| Norman Klassen |
Suzannah Biernoff Sight and Embodiment in the Middle Ages |
|
73/1, p. 112 |
| Norman Klassen |
David Aers, Faith, Ethics and Church: Writing in England, 1360-1409 |
|
71/1, p. 138 |
| Norman Klassen |
Edward I. Condren, Chaucer and the Energy of Creation: The Design and the Organization of the 'Canterbury Tales' |
|
70/1, p. 139 |
| CORY J. RUSHTON |
Abigail Wheatley, The Idea of the Castle in Medieval England |
|
75/1, p. 166 |
| A.S.G. Edwards |
Richard Beadle and A.J. Piper (eds), New Science out of Old Books: Studies in Manuscripts and Early Printed Books in Honour of A. l Doyle |
|
66/2, p. 308 |
| A.S.G. Edwards |
Textual Criticism and Middle English Texts, by Tim William Machan |
|
65/2, p. 313 |
| Norman Klassen |
Dolores L. Cullen, Chaucer’s Pilgrims: The Allegory |
|
72/2, p. 327 |
| Norman Klassen |
Suzanne Conklin Akbari, Seeing Through the Veil: Optical Theory and Medieval Allegory |
|
74/2, p. 333 |
| Norman Klassen |
L. O. Aranye Fradenburg, Sacrifice your Love: Psychoanalysis, Historicism, Chaucer |
|
73/2, p. 336 |