| Nicolas Jacobs |
Chaucer's Dream Poetry: Sources and Analogues, Chaucer Studies, 7, by B. A. Windeatt |
|
57/1, p. 104 |
| Nigel Palmer |
The Vision of Tnugdal, by Jean-Michel Picard, Yolande de Pontfarcy |
|
61/1, p. 114 |
| THEODORE SILVERSTEIN |
The Old English Vision of St Paul. (Speculum Anniversary Monographs, 2), by Antonette Di Paolo Healy |
|
50/1, p. 120 |
| ALCUIN BLAMIRES |
Seeing the 'Gawain'-Poet: Description and the Act of Perception, by Sarah Stanbury |
|
62/1, p. 128 |
| JOHN C. HIRSH |
Nigel Morgan (ed.), Prophecy, Apocalypse and the Day of Doom: Proceedings of the 2000 Harlaxion Symposium, ns XII |
|
75/1, p. 129 |
| J.K. Bostock |
Christi Leiden in einer Vision geschaut (a German mystic text of the fourteenth century): a critical account of the published and unpublished manuscripts, with an edition based on the text of MS. Bernkastel-Cues 115, by F. P. Pickering |
|
23/2, p. 130 |
| ALCUIN BLAMIRES |
Chaucer's Knight's Tale and Theories of Scholastic Psychology, by Lois Roney |
|
61/1, p. 130 |
| NIGEL WILKINS |
Guillaume de Machaut: 'The Fountain of Love' (‘La fonteinne amoureuse’) and Two Other Love Vision Poems. Garland Library of Medieval Literature A 54, by R. Barton Palmer |
|
65/1, p. 143 |
| HUGH WHITE |
Boethian Apocalypse: Studies in Middle English Vision Poetry, by Michael D. Cherniss |
|
58/1, p. 151 |
| Gordon Leff |
The Figurae of Joachim of Fiore. (Oxford-Warburg Studies), by Marjorie Reeves, Beatrice Hirsch-Reich |
|
43/2, p. 185 |
| H.B. Willson |
Exemplarische Allegorie: Untersuchungen zu einem literarhistorischen Phänomen bei Hans Sachs, by Winfried Theiss |
|
39/2, p. 199 |
| Colin Hardie |
Structure and Thought in the Paradiso, by Joseph Antony Mazzeo |
|
29/3, p. 200 |
| David A. Wells |
Essays on Mediæval German Poetry: With Translations in English Verse, by M. F. Richey |
|
39/2, p. 203 |
| Randolph Quirk |
The Old English Verbs of Vision: A Semantic Study (Mémoires de la Société Néophilologique XVIII. 1), by Errki Penttilä |
|
26/3, p. 211 |
| Dominica Legge |
The Vision of Hell, by D. D. R. Owen |
|
41/3, p. 266 |
| STEFANIA D'OTTAVI |
The High Medieval Dream Vision: Poetry, Philosophy and Literary Form, by Kathryn L. Lynch |
|
59/2, p. 299 |
| CECIL GRAYSON |
Dante's Italy, and Other Essays, by Charles T. Davis |
|
55/2, p. 324 |
| Norman Klassen |
Suzanne Conklin Akbari, Seeing Through the Veil: Optical Theory and Medieval Allegory |
|
74/2, p. 333 |
| FAYE GETZ |
L. M. Eldredge (ed.), Benvenutus Grassus; The Wonderful Art of the Eye: A Critical Edition of the Middle English Translation of his 'De probatissima arte oculorum' |
|
67/2, p. 333 |
| NICOLETTE ZEEMAN |
Madeleine Kasten, In Search of ‘Kynde Knowynge’: ‘Piers Plowman’ and the Origin of Allegory |
|
77/2, p. 340 |