College MS 33. With Introductions and a Transcript of the Dialogues. (Leeds Texts and Monographs; Medieval Drama Fascimiles, 5), by Norman Davis |
|
50/2, p. 350 |
| BEN PARSONS |
John Parker, The Aesthetics of Antichrist: From Christian Drama to Christopher Marlowe |
|
77/2, p. 350 |
| Alan H. Nelson |
The English Morality Play, by Robert Potter |
|
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