Norman Klassen |
Edward I. Condren, Chaucer and the Energy of Creation: The Design and the Organization of the 'Canterbury Tales' |
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70/1, p. 139 |
Pamela Gradon |
Figures of Life and Death in Medieval English Literature, by Philippa Tristram |
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47/1, p. 166 |
Miranda Griffin |
Nathalie Koble, ‘Les Prophéties de Merlin’ en prose: Le Roman arthurien en éclats |
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79/2, p. 338 |
MATILDA TOMARYN BRUCKNER |
Luke Sunderland, Old French Narrative Cycles: Heroism between Ethics and Morality, Gallica 15 |
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79/2, p. 339 |
Daniel Wakelin |
Peter Happé, Cyclic Form and the English Mystery Plays: A Comparative Study of the English Biblical Cycles and their Continental and Iconographie Counterparts, Ludus: Medieval and Early Renaissance Theatre and Drama 7 |
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74/2, p. 349 |
R.H. RICHENS |
Fifteenth-century liturgical music. II: Four anonymous masses. (British Academy Early English Church Music 22), by Margaret Bent |
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49/2, p. 350 |
Luke Sunderland |
Sophie Albert, ‘Ensemble ou par pieces’: ‘Guiron le Courtois’ (XIIIe–XVe siècles): la cohérence en question |
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80/1, p. 351 |