| Dorothy Everett |
Early Middle English literature, by R. M. Wilson |
|
10/1, p. 47 |
| M.L. Samuels |
Sir Orfeo, by A. J. Bliss |
|
24/1, p. 56 |
| Dominica Legge |
Die anglo-normannische und die englischen Fassungen des Hornstoffes. (Studienreihe Humanitas Akademische Verlegsgesellschaft), by Werner Arens |
|
|
| D.S. Brewer |
Early Middle English Texts. (2nd ed.), by Bruce Dickins, R. M. Wilson |
|
22/2, p. 119 |
| Neil Cartlidge |
Christopher Cannon, The Grounds of English Literature |
|
76/1, p. 122 |
| Helen Cooper |
A. C. Spearing, Textual Subjectivity: The Encoding of Subjectivity in Medieval Narratives and Lyrics |
|
76/1, p. 127 |
| M.L. Samuels |
A Middle English Syntax, Part I (Parts of Speech), by Tauno F. Mustanoja |
|
31/2, p. 147 |
| A.V.C. Schmidt |
Readings in Medieval Poetry, by A. C. Spearing |
|
58/1, p. 147 |
| Helen Cooper |
Style and Consciousness in Middle English Narrative, by John M. Ganim |
|
55/2, p. 278 |
| Nicolas Jacobs |
King Horn: an Edition based on Cambridge University Library MS Gg 4. 27(2), Garland Medieval Texts, 7, by Rosamund Allen |
|
57/2, p. 301 |
| Judith Weiss |
Studies in Medieval English Romances: Some New Approaches, by Derek Brewer |
|
59/2, p. 302 |
| Nicolas Jacobs |
Jongleur: a Modified Theory of Oral Improvisation and its Effects on the Performance and Transmission of Middle Engish Romance, by William A. Quinn, Audley S. Hall |
|
53/2, p. 311 |
| ALCUIN BLAMIRES |
Of Love and Chivalry: An Anthology of Middle English Romance, Everyman's Library, by Jennifer Fellows |
|
63/2, p. 329 |
| LAURA ASHE |
Sebastian I. Sobecki, The Sea and Medieval English Literature |
|
77/2, p. 332 |
| Alexandra Gillespie |
Andrew King, ‘The Faerie Queene’ and Middle English Romance: The Matter of Just Memory |
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70/2, p. 338 |