| John Stevens |
The Early Medieval Sequence, by Richard L. Crocker |
|
49/1, p. 96 |
| John Stevens |
Hucbald, Guido, and John on Music: Three Medieval Treatises. (Music Theory Translation Series 3), by Warren Babb, Claude V. Palisca |
|
49/1, p. 99 |
| JOHN WALL |
Cycle de Noël (Corpus Troporum I: Tropes du propre de la messe 1). (Acta Universitatis Stockholmiensis, Studia Latina Stockholmiensia), by Ritva Jonsson |
|
49/1, p. 100 |
| Nigel Palmer |
Christian Meyer, Catalogue des manuscrits notés du Moyen Âge conservés dans les bibliothèques publiques de France: Collections d’Alsace, de Franche-Comté et de Lorraine, I: Colmar, Bibliothèque municipale |
|
79/1, p. 127 |
| ARDIS BUTTERFIELD |
From Song to Book: the Poetics of Writing in Old French Lyric and Lyrical Narrative Poetry, by Sylvia Huot |
|
58/1, p. 165 |
| J.H. Crehan |
The Processions of Sarum and the Western Church. Pontifical Institute of Medieval Studies, by Terence Bailey |
|
42/2, p. 195 |
| A.J. Bliss |
Measuring Old English Rhythm: an Application of the Principles of Gregorian Chant Rhythm to the Meter of 'Beowulf', by Jane-Marie Luecke |
|
49/2, p. 274 |
| JOHN CALDWELL |
Words and Music in the Middle Ages: Song, Narrative, Dance and Drama, by John Stevens |
|
57/2, p. 333 |
| JOHN CALDWELL |
The Early Middle Ages to 1300 (The New Oxford History of Music, Vol. II), by Richard Crocker, David Hiley |
|
60/2, p. 335 |