R. Bruce Mitchell |
The Concessive Relation in Old English Poetry. Yale Studies in English 124, by Randolph Quirk |
|
25/1, p. 36 |
J.E. Cross |
Structural Principles in Old English Poetry, by Neil D. Isaacs |
|
39/1, p. 41 |
J.E. Cross |
The Interpretation of Old English Poems, by Stanley B. Greenfield |
|
43/1, p. 42 |
C.J.E. Ball |
Anglo-Saxon Riddles of the Exeter Book, by Paull F. Baum |
|
34/1, p. 46 |
Nevill Coghill |
The Characterisation of Pilate in the Towneley Plays, by Arnold Williams |
|
21/, p. 53 |
Eric Stanley |
The Seafarer, by Ida L. Gordon |
|
31/1, p. 54 |
Rachel Bromwich |
Medieval Welsh Lyrics, by Joseph P. Clancy |
|
36/1, p. 62 |
R.A. Browne |
Dialogus de Scaccario by Richard, Son of Nigel (Nelson's Medieval Classics), by Charles Johnson |
|
20/, p. 75 |
Edward M. Wilson |
Juan Ruiz: The Book of Good Love, by Rigo Mignani, Mario A. Di Cesare |
|
40/1, p. 80 |
M.S. |
The Old French epic, by Jessie Crosland |
|
21/, p. 83 |
P.M. Kean |
The Realism of Dream Visions: the Poetic Exploitation of the Dream-Experience in Chaucer and his Contemporaries, by Constance B. Hieatt |
|
38/1, p. 85 |
Cecily Clark |
Art and Tradition in Sir Gawain and the Green Knight, by Larry D. Benson |
|
36/1, p. 89 |
John Stevens |
Themes and Images in the Medieval English Religions Lyric, by Douglas Gray |
|
|
W. Nelson |
John Skelton's Poetry, by Stanley Eugene Fish |
|
36/1, p. 96 |
Joan Turville-Petre |
Beowulf in Modern English: a translation in blank verse, by Mary E. Waterhouse |
|
20/, p. 101 |
MARK GRIFFITH |
Rereading Beowulf, by Edward B. Irving Jr. |
|
60/1, p. 102 |
G.V. Smithers |
Syntax and Style in Old English, by S. O. Andrew |
|
12/, p. 104 |
Kenneth R. Brooks |
Cynewulf's Elene, by P. O. E. Gradon |
|
28/2, p. 108 |
Peter J. Lucas |
Finnsburh Fragment and Episode. (Methuen's Old English Library), by Donald K. Fry |
|
46/1, p. 108 |
Norman Klassen |
Suzannah Biernoff Sight and Embodiment in the Middle Ages |
|
73/1, p. 112 |
Norman Klassen |
The Tempter's Voice: Language and the Fall in Medieval Literature, by Eric Jager |
|
65/1, p. 113 |
Peter N. Dunn |
The Art of Juan Ruiz, Archpriest of Hita, Estudios de Literatura, by Anthony N. Zahareas |
|
37/1, p. 117 |
RICHARD FIRTH GREEN |
A Guide to Early Irish Law (Dublin: Dublin Institute for Advanced Studies, 1988), by Fergus Kelly |
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62/1, p. 118 |
D.S. Brewer |
Early Middle English Texts. (2nd ed.), by Bruce Dickins, R. M. Wilson |
|
22/2, p. 119 |
Barry Windeatt |
The Making of 'Piers Plowman', by Malcolm Godden |
|
61/1, p. 120 |
Leslie C. Brook |
Andreas and the Ambiguity of Courtly Love, by Paolo Cherchi |
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65/1, p. 120 |
Ann Squires |
M. A. D'Aronco and M. L. Cameron (ed.), The Old English Illustrated Pharmacopoeia: British Library Cotton Vitellius C III, Early English Manuscripts in Facsimile 27 |
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69/1, p. 122 |
GERALD MORGAN |
Chaucer's Franklin in 'The Canterbury Tales': the Social and Literary Background of a Chaucerian Character, by Henrik Specht |
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52/1, p. 125 |
MICHEL MOOS |
'Yvain' dans le miroir: une poétique de la réflexion dans le 'Chevalier au lion' de Chrétien de Troyes, Purdue University Monographs in Romance Languages, 25, by Joan Tasker Grimbert |
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60/1, p. 127 |
Daniel Anlezark |
Scott Gwara, Heroic Identity in the World of Beowulf |
|
80/2, p. 128 |
GERALD MORGAN |
Chaucer's 'Troilus and Criseyde', by C. David Benson |
|
61/1, p. 128 |
CONRAD VAN DIJK |
B. W. Lindeboom, Venus' Owne Clerk: Chaucer's Debt to the 'Confessio Amantis', Costerus, NS 167 |
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77/1, p. 129 |
TONY DAVENPORT |
Corinne Saunders, Magic and the Supernatural in Medieval English Romance |
|
80/2, p. 133 |
Helen Cooper |
The Merveilleux in Chrétien de Troyes' Romances. (Histoire des Idées et Critique Littéraire 153), by Lucienne Carasso-Bulow |
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47/1, p. 133 |
Nicolas Jacobs |
Gerald Morgan, The Tragic Argument of ‘Troilus and Criseyde’ |
|
78/1, p. 134 |
Joan Crow |
Sur la 'Farce de Maître Pierre Pathelin', Collection Unichamp, 13, by Jean Dufournet, Michel Rousse |
|
57/1, p. 136 |
P.J.C. Field |
Trawthe and Treason: the Sin of Gawain Reconsidered, by W. R. J. Barron |
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52/1, p. 136 |
RUTH E. HARVEY |
William E. Burgwinkle, Love for Sale: Materialist Readings of the Troubadour Razo Corpus, The New Middle Ages 5 |
|
68/1, p. 136 |
Rosemary Cramp |
Colum's Other Island. The Irish at Lindisfarne, by Gareth W. Dunleavy |
|
31/2, p. 137 |
Almut Suerbaum |
Cornelia Reil, Liebe und Herrschaft: Studien zum altfranzösischen und mittelhochdeutschen Prosa-Lancelot, Hermaea NS 78 |
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68/1, p. 140 |
Spencer Pearce |
The Poetry of Guido Cavalcanti, Garland Library of Medieval Literature, Series A, 18, by Lowry Nelson Jr. |
|
57/1, p. 141 |
ELISABETH SCHULZE-BUSACKER |
Jeanne-Marie Boivin, Naissance de la fable: L'Isopet de Lyon et l'Isopet I — Avionnet, Essais sur le Moyen Âge 33 |
|
77/1, p. 141 |
Daniel Anlezark |
Mark C. Amodio, Writing the Oral Tradition: Oral Poetics and Literate Culture in Medieval England |
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75/1, p. 144 |
Leslie C. Brook |
Sahar Amer, Ésope au féminin: Marie de France et la politique de l'interculturalité, Faux Titre 169 |
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70/1, p. 146 |
MARIANNE AILES |
Anne Elizabeth Cobby, Ambivalent Conventions: Formula and Parody in Old French, Faux Titre 101, Études de Langue et Littérature Françaises |
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67/1, p. 146 |
Daron Burrows |
Roy J. Pearcy, Logic and Humour in the Fabliaux: An Essay in Applied Narratology |
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79/1, p. 146 |
Margaret E. Goldsmith |
Old English Verse, by T. A. Shippey |
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43/2, p. 147 |
Fionnùala E. Sinclair |
Sarah Kay, The Chansons de Geste in the Age of Romance: Political Fictions |
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66/1, p. 147 |
J.A.W. Bennett |
On the Properties of Things. John Trevisa's translation of 'Bartholomæus Anglicus De Proprietatibus Rerum', by M. C. Seymour, Gabriel M. Liegey, E. Brockhurst, M. H. Blechner, Ralph Hanna III, J. E. Grennen, M. Andrew, J. D. Pheifer, A. S. G. Edwards,, T. Lawler, N. A. Hunt, P. P. Farley, D. C. Greetham, B. D. Harder, V. E. Watts, M. Farnsworth, J. I. Miller |
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49/1, p. 149 |
Douglas Gray |
Religiöse Dichtung im englischen Hochmittelalter. Untersuchung und Edition der Handschrift B. 14. 39 des Trinity College in Cambridge, Texte und Untersuchungen zur Englischen Philologie, 1, by Karl Reichl |
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52/1, p. 151 |
GERALDINE McKENDRICK |
The Guitar of God: Gender, Power, and Authority in the Visionary World of Mother Juana de la Cruz (1481-1534), by Ronald E. Surtz |
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62/1, p. 153 |
VIRGINIE GREENE |
Norris J. Lacy and Joan Tasker Grimbert (eds), A Companion to Chrétien de Troyes, Arthurian Studies 63 |
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75/1, p. 154 |
J.F. Kiteley |
Medieval Sign Theory and 'Sir Gawain and the Green Knight', by Ross G. Arthur |
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59/1, p. 155 |
CHRISTIAN KIENING |
Michael Stolz, 'Tum'-Studien: zur dichterischen Gestaltung im Marienpreis Heinrichs von Mügeln, Bibliotheca Germanica 36 |
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68/1, p. 155 |
Miri Rubin |
The Pregnant Man, 4th edn, by R. Zapperi, B. Williams |
|
61/1, p. 156 |
G.D.G. Hall |
The Medieval Coroner, by R. F. Hunnisett |
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33/2, p. 160 |
Dennis Green |
Cornelia Schu, Vom erzählten Abenteuer zum Abenteuer des Erzählens: Überlegungen zur Romanhaftigkeit von Wolframs Parzival |
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72/1, p. 165 |
KAREN PRATT |
Commentaire sur 'Yvain' ('Le Chevalier au lion') de Chrétien de Troyes, I and II, by Brian Woledge |
|
59/1, p. 166 |
Richard North |
John McKinnell, Both One and Many: Essays on Change and Variety in Late Norse Heathenism, with an appendix by Maria Elena Ruggerini |
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66/1, p. 166 |
CEDRIC E. PICKFORD |
Lion-Queue-Coupée: l'écart symbolique chez Chrétien de Troyes. (Histoire des Idées et Critique Littéraire. 124), by Peter Haidu |
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43/2, p. 167 |
Leslie C. Brook |
The Legacy of Chrétien de Troyes, Vol. I, by Norris J. Lacy, Douglas Kelly, Keith Busby |
|
58/1, p. 168 |
JENNIFER PETRIE |
Petrarch the Poet: An introduction to the 'Rerum Vulgarium Fragmenta', by Peter Hainsworth |
|
59/1, p. 174 |
David Hook |
Seneca and 'Celestina', by Louise Fothergill-Payne |
|
59/1, p. 175 |
R. Bruce Mitchell |
A Descriptive Syntax of the Old English Charters, by Charles Carlton |
|
40/2, p. 181 |
Dorothy Bethurum Loomis |
Toe Parlement of Foulys, (Nelson's Mediaeval and Renaissance Library), by D. S. Brewer |
|
30/3, p. 195 |
Ian Bishop |
The Pearl: An Interpretation, by P. M. Kean |
|
37/2, p. 207 |
D. Nicholl |
Ireland, Harbinger of the Middle Ages, by Ludwig Bieler |
|
33/3, p. 207 |
Margaret E. Goldsmith |
Beowulf: the Poem and its Tradition, by John D. Niles |
|
55/2, p. 266 |
D.D.R. Owen |
Charlemagne et l'épopée romane (Actes du VIIeCongrès International de la Société Rencesvals, Liège 1976). 2 tom |
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49/2, p. 279 |
S.T. Knight |
The Autobiographical fallacy in Chaucer and Langland Studies, by George Kane |
|
36/3, p. 282 |
Stephen Gersh |
Porphyry the Phoenician: Isagoge, (Mediaeval Sources in Translation 16), by Edward W. Warren |
|
46/2, p. 286 |
ANNA BALDWIN |
Justice and Mercy in Piers Plowman: a Reading of the B Text Visio, by Myra Stokes |
|
55/2, p. 290 |
STEFANIA D'OTTAVI |
The High Medieval Dream Vision: Poetry, Philosophy and Literary Form, by Kathryn L. Lynch |
|
59/2, p. 299 |
RITA COPELAND |
Christopher Cannon, The Making of Chaucer's English: A Study of Words, Cambridge Studies in Medieval Literature 39 |
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69/2, p. 301 |
A.J. Bliss |
The Meter and Melody of Beowulf. (Illinois Studies in Language and Literature 64), by Thomas Cable |
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|
ROSEMARY MORRIS |
The Legend of Arthur in the Middle Ages, Arthurian Studies, by P. B. Grout, R. A. Lodge, C. E. Pickford, E. K. C. Varty |
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55/2, p. 304 |
Andy Orchard |
In the Foreground: 'Beowulf', by Eric Gerald Stanley |
|
64/2, p. 311 |
Sarah Kay |
The Troubadour Lyric: a Psychocritical Reading, by Rouben Cholakian |
|
60/2, p. 313 |
P.M. Kean |
The Search for St. Truth. A Study of Meaning in 'Piers Plowman', by Mary Carruthers |
|
44/3, p. 313 |
C.W. MARX |
The York Plays, York Medieval Texts, second series, by Richard Beadle |
|
54/2, p. 316 |
ALCUIN BLAMIRES |
'Sir Gawain and the Green Knight' and the Idea of Righteousness, Dublin Studies in Medieval and Renaissance Literature, by Gerald Morgan |
|
61/2, p. 317 |
PETER DAMIAN-GRINT |
Emily Albu, The Normans in their Histories: Propaganda, Myth and Subversion |
|
71/2, p. 319 |
Olive Sayce |
A Short Descriptive Grammar of Middle High German with Texts and Vocabulary, by John A. Asher |
|
38/3, p. 320 |
J.A. Miller |
The Artist at Work: Narrative Technique in Chrétien de Troyes, Transactions of the American Philosophical Society, 78:4, by Evelyn Mullally |
|
59/2, p. 321 |
Anne Hudson |
English Wyclif Tracts 1-3, Studia Anglistica Norvegica, 5, by Conrad Lindberg |
|
61/2, p. 323 |
TONY DAVENPORT |
J. J. Anderson, Language and Imagination in the Gawain-Poems |
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75/2, p. 327 |
EDWARD WHEATLEY |
D. Vance Smith, The Book of the Incipit: Beginnings in the Fourteenth Century |
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71/2, p. 331 |
BARBARA N. SARGENT-BAUR |
Recueil des repues franches de Maistre François Villon et de ses compagnons, Textes littéraires français 455, by Jelle Koopmans, Paul Verhuyck |
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65/2, p. 334 |
John Fox |
Villon hier et aujourd'hui: Actes du colloque pour le cinq-centième anniversaire de l'impression du 'Testament' de Villon, by Jean Dérens, Jean Dufournet, Michael Freeman |
|
64/2, p. 335 |
PETER HAINSWORTH |
Five Frames for the 'Decameron': Communications and Social Systems in the 'Cornice', by Joy Hambuechen Potter |
|
53/2, p. 336 |
Daniel Anlezark |
Richard North, The Origins of ‘Beowulf’: From Vergil to Wiglaf |
|
77/2, p. 337 |
JONATHAN H. HSY |
Diane Watt, Amoral Gower: Language, Sex, and Politics |
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73/2, p. 338 |
A. Kent Hieatt |
The Renaissance Chaucer, by Alice S. Miskimin |
|
|
SANDRA BIALYSTOK |
Thomas C. Stillinger and F. Regina Psaki (eds), Boccaccio and Feminist Criticism, Annali d'Italianistica: Studi e testi 8 |
|
76/2, p. 339 |
Leslie Seiffert |
The Medieval German Lyric 1150-1300: the Development of its Themes and Forms in their European Context, by Olive Sayce |
|
52/2, p. 339 |
NICOLETTE ZEEMAN |
Madeleine Kasten, In Search of ‘Kynde Knowynge’: ‘Piers Plowman’ and the Origin of Allegory |
|
77/2, p. 340 |
P.R. COSS |
Richard W. Kaeuper, Chivalry and Violence in Medieval Europe |
|
69/2, p. 342 |
Laura Jose |
Holly A. Crocker, Chaucer’s Visions of Manhood |
|
80/1, p. 344 |
Avril Henry |
Sir Gawain and the Green Knight. (Manchester Medieval Texts), by W. R. J. Barron |
|
|
ROGER PENSOM |
Finn E. Sinclair, Milk and Blood: Gender and Genealogy in the ‘Chanson de Geste’ |
|
73/2, p. 348 |
JENNIFER PETRIE |
Petrarch's Laurels, by Sara Sturm-Maddox |
|
63/2, p. 348 |
WILLIAM J. JONES |
Begriffsglossar und Index zu Ulrichs von Zatzikhoven ‘Lanzelet’, Indices zur deutschen Literatur 25, by Klaus M. Schmidt |
|
63/2, p. 350 |
Dennis Green |
Christoph Huber, Burghart Wachinger, and Hans-Joachim Ziegeler (eds), Geistliches in weltlicher und Weltliches in geistlicher Literatur des Mittelalters |
|
70/2, p. 352 |
F.W. Marshall |
Four Farces, by Barbara C. Bowen |
|
37/3, p. 357 |
R. Bruce Mitchell |
A Descriptive Syntax of the Ormulum, by Robert A. Palmatier |
|
39/3, p. 370 |