| Alison M. Wilson |
Blind Beasts: Chaucer's Animal World, by Beryl Rowland |
|
42/1, p. 91 |
| E.V. Gordon |
Geoffrey Chaucer, by John Livingston Lowes |
|
6/2, p. 125 |
| Neil Cartlidge |
Karma Lochrie, Covert Operations: The Medieval Uses of Secrecy |
|
70/1, p. 137 |
| NICOLA F. McDONALD |
Anne Laskaya , Chaucer's Approach to Gender in the 'Canterbury Tales', Chaucer Studies 23 |
|
66/1, p. 139 |
| Alastair Minnis |
Chaucerian Fiction, by Robert B. Burlin |
|
49/1, p. 145 |
| Colin Wilcockson |
Oppositions in Chaucer, by Peter Elbow |
|
48/1, p. 146 |
| Ian Bishop |
The Parlement of Foules, by J. A. W. Bennett |
|
27/3, p. 204 |
| HELEN S. HOUGHTON |
Medieval Body Language: a study of the use of gesture in Chaucer's poetry, Anglistica, 21 (Copenhagen: Rosenkilde & Bagger, 1980), by Robert G. Benson |
|
51/2, p. 261 |
| Mishtooni Bose |
Job, Boethius and Epic Truth, by Ann W. Astell |
|
64/2, p. 297 |
| R.T. Davies |
The Structure of Sir Thomas Malory's Arthuriad. (Monograph no. 14), by Stephen Knight |
|
40/3, p. 303 |
| DERRICK PITARD |
Chaucer: Complaint and Narrative, Chaucer Studies, 14, by William A. Davenport |
|
58/2, p. 326 |