| J.A.W. Bennett |
PREFATORY NOTE |
|
25/3, p. -1 |
| MAX HARRIS |
FLESH AND SPIRITS: THE BATTLE BETWEEN VIRTUES AND VICES IN MEDIAEVAL DRAMA REASSESSED |
|
57/1, p. 56 |
| SUSAN H. CAVANAUGH |
THE IDENTIFICATION OF A LOST ENGLISH ANALOGUE OF THE 'DEATH OF BEGON' EPISODE FROM THE OLD FRENCH EPIC "GARIN LE LOHERAIN" |
|
57/1, p. 64 |
| ERIC JAGER |
READING THE "ROMAN" INSIDE OUT: THE DREAM OF CROESUS AS A "CAVEAT LECTOR" |
|
57/1, p. 67 |
| ALAN J. FLETCHER |
BLACK, WHITE AND GREY IN "HALI MEIÐHAD" AND "ANCRENE WISSE" |
|
62/1, p. 69 |
| R.S. ALLEN |
SOME TEXTUAL CRUCES IN "KING HORN" |
|
53/1, p. 73 |
| J. ANNE GEORGE |
"DANIEL" 416-29: AN 'IDENTITY CRISIS' RESOLVED? |
|
60/1, p. 73 |
| PETER BINKLEY |
THE DATE AND SETTING OF MICHAEL OF CORNWALL'S "VERSUS CONTRA HENRICUM ABRINCENSEM" |
|
60/1, p. 76 |
| WILLIAM P. STONEMAN |
ANOTHER OLD ENGLISH NOTE SIGNED 'COLEMAN' |
|
56/1, p. 78 |
| Myra Stokes, John Scattergood |
TRAVELLING IN NOVEMBER: SIR GAWAIN, THOMAS USK, CHARLES OF ORLEANS AND THE "DE RE MILITARI" |
|
53/1, p. 78 |
| MARY C. ERLER |
MARGERY KEMPE'S WHITE CLOTHES |
|
62/1, p. 78 |
| Michael Winterbottom |
NOTES ON THE LIFE OF EDWARD THE CONFESSOR |
|
56/1, p. 82 |
| ROBERT A. WOOD |
A FOURTEENTH-CENTURY LONDON OWNER OF "PIERS PLOWMAN" |
|
53/1, p. 83 |
| ELAINE E. WHITAKER |
SOISSONS MS 221: AN ACEPHALOUS "SOMME LE ROI/MIROIR DU MONDE" CONTAINING TWO UNRECORDED ILLUSTRATIONS |
|
61/1, p. 83 |
| David Hook |
THE EXEMPLUM OF THE EAGLE AND THE HUNTER ("LIBRO DE BUEN AMOR" 270-2) |
|
62/1, p. 83 |
| Dominica Legge |
BISHOP ODO IN THE BAYEUX TAPESTRY |
|
56/1, p. 84 |
| GLYN S. BURGESS, JOHN L. CURRY |
"BERBIOLETE" AND "DINDIALOS": ANIMAL MAGIC IN SOME TWELFTH-CENTURY GARMENTS |
|
60/1, p. 84 |
| MARTA POWELL HARLEY |
THE REEVE'S 'FOURE GLEEDES' AND ST FURSEY'S VISION OF THE FOUR FIRES OF THE AFTERLIFE |
|
56/1, p. 85 |
| John Scattergood |
ALAIN DE LILLE AND THE PROLOGUE TO "PATIENCE" |
|
61/1, p. 87 |
| TERENCE McCARTHY |
MALORY'S 'SWETE MADAME' |
|
56/1, p. 89 |
| D.S. McGOVERN |
UNNOTICED PUNCTUATION IN THE EXETER BOOK |
|
52/1, p. 90 |
| SARAH M. HORRALL |
WILLIAM CAXTON'S BIBLICAL TRANSLATION |
|
53/1, p. 91 |
| Colin Wilcockson |
A NOTE ON CHAUCER'S PRIORESS AND HER LITERARY KINSHIP WITH THE WIFE OF BATH |
|
61/1, p. 92 |
| Fanni Bogdanow |
The Italian fragment of the Queste del Saint Graal preserved in the Biblioteca Nazionale Centrale, Florence, and its French source |
|
69/1, p. 92 |
| Leslie C. Brook |
GUIGEMAR AND THE WHITE HIND |
|
56/1, p. 94 |
| ALAN J. FLETCHER |
THE FAITH OF A SIMPLE MAN: CARPENTER JOHN'S CREED IN THE MILLER'S TALE |
|
61/1, p. 96 |
| A.G. Rigg |
SERLO OF WILTON: BIOGRAPHICAL NOTES |
|
65/1, p. 96 |
| PETER BROWN |
'Shot wyndowe' (Miller's Tale, I.3358 and 3695): an open and shut case? |
|
69/1, p. 96 |
| ANDREW BREEZE |
Owen Glendower’s crest and the Scottish campaign of 1384-1385 |
|
73/1, p. 99 |
| ALAN J. FLETCHER |
CHAUCER'S NORFOLK REEVE |
|
52/1, p. 100 |
| Anne Hudson |
WILLIAM TAYLOR'S 1406 SERMON: A POSTSCRIPT |
|
64/1, p. 100 |
| Laurence Wright |
'BURNING' AND LEPROSY IN OLD FRENCH |
|
56/1, p. 101 |
| JOHN ENGLAND |
'COMED, CONDE': THE CID'S USE OF PARODY |
|
63/1, p. 101 |
| K.V. SINCLAIR |
THE ANGLO-NORMAN MIRACLES OF THE FOUNDATION OF THE HOSPITAL OF ST JOHN IN JERUSALEM |
|
55/1, p. 102 |
| SETH LERER |
Paul Bush and the Chaucer Tradition |
|
73/1, p. 103 |
| Ian Short |
Frère Angier: notes and conjectures |
|
80/2, p. 104 |
| R.A. NEALE |
THE FOOL AND HIS LOAF |
|
54/1, p. 104 |
| Judith Weiss |
A REAPPRAISAL OF HUE DE ROTELANDE'S "PROTHESELAUS" |
|
52/1, p. 104 |
| MARTIN CAMARGO |
Two Middle English carols from an Exeter manuscript |
|
67/1, p. 104 |
| CATHRYNKE TH.J. DIJKSTRA |
Raoul de Soissons: a postscript |
|
72/1, p. 108 |
| SIMON B. GAUNT |
DID MARCABRU KNOW THE TRISTAN LEGEND? |
|
55/1, p. 108 |
| PHILLIP PULSIANO |
HORTATORY PURPOSE IN THE OE "VISIO LEOFRICI" |
|
54/1, p. 109 |
| LÁSZLÓ SÁNDOR CHARDONNENS |
Two newly discovered mantic dream alphabets in Medieval French |
|
80/2, p. 111 |
| J.A. Burrow |
Lady Meed and the power of money |
|
74/1, p. 113 |
| DAVID TOWNSEND |
ROBERT GROSSETESTE AND WALTER OF WIMBORNE |
|
55/1, p. 113 |
| V.P. McCARREN |
MIDDLE ENGLISH "FEMINAL" - A GHOST WORD |
|
58/1, p. 113 |
| D.A. Trotter |
THE ANGLO-NORMAN INSCRIPTIONS AT BERKELEY CASTLE |
|
59/1, p. 114 |
| MARION GLASSCOE |
Changing chere and changing text in the eighth revelation of Julian of Norwich |
|
66/1, p. 115 |
| John Scattergood |
The date of Sir John Clanvowe’s The Two Ways and the ‘reinvention of Lollardy’ |
|
79/1, p. 116 |
| RODNEY K. DELASANTA |
CHAUCER, PAVIA, AND THE CIEL D'ORO |
|
54/1, p. 117 |
| M. TERESA TAVORMINA |
'MALEDICTUS QUI NON RELIQUIT SEMEN': THE CURSE ON INFERTILITY IN "PIERS PLOWMAN" B.xvi and C.xviii |
|
58/1, p. 117 |
| Marion E. Gibbs |
VISUAL MOMENTS IN WOLFRAM'S "WILLEHALM" |
|
59/1, p. 120 |
| DAN EMBREE |
'THE KING'S IGNORANCE': A TOPOS FOR EVIL TIMES |
|
54/1, p. 121 |
| David G. Pattison |
Social rank in the Poema de mio Cid |
|
79/1, p. 121 |
| LUCY LEWIS |
A newly discovered lyric from Exeter College, Oxford on the theme of ‘know thyself’ |
|
75/1, p. 123 |
| GLYNNIS M. CROPP |
FORTUNE AND THE POET IN BALLADES OF EUSTACHE DESCHAMPS, CHARLES D'ORLEANS AND FRANÇOIS VILLON |
|
58/1, p. 125 |
| JAMES WILLOUGHBY |
A Templar chronicle of the Third Crusade: origin and transmission |
|
81/2, p. 126 |
| D.A. Trotter |
JUDAS MACCABAEUS, CHARLEMAGNE AND THE "ORIFLAMME" |
|
54/1, p. 127 |
| R.E. Kaske |
GODFREY'S VENGEANCE FOR GOD ON GOOD FRIDAY: ALLITERATIVE "MORTE ARTHURE", 3430-1 |
|
59/1, p. 128 |
| |
CORRIGENDUM: OLD AUTHOR, NEW WORK: THE SERMONS OF MS LONGLEAT 4 |
|
54/1, p. 131 |
| A.S.G. Edwards |
Chaucer and ‘Adam Scriveyn’ |
|
81/2, p. 135 |
| A.B. Kraebel |
The use of Richard Rolle’s Latin Psalter in Richard Ullerston’s Expositio canticorum Scripturae |
|
81/2, p. 139 |
| MARTA POWELL HARLEY |
A NOTE ON CHRÉTIEN DE TROYES'S FENICE AND WACE'S ST MARGARET |
|
51/2, p. 225 |
| RODNEY FISHER |
MIDDLE HIGH GERMAN "PRÜEVEN" |
|
51/2, p. 227 |
| Thomas D. Hill |
ODIN, RINDA AND THANEY, THE MOTHER OF ST KENTIGERN |
|
55/2, p. 230 |
| Judith Weiss |
THE DATE OF THE ANGLO-NORMAN "BOEVE DE HAUMTONE" |
|
55/2, p. 237 |
| HUGH WHITE |
LANGLAND'S YMAGINATIF, KYNDE AND THE "BENJAMIN MAJOR" |
|
55/2, p. 241 |
| J.R. THORNE, MARIE-CLAIRE UHART |
ROBERT CROWLEY'S "PIERS PLOWMAN" |
|
55/2, p. 248 |
| R. HAMER |
JEAN GOLEIN'S "FESTES NOUVELLES": A CAXTON SOURCE |
|
55/2, p. 254 |
| DENNIS R. BRADLEY |
VARIATIONS ON SOME CAMBRIDGE SONGS |
|
59/2, p. 260 |
| D.J.A. Ross |
LES TROIS GRANDS: A NEW MS AND THE IDENTITY OF THE AUTHOR |
|
55/2, p. 261 |
| Thorlac Turville-Petre |
THE AUTHOR OF "THE DESTRUCTION OF TROY" |
|
57/2, p. 264 |
| PAUL ACKER |
THE MISSING CONCLUSION OF "THE BOOK OF PHYSIOGNOMY" |
|
54/2, p. 266 |
| Peter R. Grillo |
WAS MARIE DE FRANCE THE DAUGHTER OF WALERAN II, COUNT OF MEULAN? |
|
57/2, p. 269 |
| YAKOV MALKIEL |
THE DERIVATION OF OLD FRENCH "SERVANTOIS", OLD PROVENÇAL "SIRVENTES" |
|
54/2, p. 272 |
| J.R. THORNE |
PIERS OR WILL: CONFUSION OF IDENTITY IN THE EARLY RECEPTION OF "PIERS PLOWMAN" |
|
60/2, p. 273 |
| HUGH C. PARKER |
THE PAGAN GODS IN JOSEPH OF EXETER'S "DE BELLO TROIANO" |
|
64/2, p. 273 |
| P.B. Grout |
THE AUTHOR OF THE MUNICH "BRUT", HIS LATIN SOURCES AND WACE |
|
54/2, p. 274 |
| R.N. Illingworth |
THE STRUCTURE OF THE "PASSION" OF CLERMONT-FERRAND |
|
57/2, p. 274 |
| M.C. CORCORAN |
AMBIGUOUS VOCABULARY AND EXPRESSION OF EMOTION IN GIRAUT DE BORNELH'S "GEN M'ATEN" |
|
59/2, p. 275 |
| JEREMY GRIFFITHS |
UNRECORDED MIDDLE ENGLISH VERSE IN THE LIBRARY AT HOLKHAM HALL, NORFOLK |
|
64/2, p. 278 |
| PETER DAMIAN-GRINT |
REDATING THE ROYAL "BRUT" FRAGMENT |
|
65/2, p. 280 |
| Angus J. Kennedy |
CHRISTINE DE PIZAN AND MAXIMIANUS |
|
54/2, p. 282 |
| D.R. SHACKLETON BAILEY |
TEXTUAL NOTES ON SOME POEMS OF NIGEL DE LONGCHAMP |
|
53/2, p. 282 |
| Michael G. Sargent |
RICHARD ROLLE, SORBONNARD? |
|
57/2, p. 284 |
| TERENCE McCARTHY |
DID MORGAN LE FAY HAVE A LOVER? |
|
60/2, p. 284 |
| PAUL ACKER |
AN ANGLO-NORMAN-MIDDLE ENGLISH GLOSSARY OF TREE AND BIRD NAMES |
|
62/2, p. 285 |
| FREDERICK M. BIGGS |
THE ESCHATOLOGICAL CONCLUSION OF THE OLD ENGLISH "PHYSIOLOGUS" |
|
58/2, p. 286 |
| JULIAN M. LUXFORD |
A previously unlisted manuscript of the Latin Brut chronicle with Sherborne continuation |
|
71/2, p. 286 |
| JAMES HOY |
CHAUCER AND DICTYS |
|
59/2, p. 288 |
| A.S.G. Edwards |
A CHAUCERIAN READER OF TREVISA |
|
62/2, p. 288 |
| HUGH WHITE |
THE Z-TEXT: A NEW VERSION OF "PIERS PLOWMAN" |
|
53/2, p. 290 |
| FRANCIS CAIRNS |
'ALAIN DE LILLE AND THE PROLOGUE TO "PATIENCE"': A BIBLIOGRAPHICAL CORRECTION |
|
62/2, p. 292 |
| Alexander Bell |
NOTES ON NEGATION IN GAIMAR'S "ESTOIRE DES ENGLEIS" |
|
50/2, p. 293 |
| KAREN HUNTER TRIMNELL |
‘And shold have been oderwyse understond’: the disenchanting of Sir Gromer Somer Joure |
|
71/2, p. 294 |
| W.G. COOKE |
Two notes on Beowulf (with glances at Vafþruðnismál, Blickling Homily 16, and Andreas, lines 839-846 |
|
72/2, p. 297 |
| DOUGLAS MOFFAT |
THE MS TRANSMISSION OF THE OE "SOUL AND BODY" |
|
52/2, p. 300 |
| J.A. Burrow |
God and the fullness of time in Piers Plowman |
|
79/2, p. 300 |
| John Scattergood |
AN UNRECORDED FRAGMENT OF THE "PROSE LANCELOT" IN TRINITY COLLEGE, DUBLIN, MS 212 |
|
53/2, p. 301 |
| SUSAN E. DESKIS |
AN ADDENDUM TO BEOWULF'S LAST WORDS |
|
63/2, p. 301 |
| Colin Wilcockson |
A NOTE ON 'RIFLYNGE' IN "PIERS PLOWMAN" B. v.234 |
|
52/2, p. 302 |
| P.J.C. Field |
The ending of Chaucer’s Nun’s Priest’s Tale |
|
71/2, p. 302 |
| BRUCE MOORE |
THE REEVE'S 'RUSTY BLADE' |
|
58/2, p. 304 |
| A.G. Rigg |
NIGEL OF CANTERBURY: WHAT WAS HIS NAME? |
|
56/2, p. 304 |
| E.B. Lyle |
ORPHEUS AND TRISTAN |
|
50/2, p. 305 |
| RACHEL PYPER |
AN ABRIDGEMENT OF WYCLIF'S "DE MANDATIS DIVINIS" |
|
52/2, p. 306 |
| J.A. Burrow |
The structure of Piers Plowman B XV–XX: evidence from the rubrics |
|
77/2, p. 306 |
| ALAN J. FLETCHER |
The date of London, British Library, Harley MS 913 (the ‘Kildare Poems’) |
|
79/2, p. 306 |
| RICHARD FIRTH GREEN |
Further evidence for Chaucer’s representation of the Pardoner as a womanizer |
|
71/2, p. 307 |
| A.D. Horgan |
GAWAIN'S "PURE PENT AUNGEL" AND THE VIRTUE OF FAITH |
|
56/2, p. 310 |
| Angus J. Kennedy |
Florus and Diocletian: a crux in Christine de Pizan's Livre du corps de policie |
|
67/2, p. 313 |
| CONRAD VAN DIJK |
Simon Sudbury and Helenus in John Gower’s Vox clamantis |
|
77/2, p. 313 |
| HUGH WHITE |
THE NATURALNESS OF AMANS' LOVE IN "CONFESSIO AMANTIS" |
|
56/2, p. 316 |
| RICHARD FIRTH GREEN, ETHAN KNAPP |
Thomas Hoccleve’s seal |
|
77/2, p. 319 |
| Diana E. Greenway |
Henry of Huntingdon as poet: the De herbis rediscovered |
|
74/2, p. 329 |