J.E. Cross |
The Web of Words, by Bernard F. Huppé |
|
41/1, p. 47 |
M.L. Samuels |
Postscript on Beowulf, by S. O. Andrew |
|
18/, p. 60 |
A.B. Scott |
Dictionary of Medieval Latin from British Sources, by R. E. Latham |
|
46/1, p. 105 |
CAROLINNE WHITE |
Hugh Primas and the Archpoet, Cambridge Medieval Classics 2, by Fleur Adcock |
|
65/1, p. 118 |
CHARLOTTE BREWER |
Nature and Salvation in 'Piers Plowman', Piers Plowman Studies, 6, by Hugh White |
|
62/1, p. 126 |
Helen Cooper |
The Latin Verses in the 'Confessio Amantis', Medieval Texts and Studies, 7, by Siân Echard, Claire Fanger, A. G. Rigg |
|
62/1, p. 129 |
HUGH WHITE |
Signes and Sothe: Language in the Piers Plowman Traditionx, Piers Plowman Studies 10, by Helen Barr |
|
65/1, p. 130 |
Austin Gill |
La Fantaisie verbale et le Comique dans le théâtre français du Moyen Age à la fin du XVIIe siècle, by Robert Garapon |
|
27/2, p. 135 |
MARK BALFOUR |
Dante Alighieri: 'Hell', by Steve Ellis |
|
65/1, p. 148 |
R. Bruce Mitchell |
A Descriptive Syntax of the Old English Charters, by Charles Carlton |
|
40/2, p. 181 |
MARY SWAN |
Pauline E. Head, Representation and Design: Tracing a Hermeneutics of Old English Poetry |
|
67/2, p. 323 |
SIMON B. GAUNT |
The Syntax of Medieval Occitan, Beihefte zur Zeitschrift für romanische Philologie, 208, by Frede Jensen |
|
61/2, p. 328 |