| E.C. Llewellyn |
La Musique au Moyen Age. (Les Classiques français au Moyen Age, No. 73), by Théodore Gérold |
|
4/1, p. 52 |
| Beatrice White |
A talkyng of pe loue of God, by Cecilia Maria Westra, Maria Salvina |
|
26/1, p. 59 |
| Rachel Bromwich |
Medieval Welsh Lyrics, by Joseph P. Clancy |
|
36/1, p. 62 |
| Anthony Gervase Mathew |
The life of Saint Dominic in Old French Verse. Harvard Studies in Romance Languages (20), by Warren Francis Manning |
|
15/, p. 66 |
| N. Denholm-Young |
La correspondance de Ruricius, by Harald Hagendahl |
|
23/1, p. 67 |
| C.L. Wrenn |
Anglo-Saxon poetry: an essay with specimen translations in verse, by Gavin Bone |
|
13/, p. 68 |
| John Orr |
Romanistisches Jahrbuch III, by O. Deutschmann, R. Grossmann, H. Petriconi, H. Tiemann |
|
21/, p. 69 |
| J.C. Laidlaw |
Jean de Condé: La Messe des Oiseaux et le Dit des Jacobins et des Fremeneurs, (Textes Littéraires Français, 170), by Jacques Ribard |
|
41/1, p. 71 |
| P.J. Frankis |
Chaucer's Verse, by Paull F. Baum |
|
35/1, p. 78 |
| Joan Turville-Petre |
Wulfstan's Prose (Sir Israel Gollancz Memorial Lecture, British Academy), by Angus McIntosh |
|
19/, p. 89 |
| MARK GRIFFITH |
A New Theory of Old English Meter, by David L. Hoover |
|
57/1, p. 96 |
| R.F.S. Hamer |
The Art and Background of Old English Poetry, by Barbara C. Raw, Edward Arnold |
|
49/1, p. 103 |
| F.J.E. Raby |
La poésie latine rythmique du haut moyen âge, (Studia Latina Holmensia II), by Dag Norberg |
|
23/2, p. 106 |
| Eric Stanley |
A Comparative Study of Old English Metre, by Frank H. Whitman |
|
64/1, p. 120 |
| TAMSIN SIMMILL |
Medieval Translators and their Craft, Medieval Institute Publications: Studies in Medieval Culture, 25, by Jeanette Beer |
|
60/1, p. 143 |
| Kathleen Chesney |
Villon. Bibliothèque scientifique belge : Histoire et philologie, by Fernand Desonay |
|
3/2, p. 150 |
| John Stevens |
The chansons of the troubadours and trouvères: a study of the melodies and their relation to the poems, by Hendrik van der Werf |
|
48/1, p. 163 |
| John Stevens |
Medieval Music, the Sixth Liberal Art. (Toronto Medieval Bibliographies 4), by Andrew Hughes |
|
48/1, p. 168 |
| TIMOTHY McFARLAND |
Mechthild von Magdeburg. ‘Das flieβende Licht der Gottheit’. Nach der Einsiedler Handschrift in kritischem Vergleich mit der gesamten Überlieferung, Münchener Texte und Untersuchungen zur deutschen Literatur des Mittelalters 100-1 Vol. I. Vol. II, by Hans Neumann, Gisela Vollmann-Profe |
|
65/1, p. 168 |
| N. Denholm-Young |
Studien zum mittellateinischen Prosarhythmus. Seine Entwicklung und sein Abklingen in der Briefliteratur Italiens, by Gudrun Lindholm |
|
32/2, p. 170 |
| John Stevens |
Ausgewählte Melodien des Minnesangs, by Ewald Jammers |
|
33/3, p. 243 |
| A.J. Bliss |
Measuring Old English Rhythm: an Application of the Principles of Gregorian Chant Rhythm to the Meter of 'Beowulf', by Jane-Marie Luecke |
|
49/2, p. 274 |
| Michael Winterbottom |
Prose Rhythm in Medieval Latin from the 9th to the 13th Century. (Studia Latina Stockholmiensia XX), by Tore Janson |
|
|
| A.J. Bliss |
The Meter and Melody of Beowulf. (Illinois Studies in Language and Literature 64), by Thomas Cable |
|
|
| C.L. Wrenn |
Suprasegmentals, Meter, and the Manuscript of Beowulf, by Robert D. Stevick |
|
38/3, p. 309 |
| JOHN CALDWELL |
Words and Music in the Middle Ages: Song, Narrative, Dance and Drama, by John Stevens |
|
57/2, p. 333 |