| JOHN NORTON-SMITH |
The Golden Mirror: Studies in Chaucer's Descriptive Technique and its Literary Background, by Claes Schaar |
|
27/1, p. 43 |
| Colin Hardie |
Dante and the Idea of Rome, by C. T. Davis |
|
30/2, p. 121 |
| Paul L. Priest |
Cultural Thematics: the Formation of the Faustian Ethos, by T. K. Seung |
|
47/1, p. 146 |
| STEVEN BOTTERILL |
John Kleiner, Mismapping the Underworld: Daring and Error in Dante's 'Comedy' |
|
66/1, p. 154 |
| Jill Mann |
A Chaucer Dictionary: Proper. Names and Allusions Excluding Place Names, by Bert Dillon |
|
47/1, p. 159 |
| A.C. Cawley |
Chaucer and the Tradition of Fame: Symbolism in The House of Fame, by B. G. Koonce |
|
37/2, p. 205 |
| John C. Barnes |
The World of Dante: Essays on Dante and his Times, by Cecil Grayson |
|
51/2, p. 266 |
| Stanley Fabian Parmisano O.P. |
A Preface to Chaucer, by D. W. Robertson |
|
35/3, p. 273 |
| VINCENT MOLETA |
Dante's 'Paradiso' and the Limitations of Modern Criticism, by Robin Kirkpatrick |
|
49/2, p. 312 |
| ALCUIN BLAMIRES |
'Sir Gawain and the Green Knight' and the Idea of Righteousness, Dublin Studies in Medieval and Renaissance Literature, by Gerald Morgan |
|
61/2, p. 317 |
| JOHN TOOK |
Zygmunt G. Barański, Dante e i segni: saggi per una storia intellettuale di Dante Alighieri |
|
71/2, p. 358 |