Nigel Palmer |
Katalog der mittelalterlichen Helmstedter Handschriften. Teil I: Cod. Guelf. 1 bis 276 Helmst., descriptions by Helmar Härtel, Christian Heitzmann, Dieter Merzbacher, and Bertram Lesser |
|
84/1, p. 136 |
Bronach Kane |
Elizabeth L’Estrange, Holy Motherhood: Gender, Dynasty and Visual Culture in the Later Middle Ages |
|
81/2, p. 145 |
Britt Mize |
Michael D. C. Drout, Tradition and Influence in Anglo-Saxon Literature: An Evolutionary, Cognitivist Approach (Britt Mize) |
|
84/1, p. 147 |
JEAN DUNBABIN |
Max Harris, Sacred Folly: A New History of the Feast of Fools |
|
81/2, p. 148 |
Megan Cavell |
Asa Simon Mittman and Susan M. Kim, Inconceivable Beasts: The Wonders of the East in the Beowulf Manuscript (Megan Cavell) |
|
84/1, p. 148 |
MICHAEL JOHNSTON |
Katharine Breen, Imagining an English Reading Public, 1150–1400 |
|
81/2, p. 150 |
Derek Pearsall |
A. C. Spearing, Medieval Autographies: The ‘I’ of the Text (Derek Pearsall) |
|
84/1, p. 150 |
Greg Walker |
Douglas Gray, The Phoenix and the Parrot: Skelton and the Language of Satire (Greg Walker) |
|
84/1, p. 151 |
William Burgwinkle |
Fidel Fajardo-Acosta, Courtly Seductions, Modern Subjectivities: Troubadour Literature and the Medieval Construction of the Modern World |
|
81/2, p. 152 |
SARAH WOOD |
Ian Johnson, The Middle English Life of Christ: Academic Discourse, Translation, and Vernacular Theology (Sarah Wood) |
|
84/1, p. 152 |
Marilyn Lawrence |
Jacques Chocheyras, Réalité et imaginaire dans le ‘Tristan’ de Béroul |
|
81/2, p. 153 |
Marilyn Lawrence |
Insaf Machta, Poétique de la ruse dans les récits tristaniens français du XIIe siècle |
|
81/2, p. 154 |
Simon Gilson |
Susanna Barsella, In the Light of Angels: Angelology and Cosmology in Dante’s Divina Commedia |
|
82/2, p. 154 |
Kathryn Kerby-Fulton |
Linne R. Mooney and Estelle Stubbs, Scribes and the City: London Guildhall Clerks and the Dissemination of Middle English Literature 1375–1425 (Kathryn Kerby-Fulton) |
|
84/1, p. 154 |
Tim Atkin |
Nicola Morato, Il ciclo di ‘Guiron le Courtois’: Strutture e testi nella tradizione manoscritta (Tim Atkin) |
|
84/1, p. 157 |
Jessica Stoll |
Penny Eley, Partonopeus de Blois: Romance in the Making |
|
81/2, p. 159 |
K.P. Clarke |
Maria Luisa Ardizzone, Dante: il paradigma intellettuale: Un’inventio degli anni fiorentini (K. P. Clarke) |
|
84/1, p. 161 |
Nicolò Maldina |
Mira Mocan, L’arca della mente: Riccardo di San Vittore nella ‘Commedia’ di Dante |
|
|
Stefano Milonia |
Martin Eisner, Dante’s New Life of the Book. A Philology of World Literature |
|
91/1, p. 161 |
Sylvia Huot |
Anne Ibos-Augé, Chanter et lire dans le récit médiéval: La fonction des insertions lyriques dans les œuvres narratives et didactiques d’oïl aux XIIIe et XIVe siècles |
|
81/2, p. 162 |
Sylvia Huot |
Nadia Margolis, An Introduction to Christine de Pizan |
|
81/2, p. 163 |
Michael Harney |
Irene Zaderenko, El monasterio de Cardeña y el inicio de la épica cidiana (Michael Harney) |
|
84/1, p. 163 |
ALASTAIR MATTHEWS |
Claudia Bornholdt, Saintly Spouses: Chaste Marriage in Sacred and Secular Narrative from Medieval Germany (12th and 13th Centuries) (Alastair Matthews) |
|
84/1, p. 165 |
JOHN WATTS |
Jones, Michael (ed.), The New Cambridge Medieval History, Vol. VI |
|
73/1, p. 176 |
PETER ARMOUR |
Dante and the Book of the Cosmos, by John G. Demaray |
|
58/1, p. 179 |
Spencer Pearce |
Heather Webb, Dante’s Persons: An Ethics of the Transhuman |
|
87/1, p. 185 |
Blake Gutt |
Barbara Newman, Medieval Crossover: Reading the Secular against the Sacred |
|
84/2, p. 327 |
Aisling Byrne |
Kim M. Phillips, Before Orientalism: Asian Peoples and Cultures in European Travel Writing, 1245–1510 (Aisling Byrne) |
|
84/2, p. 333 |
Thorlac Turville-Petre |
Alex Mueller, Translating Troy: Provincial Politics in Alliterative Romance (Thorlac Turville-Petre) |
|
84/2, p. 336 |
SEBASTIAN JAMES LANGDELL |
Karen Elaine Smyth, Imaginings of Time in Lydgate and Hoccleve’s Verse (Sebastian J. Langdell) |
|
84/2, p. 340 |
Liz Herbert McAvoy |
Julie A. Chappell, Perilous Passages: The Book of Margery Kempe, 1534–1934 (Liz Herbert McAvoy) |
|
84/2, p. 342 |
JOHN C. HIRSH |
Fiona Ritchie and Doug Orr, Wayfaring Strangers: The Musical Voyage from Scotland and Ulster to Appalachia |
|
84/2, p. 345 |
William Burgwinkle |
Sarah Kay, Parrots and Nightingales: Troubadour Quotations and the Development of European Poetry (Bill Burgwinkle) |
|
84/2, p. 346 |
K.P. Clarke |
Nick Havely, Dante’s British Publics: Readers and Texts, from the Fourteenth Century to the Present (Kenneth Clarke) |
|
85/2, p. 347 |
ROSANNA CANTAVELLA |
Meritxell Simó, Jaume Massó i Torrents: ‘La cançó provençal en la literatura catalana’ cent anys després (Rosanna Cantavella) |
|
84/2, p. 351 |
Dario Tessicini |
Dante in Context, ed. Zygmunt G. Barański and Lino Pertile |
|
86/2, p. 387 |