Olive Sayce |
Die Strophik Walthers von der Vogelweide: Ein Beitrag zu den Aufbauprinzipien in der lyrischen Dichtung des Hochmittelalters, by Karl-Heinz Schirmer |
27/1 |
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p. 30 |
Colin Hardie |
Dante Die göttliche Komödie. Kommentar I Teil. Die Hölle, by Herman Gmelin |
24/1 |
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p. 35 |
G.L. Brook |
English Literature at the Close of the Middle Ages. Volume II, Part 2, by E. K. Chambers |
16/ |
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p. 42 |
J.M.S. Pasley |
Poems of Walther von der Vogelweide: thirty new English renderings in the original forms, with the Middle High German texts, selected Modern German translations, and an introduction, by Edwin H. Zeydel, Bayard Quincy Morgan |
22/1 |
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p. 44 |
R.A. Browne |
The Historia Novella by William of Malmesbury, by K. R. Potter |
25/1 |
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p. 49 |
C.A. Robson |
Saint Modwenna, by A. T. Baker, Alexander Bell |
18/ |
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p. 49 |
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Carolingian Art Painting and Sculpture in Western Europe A.D. 800-900, by Roger Hinks |
5/1 |
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p. 57 |
Mario Praz |
Neoplatonism of the Italian Renaissance, by Nesca A. Robb |
7/1 |
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p. 68 |
C.L. Wrenn |
Anglo-Saxon poetry: an essay with specimen translations in verse, by Gavin Bone |
13/ |
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p. 68 |
Kathleen Chesney |
The Novels of Juan de Flores and their European Diffusion. A Study in Comparative Literature. Comparative Literature Series. Institute of French Studies, by Barbara Matulka |
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p. 70 |
Clement C.J. Webb |
A Study of the Summa Philosophiœ of the Pseudo-Grosseteste, by Charles King McKeon |
19/ |
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p. 70 |
Phyllis Abrahams |
Das europäische Theater im Mittelalter und in der Renaissance, by Hans Heinrich Borcherdt |
7/1 |
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p. 72 |
Ruth Harvey |
Rudolf von Ems: Untersuchungen zum höfischen Roman im 13. Jahrhundert, by Xenja von Ertzdorff |
38/1 |
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p. 72 |
Judith Weiss |
The Awntyrs off Arthure at the Terne Wathelyne, by Robert J. Gates |
41/1 |
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p. 74 |
Rachel Bromwich |
Aspects of Celtic Literature. (Monograph No. I), by B. K. Martin, S. T. Knight |
41/1 |
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p. 78 |
Alfred Ewert |
Lais et Fabliaux. (Poèmes et Récits de la Vieille France XV), by L. Brandin |
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p. 80 |
James Kinsley |
Robert Henryson, by Marshall W. Stearns |
19/ |
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p. 80 |
Bernd Naumann |
Rudolf von Ems: Der guote Gêrhart. (Second edition, Althochdeutsche Textbibliothek 56), by John A. Asher |
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p. 83 |
John Stevens |
Hucbald, Guido, and John on Music: Three Medieval Treatises. (Music Theory Translation Series 3), by Warren Babb, Claude V. Palisca |
49/1 |
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p. 99 |
J. Leclercq |
Das Hohelied. Canticum canticorum. Faksimile-Ausgabe des Codex Bodmer 31, by Alois M. Haas |
49/1 |
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p. 110 |
Eric Stanley |
'Beowulf' and the 'Beowulf' Manuscript, by Kevin S. Kiernan |
53/1 |
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p. 112 |
J.M.S. Pasley |
Der arme Heinrich Hartmanns von Aue, by Bert Nagel |
23/2 |
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p. 116 |
LEOFRANC HOLFORD-STREVENS |
Silvia Wälli Melodien aus mittelalterlichen Horaz-Handschriften. Edition und Interpretation der Quellen, Monumenta monodica medii aevi: subsidia, III |
73/1 |
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p. 116 |
DENIS RENEVEY |
Mary C. Erler, Women, Reading and Piety in Late Medieval England, Cambridge Studies in Medieval Literature 46 |
73/1 |
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p. 119 |
CORY J. RUSHTON |
Robert Mills, Suspended Animation: Pain, Pleasure and Punishment in Medieval Culture |
76/1 |
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p. 120 |
CHARLES RUNACRES |
John Gower's Poetic: the Search for a New Arion, by R. F. Yeager |
61/1 |
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p. 123 |
ALAN J. FLETCHER |
The Theater of Devotion: East Anglian Drama and Society in the Late Middle Ages, by Gail McMurray Gibson |
60/1 |
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p. 123 |
Roger Ellis |
Richard Rolle and the Invention of Authority, Cambridge Studies in Medieval Literature, 13, by Nicholas Watson |
62/1 |
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p. 124 |
John Stevens |
Ratio and Invention: a Study of Medieval Lyric and Narrative, by Robert R. Edwards |
60/1 |
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p. 124 |
SARAH McNAMER |
The Dream of Chaucer: Representation and Reflection in the Early Narratives, by Robert R. Edwards |
61/1 |
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p. 125 |
RITA COPELAND |
Christ's Body: Identity, Culture and Society in Late Medieval Writings, by Sarah Beckwith |
64/1 |
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p. 125 |
Barbara C. Raw |
The Book of Kells: Proceedings of a Conference at Trinity College Dublin, 6-9 September 1992, by Felicity O'Mahony |
65/1 |
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p. 125 |
Daniel Wakelin |
Liam O. Purdon, The Wakefield Master's Dramatic Art: A Drama of Spiritual Understanding |
73/1 |
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p. 126 |
A.V.C. Schmidt |
'Piers Plowman': A Facsimile of Bodleian Library, Oxford, MS Douce 104, by Derek Pearsall, Kathleen Scott |
63/1 |
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p. 128 |
Richard Dance |
Trevor Eaton (reader), Beowulf, ('Pearl' label; Wadhurst: Pavilion Records, 1997). Two CDs, total running time 145’ 02”, by Trevor Eaton |
67/1 |
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p. 128 |
Jeffrey Hamburger |
Klara H. Broekhuijsen, The Masters of the Dark Eyes: Late Medieval Manuscript Painting in Holland |
79/1 |
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p. 128 |
CERIDWEN LLOYD-MORGAN |
Juliette Wood, Eternal Chalice: The Enduring Legend of the Holy Grail |
79/1 |
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p. 130 |
Jane H.M. Taylor |
Littera et Sensus: Essays on Form and Meaning in Medieval French Literature presented to John Fox, by D. A. Trotter |
60/1 |
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p. 134 |
J.S. McKINNELL |
Peter Happé, The Towneley Cycle: Unity and Diversity, Religion and Culture in the Middle Ages |
77/1 |
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p. 134 |
CEDRIC E. PICKFORD |
Le 'Tristan en prose', Essai d'interprétation d'un roman médiéval. (Publications Romanes et Françaises 133), by Emmanuèle Baumgartner |
47/1 |
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p. 135 |
Barry Windeatt |
Chaucer and the Tradition of the 'Roman Antique', Cambridge Studies in Medieval Literature 15, by Barbara Nolan |
63/1 |
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p. 136 |
EMMA HORNBY |
John Haines, Eight Centuries of Troubadours and Trouveres: The Changing Identity of Medieval Music |
74/1 |
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p. 137 |
David Scott-Macnab |
William Perry Marvin, Hunting Law and Ritual in Medieval English Literature |
76/1 |
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p. 137 |
L. Pertile |
Tragedy and Comedy from Dante to Pseudo-Dante, University of California Publications on Modern Philology, 121, by Henry Ansgar Kelly |
60/1 |
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p. 139 |
DAVID WALLACE |
Derek Pearsall (ed.), Chaucer to Spenser: An Anthology of Writings in English, 1375-1575 |
69/1 |
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p. 140 |
Brian Woledge |
Claude Fauchet, sa vie, son œuvre, by Janet Girvan Espiner-Scott |
11/ |
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p. 141 |
Colin Hardie |
Essays on Dante and Mediæval Culture. Critical studies of the thought and texts of Dante, St. Augustine, St. Thomas Aquinas, Marsilius of Padua, and other mediæval subjects. 71 in series I of the Biblioteca dell' 'Archivum Romanicum', by Dino Bigongiari |
35/2 |
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p. 144 |
ARDIS BUTTERFIELD |
William Calin, The French Tradition and the Literature of Medieval England |
67/1 |
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p. 144 |
Bernard O'Donoghue |
Hermeneutics and Medieval Culture, by Patrick J. Gallagher, Helen Damico |
60/1 |
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p. 145 |
Leslie C. Brook |
Sahar Amer, Ésope au féminin: Marie de France et la politique de l'interculturalité, Faux Titre 169 |
70/1 |
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p. 146 |
LOUISE STEPHENS |
Romaine Wolf-Bonvin, Textus: de la tradition latine à l'esthétique du roman médiéval. 'Le Bel Inconnu', 'Amadas et Ydoine' |
70/1 |
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p. 148 |
Lynette Muir |
Wolfgang van Emden (ed.), Le Jeu d'Adam, British Rencesvals Publications 1 |
67/1 |
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p. 148 |
John C. Barnes |
John Woodhouse (ed.), Dante and Governance |
68/1 |
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p. 149 |
G.W.S. Friedrichsen |
Die geistige Welt der Gotik und ihre Bedeutung für Italien. (Deutsche Vierteljahrschrift für Literaturwissenschaft und Geistesgeschichte, 25 Band), by Georg Weise |
8/2 |
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p. 152 |
D.H. Turner |
Jean Pucelle, by Kathleen Morand |
33/2 |
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p. 153 |
Rosemary Woolf |
Mediæval English Lyrics, A Critical Anthology, by R. T. Davies |
34/2 |
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p. 154 |
HEATHER O'DONOGHUE |
Viking Poems on War and Peace: a Study in Skaldic Narrative, by R. G. Poole |
62/1 |
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p. 154 |
F.J. JONES |
The Worlds of Petrarch, Duke Monographs in Medieval and Renaissance Studies 14, by Giuseppe Mazzotta |
65/1 |
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p. 154 |
STEVEN BOTTERILL |
John Kleiner, Mismapping the Underworld: Daring and Error in Dante's 'Comedy' |
66/1 |
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p. 154 |
ADRIAN TUDOR |
Claudio Galderisi, Diegesis: Études sur la poétique des motifs narratifs au Moyen Âge (de la 'Vie des Pères' aux lettres modernes), Culture et société médiévales 7 |
75/1 |
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p. 156 |
M.B.M. Boulton |
Lydie Louison, De Jean Renart à Jean Maillart: Les Romans de style gothique, Nouvelle Bibliothèque du Moyen Âge 69 |
75/1 |
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p. 157 |
Alfred Ewert |
Le poème du Gral ; Le Parzival de Wolfram d' Eschenbach et ses sources françaises, by Maurice Wilmotte |
3/2 |
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p. 158 |
Alastair Minnis |
John Gower, the Medieval Poet, by Masayoshi Itô |
47/1 |
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p. 162 |
ALAN ROBERTSHAW |
L. Peter Johnson, Geschichte der deutschen Literatur von den Anfangen bis zum Beginn der Neuzeit, vol. II: Vom hohen zum späten Mittelalter, part I: Die höfische Literatur der Blütezeit 1160/70—1220/30, Vol. II |
75/1 |
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p. 163 |
DIANA EDWARDS |
Voluspá. (Durham and St. Andrews Medieval Texts 1), by Sigurður Nordal, B. S. Benedikz, John McKinnell |
49/1 |
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p. 164 |
MICHAEL STOLZ |
Jens Haustein,Marner-Studien, Münchener Texte und Untersuchungen zur deutschen Literatur des Mittelalters 109, |
67/1 |
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p. 168 |
Patrick Boyde |
Medieval Latin and the Rise of European Love-Lyric, vol. II, Medieval Latin Love-Poetry, by Peter Dronke |
36/2 |
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p. 171 |
NIGEL HARRIS |
Nürnberger Prosa-Äsop. Altdeutsche Textbibliothek 107, by Klaus Grubmüller |
65/1 |
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p. 171 |
M.J. FREEMAN |
Recueil de sermons joyeux, Textes littéraires français, 362, by Jelle Koopmans |
59/1 |
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p. 172 |
M.J. FREEMAN |
Actes du VeColloque International sur le Mojen Français, Milan, 6-8 mai 1985, I: Les Grands Rhétoriqueurs; II: Le Moyen français; III: Etudes littéraires sur le XVe siècle, Vita e Pensiero, Scienze filologiche e letteratura, 29-31; Centro Studi sulla letteratura medio-francese, III-V |
58/1 |
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p. 172 |
Cecilia M. Ady |
Humanism in England during the Fifteenth Century. (Medium Ævum Monographs IV), by R. Weiss |
10/3 |
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p. 173 |
W. Ann Trindade |
The Anatomy of Love. The Tristan of Gottfried von Strassburg, by W. T. H. Jackson |
43/2 |
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p. 173 |
Dorena Allen Wright |
Twelve Beowulf Papers 1940-1960, by A. Bonjour |
34/2 |
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p. 177 |
Richard Axton |
The Construction of the Wakefield Cycle, by John Gardner |
47/1 |
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p. 181 |
Peter Rickard |
Les Chansons de Geste et l'Épopée: Mythes—histoire—poèmes. (Biblioteca di Studi Francesi, 3), by Italo Siciliano |
39/2 |
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p. 182 |
Margaret Thomas |
Die Gebärde im Drama des Mittelalters: Osterfeiern. Osterspiele. (Münchener Texte und Untersuchungen zur deutschen Literatur des Mittelalters 49), by Anke Roeder |
47/1 |
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p. 182 |
Roy Harris |
The Quest for the Holy Grail. A Uterary Study of a Thirteenth-Century French Romance. (Stanford Studies in Language and Literature XXI), by Frederick W. Locke |
30/3 |
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p. 186 |
Michael C. Seymour |
Provence and Pound, by Peter Makin |
50/1 |
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p. 190 |
Meg Twycross |
A Mirror of Chaucer's World, by Roger Sherman Loomis |
36/2 |
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p. 191 |
Colin Hardie |
The Barlow Lectures on Dante, 1959. (supplement to Italian Studies XV), by J. H. Whitfield |
29/3 |
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p. 203 |
Margaret Schlauch |
The Saga of the Volsungs, by R. G. Finch |
36/2 |
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p. 207 |
Eugène Vinaver |
Early Mediaeval French Lyrics, by Claude Colleer Abbott |
3/3 |
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p. 209 |
Alfred Ewert |
Corpus Cantilenarum Medii Aevi. Premiere Série, Les Chansonniers des Troubadours et des Trouvères, numéro 2 : Le Manuscrit du Roi, fonds français No. 844 de la bibliothèque Nationale. Tome I, Reproduction phototypique publié[e] avec une introduction; tome II, Analyse et Description raisonnées du manuscrit restauré, by Jean Beck, Madame Louise Beck |
8/3 |
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p. 215 |
J.H. Mozley |
Apologia de Barbis, by Burchardus de Bellevaux ; a Twelfth Century Treatise on Beards and their Moral and Mystical Significance, now for the first time edited from the only known manuscript (British Museum MS. add. 41997), by E. Ph. Goldschmidt |
5/3 |
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p. 219 |
Richard Leighton Greene |
Music and Poetry in the Early Tudor Court, by John Stevens |
31/3 |
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p. 220 |
Otto Pächt |
Meditations on the Life of Christ—An Illustrated Manuscript of the Fourteenth Century (Paris, Bibl. Nat., MS. Ital. 115), by Isa Ragusa, Rosalie B. Green |
32/3 |
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p. 234 |
Margaret Schlauch |
The Poetic Edda. Volume I: Heroic Poems, by Ursula Dronke |
39/2 |
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p. 237 |
Nicolas Jacobs |
The Bannatyne Manuscript. National Library of Scotland Advocates' MS I.1.6, by Denton Fox, William A. Ringler |
51/2 |
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p. 243 |
John C. Barnes |
The World of Dante: Essays on Dante and his Times, by Cecil Grayson |
51/2 |
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p. 266 |
R.B. Dobson |
The History of King Richard III. (The Complete Works of St. Thomas More, Volume II), by Richard S. Sylvester |
34/3 |
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p. 281 |
Faith Lyons |
Le Rire et le Sourire dans le Roman Courtois en France au Moyen Âge (1150-1250) (Publications Romanes et Françaises CV), by Philippe Ménard |
43/3 |
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p. 283 |
S.A.J. Bradley |
Old English Literature, by Michael Alexander |
54/2 |
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p. 284 |
Beryl Rowland |
Form and Style in Early English Literature, by Pamela Gradon |
43/3 |
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p. 286 |
LISTER M. MATHESON |
Latin Palaeography: Antiquity and the Middle Ages, by Bernhard Bischoff, Dáibhi ó Cróinín, David Ganz |
60/2 |
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p. 290 |
A.V.C. Schmidt |
Art and Beauty in the Middle Ages, by Umberto Eco, Hugh Bredin |
57/2 |
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p. 291 |
ENRICO GIACCHERINI |
The Old French and Chaucerian Fabliaux. A Study of Their Comic Climax, by Thomas D. Cooke |
48/2 |
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p. 300 |
A.J. Bliss |
The Meter and Melody of Beowulf. (Illinois Studies in Language and Literature 64), by Thomas Cable |
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p. 303 |
Dennis Green |
Ulrich von Türheim: Tristan. (Altdeutsche Textbibliothek 89), by Thomas Kerth |
49/2 |
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p. 306 |
John Lawlor |
Chaucer: The Book of the Duchess, Durham and St Andrews Medieval Texts, 3, by Helen Phillips |
54/2 |
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p. 308 |
MICHAEL SHIELDS |
The 'Summa musice': A Thirteenth-Century Manual for Singers, by Christopher Page |
63/2 |
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p. 309 |
Jeffrey Hamburger |
Judith Raeber, Buchmalerei in Freiburg im Breisgau: Ein Zisterzienserbrevier aus dem frühen 14. Jahrhundert. Zur Geschichte des Breviers und seiner Illumination |
76/2 |
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p. 310 |
R.W.V. Elliott |
The Art of the Gawain-Poet, by W. A. Davenport |
48/2 |
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p. 312 |
P.J.C. Field |
The Changing Face of Arthurian Romance: Essays on Arthurian Prose Romances in Memory of Cedric E. Pickford, Arthurian Studies, 16, by Alison Adams, Armel H. Diverres, Karen Stern, Kenneth Varty |
58/2 |
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p. 313 |
CATHERINE LA FARGE |
Reading the 'Morte Darthur', Arthurian Studies, 20, by Terence McCarthy |
59/2 |
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p. 314 |
Peter Dronke |
André le Chapelain: Traité de l'amour courtois. (Bibliothèque française et romane D 9), by Claude Buridant |
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p. 317 |
W. Ann Trindade |
The Conflict of Love and Honor: The Medieval Tristan Legend in France, Germany and Italy. (De Proprietatibus Litterarum, Series Practica 78), by Joan M. Ferrante |
46/2 |
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p. 317 |
MARY SWAN |
M. Bradford Bedingfield, The Dramatic Liturgy of Anglo-Saxon England |
72/2 |
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p. 321 |
Ian Short |
Lancelot and the Grail: a Study of the Prose 'Lancelot', by Elspeth Kennedy |
57/2 |
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p. 321 |
Pamela Gradon |
Aspects of Malory, by Toshiyuki Takamiya, Derek Brewer |
53/2 |
|
p. 322 |
Nicolas Jacobs |
Between Languages: The Uncooperative Text in Early Welsh and Old English Nature Poetry, by Sarah L. Higley |
63/2 |
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p. 323 |
PETER T. RICKETTS |
A Handbook of the Troubadours, by F. R. P. Akehurst, Judith M. Davis |
65/2 |
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p. 324 |
ALISON I. BEACH |
Felix Heinzer, Klosterreform und mittelalterliche Buchkultur im deutschen Südwesten, Mittellateinische Studien und Texte 39 |
78/2 |
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p. 324 |
L. Pertile |
'L'etterno piacer': Aesthetic Ideas in Dante, by J. F. Took |
55/2 |
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p. 327 |
Barbara M.H. Strang |
Chaucer and the Shape of Creation, by Robert M. Jordan |
38/3 |
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p. 328 |
Keith Busby |
Studies in Medieval French Language and Literature presented to Brian Woledge in Honour of his 80th Birthday, by Sally Burch North, M. A. Screech |
58/2 |
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p. 328 |
Jane H.M. Taylor |
Georges Chastelain: ‘Le Temple de Bocace’, Romanica Helvetica, 104, by Susanna Bliggenstorfer |
59/2 |
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p. 329 |
Michael P. Kuczynski |
The Fabliau in English, Longman Medieval and Renaissance Library, by John Hines |
63/2 |
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p. 330 |
JOHN M. BOWERS |
Chaucer and his Readers: Imagining the Author in Late-Medieval England, by Seth Lerer |
63/2 |
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p. 332 |
NICOLETTE ZEEMAN |
Christopher Cannon, Middle English Literature: A Cultural History |
78/2 |
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p. 333 |
DAVID MAW |
Mary O’Neill, Courtly Love Songs of Medieval France: Transmission and Style in the Trouvère Repertoire, Oxford Monographs in Music |
76/2 |
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p. 334 |
Keith Busby |
Le Roman de Tristan en Prose, Tome III, Arthurian Studies, 14, by Renée L. Curtis |
56/2 |
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p. 335 |
PETER HAINSWORTH |
Five Frames for the 'Decameron': Communications and Social Systems in the 'Cornice', by Joy Hambuechen Potter |
53/2 |
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p. 336 |
Luke Sunderland |
Bénédicte Milland-Bove, La Demoiselle arthurienne: Écriture du personnage et art du récit dans les romans en prose du XIIIe siècle, Nouvelle Bibliothèque du Moyen Âge 79 |
76/2 |
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p. 337 |
Elizabeth Solopova |
Seiichi Suzuki, The Metre of Old Saxon Poetry: The Remaking of Alliterative Tradition |
74/2 |
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p. 341 |
Robert F. Yeager |
Douglas Gray (ed.), The Oxford Companion to Chaucer |
74/2 |
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p. 344 |
Sylvia Huot |
Geri L. Smith, The Medieval French Pastourelle Tradition: Poetic Motivations and Generic Transformations |
78/2 |
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p. 345 |
Wan-Chuan Kao |
Bill Burgwinkle and Cary Howie, Sanctity and Pornography in Medieval Culture: On the Verge |
80/1 |
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p. 347 |
Jill Mann |
The Idea of the Canterbury Tales, by Donald R. Howard |
47/2 |
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p. 356 |
ANNETTE VOLFING |
Margreth Egidi, Höfische Liebe: Entwürfe der Sangspruchdichtung. Literarische Verfahrensweisen von Reinmar von Zweter bis Frauenlob, Germanisch-Romanische Monatsschrift Suppl. 17 |
72/2 |
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p. 361 |
PETER MAKIN |
Pound's Translations of Arnaut Daniel: a Variorum Edition with Commentary from Unpublished Letters, Garland Studies in Comparative Literature, by Charlotte Ward |
61/2 |
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p. 364 |