| ERIC JAGER |
READING THE "ROMAN" INSIDE OUT: THE DREAM OF CROESUS AS A "CAVEAT LECTOR" |
|
57/1, p. 67 |
| David Hook |
THE EXEMPLUM OF THE EAGLE AND THE HUNTER ("LIBRO DE BUEN AMOR" 270-2) |
|
62/1, p. 83 |
| Fanni Bogdanow |
The Italian fragment of the Queste del Saint Graal preserved in the Biblioteca Nazionale Centrale, Florence, and its French source |
|
69/1, p. 92 |
| JOHN ENGLAND |
'COMED, CONDE': THE CID'S USE OF PARODY |
|
63/1, p. 101 |
| MARTIN CAMARGO |
Two Middle English carols from an Exeter manuscript |
|
67/1, p. 104 |
| DAVID TOWNSEND |
ROBERT GROSSETESTE AND WALTER OF WIMBORNE |
|
55/1, p. 113 |
| David G. Pattison |
Social rank in the Poema de mio Cid |
|
79/1, p. 121 |
| R.E. Kaske |
GODFREY'S VENGEANCE FOR GOD ON GOOD FRIDAY: ALLITERATIVE "MORTE ARTHURE", 3430-1 |
|
59/1, p. 128 |
| |
CORRIGENDUM: OLD AUTHOR, NEW WORK: THE SERMONS OF MS LONGLEAT 4 |
|
54/1, p. 131 |
| A.S.G. Edwards |
Chaucer and ‘Adam Scriveyn’ |
|
81/2, p. 135 |
| A.B. Kraebel |
The use of Richard Rolle’s Latin Psalter in Richard Ullerston’s Expositio canticorum Scripturae |
|
81/2, p. 139 |
| D.J.A. Ross |
LES TROIS GRANDS: A NEW MS AND THE IDENTITY OF THE AUTHOR |
|
55/2, p. 261 |
| David G. Pattison |
THE REIGN OF ORDOÑO II IN A NEW CHRONICLE MANUSCRIPT: MORE LIGHT ON THE ALPHONSINE "BORRADOR" |
|
60/2, p. 268 |
| YAKOV MALKIEL |
THE DERIVATION OF OLD FRENCH "SERVANTOIS", OLD PROVENÇAL "SIRVENTES" |
|
54/2, p. 272 |
| R.N. Illingworth |
THE STRUCTURE OF THE "PASSION" OF CLERMONT-FERRAND |
|
57/2, p. 274 |