| CYRIL EDWARDS |
THE GROWTH OF A SONG: HEINRICH VON MORUNGEN'S "ROBBER LADY" (MF 130, 9) |
|
58/1, p. 17 |
| Constance Bullock-Davies |
THE FORM OF THE BRETON LAY |
|
42/1, p. 18 |
| C.T. Onions |
TWO NOTES ON MIDDLE ENGLISH TEXTS |
|
17/, p. 32 |
| Rachel Bromwich |
A NOTE ON THE BRETON LAYS |
|
26/1, p. 36 |
| Albert B. Friedman |
THE LATE MEDIÆVAL BALLADE AND THE ORIGIN OF BROADSIDE BALLADRY |
|
27/2, p. 95 |
| William J. Entwistle |
SOME COMPARATIVE NOTES ON BALLADS: DANISH, CASTILIAN, YUGOSLAVIC |
|
|
| C.M. WOOLGAR, Bernard O'Donoghue |
TWO MIDDLE ENGLISH POEMS AT MAGDALEN COLLEGE, OXFORD |
|
52/2, p. 217 |
| Alexandra Barratt |
A MIDDLE ENGLISH LYRIC IN AN OLD FRENCH MANUSCRIPT |
|
52/2, p. 226 |
| JOHN WALL |
THE LYRIC IMPULSE OF THE SEQUENCE |
|
|
| Alexandra Barratt |
THE PRYMER AND ITS INFLUENCE ON FIFTEENTH-CENTURY ENGLISH PASSION LYRICS |
|
44/3, p. 264 |