André Burger |
The ethos of the Song of Roland, by George Fenwick Jones |
|
34/1, p. 52 |
|
Carolingian Art Painting and Sculpture in Western Europe A.D. 800-900, by Roger Hinks |
|
5/1, p. 57 |
J.A.W. Bennett |
Sýnisbók I'slenzkra Rímna (Specimens of the Icelandic Metrical Romances), by William A. Craigie |
|
25/1, p. 59 |
Peter Munz |
Carolingian Portraits, by Eleanor Shipley Duckett |
|
33/1, p. 66 |
David Luscombe |
From the Circle of Alcuin to the School of Auxerre: Logic, Theology and Philosophy in the Early Middle Ages, Cambridge Studies in Medieval Life and Thought, Third Series, 15, by John Marenbon |
|
53/1, p. 100 |
Helen Cooper |
D. H. Green, The Beginnings of Medieval Romance: Fact and Fiction, 1150-1220 |
|
74/1, p. 124 |
Ad Putter |
Roger Dalrymple, Language and Piety in Middle English Romance |
|
71/1, p. 137 |
MARIANNE AILES |
Ásdis R. Magnúsdóttir, La Voix du cor: la relique de Roncevaux et l'origine d'un motif dans la littérature du moyen âge (X!Ie-XIVe siècles), IFAVL 31 |
|
69/1, p. 147 |
Glanville Price |
Naissance et développement de la chanson de geste en Europe: III, Chanson d'Aspremont, A, Les Cours d'Agoland et de Charlemagne. (Publications romanes et françaises 134), by André de Mandach |
|
45/2, p. 212 |
Elspeth Kennedy |
Perceval Marginalia, by Edward B. Ham |
|
36/3, p. 275 |
Philippe Menard |
Contribution à l'étude du vocabulaire pré-courtois. (Publications romanes et françaises no. CX), by Glyn Sheridan Burgess |
|
40/3, p. 275 |
Peter Godman |
Two Alcuin Letter-Books. (Toronto Medieval Latin Texts 5), by Colin Chase |
|
|
SAM BARRETT |
Kenneth Levy, Gregorian Chant and the Carolingians |
|
68/2, p. 306 |
D.D.R. Owen |
L' Architecture des palais et des jardins dans les chansons de geste. Essai sur le thème du roi en majesté, by Alain Labbé |
|
59/2, p. 319 |
Brian Murdoch |
Olive Sayce, Exemplary Comparison from Homer to Petrarch |
|
77/2, p. 325 |