Colin Hardie |
Dante Die göttliche Komödie. Kommentar I Teil. Die Hölle, by Herman Gmelin |
|
24/1, p. 35 |
Ruth Harvey |
Rudolf von Ems: Untersuchungen zum höfischen Roman im 13. Jahrhundert, by Xenja von Ertzdorff |
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38/1, p. 72 |
M.F.M.M. |
Dante Vivo, by Giovanni Papini, Eleanor Hammond Broadus, Anne Benedetti |
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5/1, p. 76 |
KANTIK GHOSH |
Brian Stock, After Augustine: The Meditative Reader and the Text |
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72/1, p. 114 |
J.K. Bostock |
Sachsenspiegel and Bible : researches in the source history of the Sachsenspiegel and the influence of the Bible on mediæval German law, by Guido Kisch |
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11/, p. 118 |
HELEN BARR |
Wynnere and Wastoure, Early English Text Society, Original Series, 297, by Stephanie Trigg |
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61/1, p. 119 |
Anne Hudson |
Michael P. Kuczynski, Prophetic Song: The Psalms as Moral Discourse in Late Medieval England |
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66/1, p. 123 |
Daniel Wakelin |
Liam O. Purdon, The Wakefield Master's Dramatic Art: A Drama of Spiritual Understanding |
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73/1, p. 126 |
Bernard O'Donoghue |
Chaucer Traditions: Studies in Honour of Derek Brewer, by Ruth Morse, Barry Windeatt |
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61/1, p. 131 |
Norman Klassen |
Alcuin Blamires, Chaucer, Ethics, and Gender |
|
76/1, p. 135 |
ELIZABETH EVERSHED |
Samantha J. Rayner, Images of Kingship in Chaucer and his Ricardian Contemporaries |
|
80/2, p. 138 |
ELIZABETH ARCHIBALD |
Andrew Lynch, Malory's Book of Arms: The Narrative of Combat in 'Le Morte Darthur', Arthurian Studies 39 |
|
67/1, p. 138 |
DAVID COWLING |
Jean-Claude Mühlethaler and Jacqueline Cerquiglini-Toulet (eds), Poétiques en transition: entre Moyen Âge et Renaissance |
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73/1, p. 141 |
Colin Hardie |
Essays on Dante and Mediæval Culture. Critical studies of the thought and texts of Dante, St. Augustine, St. Thomas Aquinas, Marsilius of Padua, and other mediæval subjects. 71 in series I of the Biblioteca dell' 'Archivum Romanicum', by Dino Bigongiari |
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35/2, p. 144 |
PHILIP E. BENNETT |
Marianne J. Ailes, The 'Song of Roland': On Absolutes and Relative Values, Studies in Mediaeval Literature 20 |
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72/1, p. 150 |
JOHN C. HIRSH |
J. Allan Mitchell, Ethics and Exemplary Narrative in Chaucer and Gower, Chaucer Studies XXXIII |
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75/1, p. 151 |
S.J. HARRISON |
Thomas M. S. Lehtonen, Fortuna, Money and the Sublunar World· Twelfth-Century Ethical Poetics and the Satirical Poetry of the 'Carmina Burana' |
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66/2, p. 321 |
ANDREW LYNCH |
Catherine Batt, Malory’s ‘Morte Darthur’: Remaking Arthurian Tradition, The New Middle Ages |
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72/2, p. 333 |
Norman Klassen |
Perception and Passion in Dante's 'Comedy', by Patrick Boyde |
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64/2, p. 338 |
Jane H.M. Taylor |
Margaret Jewett Burland, Strange Words: Retelling and Reception in the Medieval Roland Textual Tradition |
|
78/2, p. 341 |
Dennis Green |
Katharina Mertens Fleury, Leiden lesen. Bedeutungen von compassio um 1200 und die Poetik des Mit-Leidens im 'Parzival' Wolframs von Eschenbach, Scrinium Friburgense 21 |
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76/2, p. 342 |
ANNETTE VOLFING |
Liebe als universales Prinzip bei Frauenlob: Ein volkssprachlicher Weltentwurf in der europäischen Dichtung um 1300, Münchener Texte und Untersuchungen 106, by Ralf-Henning Steinmetz |
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65/2, p. 344 |
JOHN TOOK |
Zygmunt Barański, 'Sole nuovo, luce nuova': saggi sul rinnovamento culturale in Dante |
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66/2, p. 351 |
THERESA OLIVER |
Patrick Boyde, Human Vices and Human Worth in Dante’s Comedy |
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71/2, p. 356 |