| Lionel J. Friedman |
JOINVILLE'S TARTAR VISIONARY |
|
27/1, p. 1 |
| KAREN A. WINSTEAD |
THE TRANSFORMATION OF THE MIRACLE STORY IN THE "LIBRI HISTORIARUM" OF GREGORY OF TOURS |
|
59/1, p. 1 |
| DAVID J. SHIRT |
THE DIDO EPISODE IN ENÉAS: THE RESHAPING OF TRAGEDY AND ITS STYLISTIC CONSEQUENCES |
|
51/1, p. 3 |
| S. MARY CLEMENTE DAVLIN |
"KYNDE KNOWYNG" AS A MIDDLE ENGLISH EQUIVALENT FOR 'WISDOM' IN "PIERS PLOWMAN" B |
|
50/1, p. 5 |
| GUY TRUDEL |
The Middle English Book of Penance and the readers of the Cursor mundi |
|
74/1, p. 10 |
| Jane Roberts |
ST. BARTHOLOMEW'S DAY: A PROBLEM RESOLVED? |
|
46/1, p. 16 |
| GRACE M. ARMSTRONG |
RESCUING THE LION: FROM "LE CHEVALIER AU LION" TO "LA QUESTE DEL SAINT GRAAL" |
|
61/1, p. 17 |
| Maldwyn Mills |
HAVELOK'S RETURN |
|
45/1, p. 20 |
| Helen Nicholson |
Following the path of the Lionheart: the De ortu Walwanii and the Itinerarium peregrinorum et gesta regis Ricardi |
|
69/1, p. 21 |
| J.A. TASIOULAS |
Heaven and earth in little space: the foetal existence of Christ in medieval literature and thought |
|
76/1, p. 24 |
| A.V.C. Schmidt |
THE INNER DREAMS IN "PIERS PLOWMAN" |
|
55/1, p. 24 |
| A.G. Rigg |
'GREGORY'S GARDEN': A LATIN DREAM-ALLEGORY |
|
35/1, p. 29 |
| SANTHA BHATTACHARJI |
"PEARL" AND THE LITURGICAL 'COMMON OF VIRGINS' |
|
64/1, p. 37 |
| JANETTE DILLON |
"PIERS PLOWMAN": A PARTICULAR EXAMPLE OF WORDPLAY AND ITS STRUCTURAL SIGNIFICANCE |
|
50/1, p. 40 |
| T.P. Dunning |
LANGLAND AND THE SALVATION OF THE HEATHEN |
|
12/, p. 45 |
| Peter Dronke |
THE CONCLUSION OF "TROILUS AND CRISEYDE" |
|
33/1, p. 47 |
| ANDREW L. KING |
THE 'ORDO PROPHETARUM' OF THE "JEU D'ADAM": CONSTRUCTION AND COMPLETENESS |
|
53/1, p. 49 |
| VICTOR I. SCHERB |
CONCEPTION, FLIES, AND HERESY IN SKELTON'S 'REPLYCACION' |
|
62/1, p. 51 |
| Mark C. Pilkinton |
THE RAISING OF LAZARUS: A PREFIGURING AGENT TO THE HARROWING OF HELL |
|
|
| JOHN C. HIRSH |
PRAYER AND MEDITATION IN LATE MEDIAEVAL ENGLAND: MS BODLEY 789 |
|
48/1, p. 55 |
| ALISON M. PEDEN |
MACROBIUS AND MEDIAEVAL DREAM LITERATURE |
|
54/1, p. 59 |
| JOHN CARTWRIGHT |
SIR GILBERT HAY'S "ALEXANDER": A STUDY IN TRANSFORMATIONS |
|
60/1, p. 61 |
| ANNA BALDWIN |
THE DOUBLE DUEL IN "PIERS PLOWMAN" B XVIII AND C XXI |
|
50/1, p. 64 |
| CORDULA POLITIS |
The taming of the Amazon: Pentesilie in Ulrich von Türheim’s Rennewart |
|
77/1, p. 77 |
| PETER WHITEFORD |
'Chosen to be þi derlyng': the anticipation of heaven in a fifteenth-century Middle English meditation |
|
69/1, p. 80 |
| Margaret E. Goldsmith |
THE CHRISTIAN THEME OF "BEOWULF" |
|
29/2, p. 81 |
| WIESJE F. NIJENHUIS |
TRUNCATED TOPOI IN "THE VISION OF EDMUND LEVERSEDGE" |
|
63/1, p. 84 |
| STEPHEN BEMROSE |
God so loves the soul: intellections of immortality in Dante |
|
74/1, p. 86 |
| P.J. FOURACRE |
THE CONTEXT OF THE OHG "LUDWIGSLIED" |
|
54/1, p. 87 |
| P.S. Lewis |
JEAN JUVENAL DES URSINS AND THE COMMON LITERARY ATTITUDE TOWARDS TYRANNY IN FIFTEENTH-CENTURY FRANCE |
|
34/2, p. 103 |
| Joy Russell-Smith |
KEIS IN "SAWLES WARDE" |
|
22/2, p. 104 |
| C.P. Bagley |
ROBERT DE CLARI'S "LA CONQUÊTE DE CONSTANTINOPLE" |
|
40/2, p. 109 |
| Fanni Bogdanow |
THE TREATMENT OF THE LANCELOT-GUENEVERE THEME IN THE PROSE "LANCELOT" |
|
41/2, p. 110 |
| JOHN FINLAYSON |
ARTHUR AND THE GIANT OF ST. MICHAEL'S MOUNT |
|
33/2, p. 112 |
| Edward M. Wilson |
WORD PLAY AND THE INTERPRETATION OF "PEARL" |
|
40/2, p. 116 |
| Stanley B. Greenfield |
THE ROLE OF CALKAS IN "TROILUS AND CRISEYDE" |
|
36/2, p. 141 |
| Mortimer J. Donovan |
HERODIS IN THE AUCHINLECK "SIR ORFEO" |
|
27/3, p. 162 |
| E.V. Gordon, C.T. Onions |
NOTES ON THE TEXT AND INTERPRETATION OF "PEARL" (Continued) |
|
|
| WILLIAM A. QUINN |
THE PSYCHOLOGY OF "ST ERKENWALD" |
|
53/2, p. 180 |
| Daniel Anlezark |
An ideal marriage: Abraham and Sarah in Old English literature |
|
69/2, p. 187 |
| LYNNE GRUNDY |
GOD MEDITATES: A MODEL FOR THE 'SALVATION HISTORIES' IN THREE HOMILIES OF ÆLFRIC AND IN HIS "HEXAMERON" |
|
61/2, p. 189 |
| JOHN BUGBEE |
Sight and sound in St Erkenwald: on theodicy and the senses |
|
77/2, p. 202 |
| PETER WILLIAM HURST |
ÊNÎTE'S DOMINION OVER THE HORSES: NOTES ON THE COALESCENCE OF PLATONIC AND HAGIOGRAPHIC ELEMENTS IN AN EPISODE FROM HARTMANN'S "ÊREC" |
|
63/2, p. 211 |
| Maldwyn Mills |
HAVELOK AND THE BRUTAL FISHERMAN |
|
36/3, p. 219 |
| Sylvia Huot |
PATIENCE IN ADVERSITY: THE COURTLY LOVER AND JOB IN MACHAUT'S MOTETS 2 AND 3 |
|
63/2, p. 222 |
| H.B. Willson |
UNMÂZE IN HARTMANN'S "GREGORIOS" |
|
42/3, p. 224 |
| THOMAS J.A. HEFFERNAN |
THE VIRGIN AS AN AID TO SALVATION IN SOME FIFTEENTH-CENTURY ENGLISH AND LATIN VERSES |
|
52/2, p. 229 |
| Dennis Green |
EPIC EXPANSION AND THE PROBLEM OF RHYME IN THE MILLSTÄTTER EXODUS |
|
43/3, p. 234 |
| CRAIG McDONALD |
THE PERVERSION OF LAW IN ROBERT HENRYSON'S FABLE OF THE FOX, "THE WOLF, AND THE HUSBANDMAN" |
|
49/2, p. 244 |
| A.G. Rigg |
'JAM NUNC IN PROXIMO': A LATIN MORTALITY POEM |
|
36/3, p. 249 |
| Britton J. Harwood |
IMAGINATIVE IN "PIERS PLOWMAN" |
|
44/3, p. 249 |
| Brian Murdoch |
THE HOLY HOSTAGE: "DE FILIO MULIERIS" IN THE MIDDLE CORNISH PLAY "BEUNANS MERIASEK" |
|
58/2, p. 258 |
| FREDERICK M. BIGGS, LAURA L. HOWES |
THEOPHANY IN THE MILLER'S TALE |
|
65/2, p. 269 |
| MARILYN CORRIE |
Self-determination in the Post-Vulgate Suite du Merlin and Malory’s Le Morte Darthur |
|
73/2, p. 273 |
| Angus J. Kennedy |
Christine de Pizan’s crown of twelve stars |
|
77/2, p. 279 |
| JOHN C. HIRSH |
Fate, faith and paradox: medieval unlucky days as a context for 'Wytte Hath Wondyr' |
|
66/2, p. 288 |
| A.J. GILBERT |
THE INFLUENCE OF BOETHIUS ON THE "PARLEMENT OF FOULYS" |
|
47/2, p. 292 |
| John E. Wrigley |
A PRESUMED LOST PETRARCHAN LETTER: "SINE NOMINE" X |
|
37/3, p. 293 |