| Cecily Clark |
SIR "GAWAIN AND THE GREEN KNIGHT": ITS ARTISTRY AND ITS AUDIENCE |
|
40/1, p. 10 |
| R.N. Illingworth |
THE COMPOSITION OF "GRÆLENT" AND "GUINGAMOR" |
|
|
| FLORIN CURTA |
Colour perception, dyestuffs, and colour terms in twelfth-century French literature |
|
73/1, p. 43 |
| Maldwyn Mills |
A NOTE ON "SIR LAUNFAL" 733-744 |
|
35/2, p. 122 |
| B.K. Martin |
"SIR LAUNFAL" AND THE FOLKTALE |
|
35/3, p. 199 |
| E.B. Lyle |
"SIR LANDEVALEALE" THE FAIRY-MISTRESS THEME IN "THOMAS OF ERCELDOUNE" |
|
42/3, p. 244 |
| Alexander Bell |
A NOTE ON ISEULT'S DREAM |
|
43/3, p. 264 |
| Peter J. Lucas |
TOWARDS AN INTERPRETATION OF "SIR LAUNFAL" WITH PARTICULAR REFERENCE TO LINE 683 |
|
39/3, p. 291 |