| Rachel Bromwich |
Llên Cymru, Cyfrol 8, Rhifyn 3 a 4 |
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38/3, p. 300 |
| Vincent Gillespie |
Preachers, Poets, and the Early English Lyric, by Siegfried Wenzel |
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57/2, p. 300 |
| HELEN BARR |
Death and Liffe, Speculum Anniversary Monographs, 15, by Joseph M. P. Donatelli |
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60/2, p. 304 |
| Laurence Eldredge |
Nine Medieval Latin Plays, Cambridge Medieval Classics 1, by Peter Dronke |
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64/2, p. 304 |
| James Simpson |
Chaucer and the Italian Trecento, by Piero Boitani |
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54/2, p. 306 |
| Douglas Gray |
A Concordance to the Middle English Shorter (Compendia 6), by Michael J. Preston |
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48/2, p. 306 |
| John Lawlor |
Chaucer: The Book of the Duchess, Durham and St Andrews Medieval Texts, 3, by Helen Phillips |
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54/2, p. 308 |
| L.T. Topsfield |
Introduction à l'étude de l'ancien provençal, textes d'étude, by F. R. Hamlin, P. T. Ricketts, J. Hathaway |
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37/3, p. 309 |
| C.L. Wrenn |
Suprasegmentals, Meter, and the Manuscript of Beowulf, by Robert D. Stevick |
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38/3, p. 309 |
| MICHAEL SHIELDS |
The 'Summa musice': A Thirteenth-Century Manual for Singers, by Christopher Page |
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63/2, p. 309 |
| M.R. Godden |
A Bibliography of Publications on Old English Literature to the end of 1972, by Stanley B. Greenfield, Fred C. Robinson |
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52/2, p. 311 |
| Peter Godman |
Lateinisches Hexameter-Lexikon. Dichterisches Formelgut von Ennius bis zum Archipoeta (Monumenta Germaniae Historica Hilfsmittel, 4 i). Teil 1: A-C |
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50/2, p. 311 |
| Andy Orchard |
In the Foreground: 'Beowulf', by Eric Gerald Stanley |
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64/2, p. 311 |
| P.F. Ganz |
Konrads Büchlein von der geistlichen Gemaheischaft. Untersuchungen und Text (Münchner Texte und Untersuchungen zur Literatur des Mittelalters 31), by Ulrich Schülke |
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40/3, p. 312 |
| Keith Busby |
Jehan et Blonde, de Philippe de Rémi: Roman du XIIIe siècle. Les Classiques Français du Moyen Age, 107, by Sylvie Lécuyer |
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55/2, p. 312 |
| VINCENT MOLETA |
Dante's 'Paradiso' and the Limitations of Modern Criticism, by Robin Kirkpatrick |
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49/2, p. 312 |
| R.W.V. Elliott |
The Art of the Gawain-Poet, by W. A. Davenport |
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48/2, p. 312 |
| Sarah Kay |
The Troubadour Lyric: a Psychocritical Reading, by Rouben Cholakian |
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60/2, p. 313 |
| Ian Short |
Judith Weiss (ed. and trans.), Wace; Roman de Brut, a History of the British: Text and Translation. Exeter Medieval English Texts and Studies |
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69/2, p. 313 |
| JOYCE HILL |
Peter Clemoes, Interactions of Thought and Language in Old English Poetry, Cambridge Studies in Anglo-Saxon England 12 |
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66/2, p. 314 |
| Robert F. Yeager |
Piero Boitani, The Genius to Improve an Invention: Literary Transitions |
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72/2, p. 315 |
| J.H. Marshall |
Troubadours and Eloquence, by Linda M. Paterson |
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| Nicolas Jacobs |
Dafydd ap Gwilym and the European Context, by Helen Fulton |
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59/2, p. 315 |
| Douglas Gray |
Image and Abstraction. Six Middle English Religious Lyrics. (Anglistica xviii), by William Elford Rogers |
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44/3, p. 315 |
| Lewis Thorpe |
Le style épique dans Garin le Loherain, by Anne I. Gittleman |
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38/3, p. 316 |
| Ruth Morse |
Jean Froissart and his 'Meliador': Context, Craft and Sense, The Edward C. Armstrong Monographs on Medieval Literature, 2, by Peter F. Dembowski |
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55/2, p. 316 |
| MARK GRIFFITH |
Geoffrey Russom, 'Beowulf' and Old Germanic Metre, Cambridge Studies in Anglo-Saxon England 23 |
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68/2, p. 316 |
| Peter Dronke |
André le Chapelain: Traité de l'amour courtois. (Bibliothèque française et romane D 9), by Claude Buridant |
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| W. Ann Trindade |
The Conflict of Love and Honor: The Medieval Tristan Legend in France, Germany and Italy. (De Proprietatibus Litterarum, Series Practica 78), by Joan M. Ferrante |
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46/2, p. 317 |
| CHRISTINE FRANZEN |
Peter Orton, The Transmission of Old English Poetry, Westfield Publications in Medieval and Renaissance Studies 12 |
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70/2, p. 318 |
| JOHN MILES FOLEY |
Early Epic Scenery: Homer, Virgil, and the Medieval Legacy, by Theodore M. Andersson |
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47/2, p. 318 |
| L.T. Topsfield |
Les Poèmes de Gaucelm Faidit, troubadour du XIIe siècle, édition critique, by Jean Mouzat |
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38/3, p. 319 |
| Bernard O'Donoghue |
Selections from Hoccleve, by M. C. Seymour |
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53/2, p. 319 |
| Carolyne Larrington |
The Solomon Complex: Reading Wisdom in Old English Poetry, McMaster Old English Texts and Studies, 5, by Elaine Tuttle Hansen |
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58/2, p. 319 |
| Julia Boffey |
Fortunes Stabilnes: Charles of Orleans's English Book of Love. A Critical Edition, Medieval and Renaissance Texts and Studies 138, by Mary-Jo Arn |
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65/2, p. 319 |
| D.S. Brewer |
Geoffrey Chaucer, Feminist Readings, by Jill Mann |
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61/2, p. 320 |
| REES DAVIES |
Diana Greenway (ed. and trans.), Henry, Archdeacon of Huntingdon: 'Historia Anglorum' ('History of the English People') |
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66/2, p. 320 |
| R.S. ALLEN |
'The Buke of the Sevyne Sagis': a Middle Scots Version of 'The Seven Sages of Rome', Germanic and Anglistic Studies of the University of Leiden, 20, by Catherine van Buuren |
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54/2, p. 321 |
| C.R. ATTWOOD |
Poetic Identity in Guillaume de Machaut, by Kevin Brownlee |
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55/2, p. 321 |
| MARK GRIFFITH |
Graham D. Caie (ed.), The Old English Poem ‘Judgement Day II’: A Critical Edition with Editions of ‘De die iudicii’ and the Hatton 113 Homily ‘Be domes dæge’, Anglo-Saxon Texts 2 |
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70/2, p. 322 |
| ANGELA DZELZAINIS |
Guillaume de Machaut: The Judgment of the King of Bohemia (Le Jugement dou Roy de Behaingne) Garland Library of Medieval Literature, Series A, 9, by R. Barton Palmer |
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55/2, p. 322 |
| J.S. McKINNELL |
Die 'Battle of Maldon' als historisches und literarisches Zeugnis, (Bayerische Akademie der Wissenschaften, Philosophisch-Historische Klasse), by Helmut Gneuss |
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47/2, p. 322 |
| David Hook |
The Poet's Art: Literary Theory in Castile c. 1400-60, Medium Ævum Monographs, n.s. 14, by Julian Weiss |
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60/2, p. 322 |
| JAN ČERMÁK |
Susan E. Deskis, 'Beowulf' and the Medieval Proverb Tradition, Medieval & Renaissance Texts and Studies 155 |
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67/2, p. 324 |
| MARIA COLOMBO TIMELLI |
Robert Deschaux (ed.), Martin le Franc; Le Champion des dames, Classiques français du moyen âge, 127, 128, 129, 130, 131. Vol. I, Vol. II, Vol. III, Vol. IV, Vol. V |
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69/2, p. 324 |
| M.B. Crowe |
The Mirror of Language: A Study in the Medieval Theory of Knowledge, by Marcia L. Colish |
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39/3, p. 325 |
| GLYN S. BURGESS |
The Old French Fabliaux, by Charles Muscatine |
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57/2, p. 325 |
| Vincent Gillespie |
M. Diane F. Krantz, The Life and Text of Julian of Norwich: The Poetics of Enclosure, Studies in the Humanities 32 |
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68/2, p. 325 |
| A.V.C. Schmidt |
Edward I. Condren, Chaucer from Prentice to Poet: The Metaphor of Love in Dream Visions and ‘Troilus and Criseyde’ |
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79/2, p. 325 |
| KARLA TAYLOR |
Robert R. Edwards, Chaucer and Boccaccio: Antiquity and Modernity |
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72/2, p. 326 |
| DERRICK PITARD |
Chaucer: Complaint and Narrative, Chaucer Studies, 14, by William A. Davenport |
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58/2, p. 326 |
| DOROTHY YAMAMOTO |
Thomas Honegger, From Phoenix to Chatuntecleer: Medieval English Animal Poetry, Swiss Studies in English 120 |
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66/2, p. 326 |
| David Hook |
The Poem of the Cid, (Twayne's World Authors Series 378), by Edmund de Chasca |
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46/2, p. 327 |
| Almut Suerbaum |
Die Aufnahme und Verarbeitung des Alanus ab Insults in mittelhochdeutschen Dichtungen, Münchener Texte und Untersuchungen zur deutschen Literatur des Mittelalters, 89, by Christoph Huber |
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60/2, p. 327 |
| N.S. THOMPSON |
Chaucer's Dante: Allegory and Epic Theater in 'The Canterbury Tales', by Richard Neuse |
|
62/2, p. 327 |
| Elizabeth Solopova |
Donka Minkova, Alliteration and Sound Change in Early English, Cambridge Studies in Linguistics 101 |
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73/2, p. 328 |
| Elizabeth Salter |
Pastoral: Mediaeval into Renaissance, by Helen Cooper |
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49/2, p. 328 |
| C.R. ATTWOOD |
Jean Froissart: 'Le Paradis d'amour', 'L'Orloge amoureuse', Textes littéraires français, 339, by Peter F. Dembowski |
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59/2, p. 328 |
| Jill Mann |
Chaucer and the Fictions of Gender, by Elaine Tuttle Hansen |
|
62/2, p. 328 |
| DANIEL PINTI |
Warren Ginsberg, Chaucer’s Italian Tradition |
|
72/2, p. 329 |
| ROGER PENSOM |
The Song of Roland: a Generative Study of the Formulaic Language in the Single Combat, Faux Titre, 20, by Genette Ashby-Beach |
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56/2, p. 329 |
| Sarah Kay |
L'Eccezione narrativa. La Provenía medievale e l'arte del racconto. Nuova Biblioteca Scientifica Einaudi, 60, by Alberto Limentani |
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52/2, p. 329 |
| John L. Flood |
Hans Rosenplüt: Reimpaarsprüche und Lieder. Altdeutsche Textbibliothek, 105, by Jörn Reichel |
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60/2, p. 329 |
| David G. Pattison |
The Making of the 'Poema de mio Cid', by Colin Smith |
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55/2, p. 330 |
| JOHN C. HIRSH |
Poetics: Theory and Practice in Medieval English Literature, Memorial Lectures, seventh series, by Piero Boitani, Anna Torti, J. A. W. Bennett |
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62/2, p. 330 |
| RUTH E. HARVEY |
The ‘Cansos’ and ‘Sirventes’ of the Troubadour Giraut de Borneil, by Ruth Verity Sharman |
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59/2, p. 331 |
| EDWARD WHEATLEY |
D. Vance Smith, The Book of the Incipit: Beginnings in the Fourteenth Century |
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71/2, p. 331 |
| JOHN M. BOWERS |
Ethan Knapp, The Bureaucratic Muse: Thomas Hoccleve and the Literature of Late Medieval England |
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72/2, p. 332 |
| B.D.H. Miller |
Middle English Dictionary, by Sherman M. Kuhn, John Reidy |
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37/3, p. 332 |
| Joseph Harris |
Untersuchungen zur Zeitgestaltung und Komposition der Íslendingasögur: Analysen ausgewahlter (Beitrage zur nordischen Philologie 5), by Hartmut Röhn |
|
48/2, p. 332 |
| RUTH E. HARVEY |
The Voice of the Trobairitz: Perspectives on the Women Troubadours, by William D. Paden |
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59/2, p. 332 |
| John Fox |
François Villon: Complete Poems, by Barbara N. Sargent-Baur |
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65/2, p. 332 |
| DAVID MAW |
Mary O’Neill, Courtly Love Songs of Medieval France: Transmission and Style in the Trouvère Repertoire, Oxford Monographs in Music |
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76/2, p. 334 |
| Angus J. Kennedy |
Barbara K. Altmann and Carleton W. Carroll (eds), The Court Reconvenes: Courtly Literature across the Disciplines. Selected Papers from the Ninth Triennial Congress of the International Courtly Literature Society, University of British Columbia, 25—31 July 1998 |
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74/2, p. 334 |
| Peter S. Noble |
L'Oeuvre poétique de Jacques de Baisieux, by Patrick A. Thomas |
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44/3, p. 334 |
| O.J. PADEL |
Marged Haycock (ed.), Blodeugerdd Barddas o Ganu Crefyddol Cynnar |
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67/2, p. 334 |
| DAVID MAW |
Daniel E. O’Sullivan, Marian Devotion in Thirteenth-Century French Lyric |
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76/2, p. 335 |
| Spencer Pearce |
Tuscan Poetry of the Duecento: An Anthology, Garland Library of Medieval Literature A 99, by Frede Jensen |
|
65/2, p. 335 |
| THEO VAN HEIJNSBERGEN |
Priscilla Bawcutt (ed.), William Dunbar: Selected Poems |
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66/2, p. 335 |
| R.A. Waldron |
St. Erkenwald, by Ruth Morse |
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46/2, p. 336 |
| Spencer Pearce |
Transcription and Visual Poetics in the Early Italian Lyric, Garland Studies in Medieval Literature 7, by H. Wayne Storey |
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64/2, p. 336 |
| Daniel Anlezark |
John D. Niles, Old English Enigmatic Poems and the Play of Texts, Studies in the Early Middle Ages 13 |
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77/2, p. 336 |
| SALLY MAPSTONE |
Dunbar the Makar, by Priscilla Bawcutt |
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62/2, p. 337 |
| GARY P. CESTARO |
Word and Drama in Dante: Essays on the Divina Commedia, by John C. Barnes, Jennifer Petrie |
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64/2, p. 337 |
| PETER T. RICKETTS |
Walter Meliga, 'Intavulare'. ‘Tavole di canzonieri romanzi, Vol. I: Canzonieri provengali: 2. Bibliothèque nationale de France I (fr. 854), K (fr. 12473), Vol. I |
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72/2, p. 338 |
| JEAN DUNBABIN |
Susan L. Einbinder, No Place of Rest: Jewish Literature, Expulsion, and the Memory of Medieval France |
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80/1, p. 338 |
| JENNIFER PETRIE |
The Structure of Petrarch's 'Canzoniere': A Chronological, Psychological and Stylistic Analysis, by Frederic J. Jones |
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65/2, p. 339 |
| ROGER PENSOM |
Susan E. Bécam, Rhyme in Gace Brulé's Lyric: Formal and Semantic Interplay |
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68/2, p. 340 |
| LAURA ASHE |
David Matthews, Writing to the King: Nation, Kingship, and Literature in England, 1250-1350 |
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80/1, p. 341 |
| PETER T. RICKETTS |
Simon Gaunt, Ruth Harvey, and Linda Paterson (eds), with John Marshall and Melanie Florence, Marcabru: A Critical Edition |
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71/2, p. 341 |
| Helen Swift |
Sylvia Huot, Dreams of Lovers and Lies of Poets: Poetry, Knowledge, and Desire in the ‘Roman de la Rose’, Research Monographs in French Studies 31 (Helen J. Swift) |
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79/2, p. 341 |
| MARTIN J. DUFFELL |
The Pervasive Image: the Role of Analogy in the Poetry of Ausias March, Purdue University Monographs in the Romance Languages, 17, by Robert Archer |
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56/2, p. 343 |
| A.E. Cobby |
Noelle Laborderie (ed.) , Hugues Capet: chanson de geste du XIVe siècle, Classiques français du moyen âge 122 |
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67/2, p. 343 |
| Sylvia Huot |
Douglas Kelly, Internal Differences and Meanings in the Roman de la Rose |
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67/2, p. 344 |
| A. Keith Bate |
Una Redazione Poetica Latina Medievale della Storia 'De Excidio Troiae' di Darete Frigio, by Marcello Godi |
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38/3, p. 345 |
| Judith Weiss |
The Awntyrs off Arthure at the Terne Wathelyn, by Ralph Hanna III. |
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| EMMA J. CAYLEY |
David Cowling (ed.), George Chastelain, Jean Robertet, Jean de Montferrant: Les Douze Dames de Rhétorique |
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72/2, p. 347 |
| PETER ARMOUR |
The Undivine Comedy: Detheologizing Dante, by Teodolinda Barolini |
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63/2, p. 347 |
| DOROTHY S. SEVERIN |
Louise M. Haywood, The Lyrics of the 'Historia Troyana polimétrica', Papers of the Medieval Hispanic Research Seminar 3 |
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67/2, p. 348 |
| J.A.W. Bennett |
John Skelton, Early Tudor Laureate. An annotated bibliography c. 1488-1977, by Robert S. Kinsman |
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49/2, p. 349 |
| Cecily Clark |
Charles d'Orléans, ou, La Recherche d'un langage, (Bibliothèque du XVe siècle 38), by Alice Planche |
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46/2, p. 350 |
| Angus J. Kennedy |
Barbara K. Altmann, The Love Debate Poems of Chrìstine de Pizan: Le Livre du débat de deux amans, Le Livre des trois jugemens, Le Livre du dit de Poissy |
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68/2, p. 350 |
| STEPHEN PARKINSON |
Medieval Galician-Portuguese Poetry: an Anthology, Garland Library of Medieval Literature, Series A, 87, by Frede Jensen |
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62/2, p. 351 |
| HUGH ROBERTS |
Madeleine Jeay, Le Commerce des mots: L'Usage des listes dans la littérature médiévale (XIIe—XVe siècles), Publications romanes et françaises 241 |
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77/2, p. 351 |
| R. SHARPE |
'Carmina Burana'. Texte und Übersetzungen. Mit den Miniaturen aus der Handschrift, Bibliothek des Mittelalters, 13, by Benedikt Konrad Vollmann, Peter Diemer, Dorothee Diemer |
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61/2, p. 352 |
| John L. Flood |
Herzog Ernst D (wahrscheinlich von Ulrich von Etzenbach), Altdeutsche Textbibliothek 104, by Hans-Friedrich Rosenfeld |
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63/2, p. 352 |
| PETER ARMOUR |
Theodore J. Cachey Jr, Dante Now: Current Trends in Dante Studies, The William and Katherine Devers Series in Dante Studies 1 |
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66/2, p. 352 |
| ROGER PENSOM |
Emmanuele Baumgartner (comm.), Poésies de François Villon. Foliothèque 72 |
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68/2, p. 352 |
| Daron Burrows |
Michael Freeman and Jane H. M. Taylor (eds), Villon at Oxford: The Drama of the Text. Proceedings of the Conference Held at St Hilda's College, Oxford, March 1996 |
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71/2, p. 352 |
| JOHN NORTON-SMITH |
The Shorter Poems of Gavin Douglas, by Priscilla J. Bawcutt |
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37/3, p. 353 |
| Martin H. Jones |
Stefan Seeber, Poetik des Lachens. Untersuchungen zum mittelhochdeutschen Roman um 1200 |
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80/1, p. 353 |
| JOHN NORTON-SMITH |
Classical and Medieval Literary Criticism: Translations and Interpretations, by A. Preminger, O. B. Hardison Jr., K. Kerrane |
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| D.A. Trotter |
The Medieval Translator, Vol. II, Westfield Publications in Medieval Studies, 5, by Roger Ellis |
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61/2, p. 355 |
| Peter N. Dunn |
Alan Deyermond, David G. Pattison, and Eric Southworth (eds), Mio Cid Studies: 'Some Problems of Diplomatic' Fifty Years On, Papers of the Medieval Hispanic Research Seminar 42 |
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73/2, p. 358 |
| W.R.J. BARRON |
The Gawain-Poet, by Edward Wilson |
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47/2, p. 360 |
| JEAN CHARLES PAYEN |
Le débat sur le "Roman de la Rose", (Bibliothèque du XVe siècle, publiée sous la direction de Jean Dufournety XLIII), by Christine de Pisan, Jean Gerson, Jean De Montreuil, Gontier Col, Pierre Col, Eric Hicks |
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47/2, p. 363 |
| Helen Cooper |
English Verse 1300-1500. (Longman Annotated Anthologies of English Verse), by John Burrow |
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47/2, p. 372 |
| R.C. Alston |
'Gnade' bei Cynewulf und seiner Schule. Semasiologischonomasiologische Studien zu einem semantischen Feld, by Klaus Faiss |
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37/3, p. 373 |