| Mark Campbell Chambers |
Sarah Carpenter and Meg Twycross, Masks and Masking in Medieval and Early Tudor England, Studies in Performance and Early Modern Drama |
|
73/1, p. 129 |
| BEN PARSONS |
Andrew James Johnston, Performing the Middle Ages from Beowulf to Othello, Late Medieval and Early Modern Studies 15 |
|
79/1, p. 133 |
| NIGEL WILKINS |
The Monophonic Songs in the 'Roman de Fauvel', by Samuel N. Rosenberg, Hans Tischler |
|
62/1, p. 148 |
| THEODORE J. CACHEY Jr |
Letture classensi: lettura del "Fiore", vol. XXII, by Zygmunt G. Barański, Patrick Boyde, Lino Pertile |
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64/1, p. 150 |
| VIRGINIE GREENE |
Élisabeth Gaucher, Robert le Diable: histoire d'une légende, Essais sur le Moyen Âge 29 |
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73/1, p. 161 |
| Carolyne Larrington |
Terry Gunnell, The Origins of Drama in Scandinavia |
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66/1, p. 167 |
| T.B.W. Reid |
Douin de Lavesne: Trubert, Fabliau du XIIIe siècle. (Textes Littéraires Français), by G. Raynaud de Lage |
|
|
| Jeffrey Hamburger |
Mary Carruthers, The Craft of Thought: Meditation, Rhetoric, and the Making of Images, 400-1200 |
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68/2, p. 307 |
| BARBARA N. SARGENT-BAUR |
Recueil des repues franches de Maistre François Villon et de ses compagnons, Textes littéraires français 455, by Jelle Koopmans, Paul Verhuyck |
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65/2, p. 334 |
| Graham A. Runnalls |
Jean-Pierre Bordier, Le Jeu de la Passion: le message chrétien et le théâtre français (XIIIe-XVIe s.), Bibliothèque du XVe siècle 5 |
|
68/2, p. 337 |
| Anne M. Scott |
Kate Crassons, The Claims of Poverty : Literature, Culture, and Ideology in Late Medieval England |
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80/1, p. 343 |
| Martin H. Jones |
Stefan Seeber, Poetik des Lachens. Untersuchungen zum mittelhochdeutschen Roman um 1200 |
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80/1, p. 353 |