| Kenelm Foster |
A Dictionary of Proper Names and Notable Matters in the Works of Dante, by Paget Toynbee, Charles S. Singleton |
|
38/1, p. 77 |
| A.J. HOLDEN |
Yvan G. Lepage, Guide de l'édition de textes en ancien français, Moyen Âge: outils de synthèse 1 |
|
72/1, p. 145 |
| A.E. Cobby |
Brian J. Levy, The Comic Text: Patterns and Images in the Old French Fabliaux, Faux Titre 186 |
|
71/1, p. 152 |
| Richard Axton |
The Medieval Religious Stage, by A. M. Nagler |
|
49/1, p. 158 |
| JAN ČERMÁK |
A Grammar of Old English, Vol. I: Phonology, by Richard M. Hogg |
|
62/2, p. 312 |
| MARK GRIFFITH |
B. R. Hutcheson, Old English Poetic Metre |
|
66/2, p. 313 |
| JOHN C. HIRSH |
Rosalynn Voaden (ed.), Prophets Abroad: The Reception of Continental Holy Women in Late-Medieval England |
|
67/2, p. 318 |
| MATTHEW WOODCOCK |
Elisabeth Salter, Cultural Creativity in the Early English Renaissance: Popular Culture in Town and Country |
|
76/2, p. 330 |
| J.R. Maddicott |
Chaucer's England: Literature in Historical Context, by Barbara A. Hanawalt |
|
62/2, p. 331 |