| John Stevens |
Music in Mediaval Britain, by Frank Ll. Harrison |
|
30/2, p. 131 |
| NIGEL WILKINS |
Hexachord, Mensur und Textstruktur: Studien zum französischen Lied des 14. Jahrhunderts, Archiv für Musikwissenschaft 35, by C. Berger |
|
64/1, p. 145 |
| NICOLETTE ZEEMAN |
C. David Benson, Public Piers Plowman: Modern Scholarship and Late Medieval English Culture |
|
75/1, p. 149 |
| Christopher Page |
Studies in the Performance of Late Medieval Music, by Stanley Boorman |
|
55/1, p. 154 |
| Richard Axton |
Non-Cycle Plays and Fragments, (Early English Text Society, Supplementary Series No. 1), by Osborn Waterhouse, Norman Davis, F. Ll. Harrison |
|
41/2, p. 157 |
| JOHN CALDWELL |
The Rise of European Music 1380-1500, by Reinhard Strohm |
|
65/1, p. 174 |
| Michel Huglo |
Ein Festoffizium des Mittelalters aus Beauvais in seiner liturgischer und musikalischer Bedeutung, by Wulf Arlt |
|
46/2, p. 298 |
| Sarah Kay |
The Language of Sex: Five Voices from Northern France around 1200, by John W. Baldwin |
|
64/2, p. 299 |
| R.T. Davies |
The Structure of Sir Thomas Malory's Arthuriad. (Monograph no. 14), by Stephen Knight |
|
40/3, p. 303 |
| SARAH SALIH |
Elisabeth Dutton, Julian of Norwich: The Influence of Late-Medieval Devotional Compilations |
|
79/2, p. 324 |
| JOHN CALDWELL |
The Early Middle Ages to 1300 (The New Oxford History of Music, Vol. II), by Richard Crocker, David Hiley |
|
60/2, p. 335 |
| Miranda Griffin |
Nathalie Koble, ‘Les Prophéties de Merlin’ en prose: Le Roman arthurien en éclats |
|
79/2, p. 338 |
| R.H. RICHENS |
Fifteenth-century liturgical music. II: Four anonymous masses. (British Academy Early English Church Music 22), by Margaret Bent |
|
49/2, p. 350 |
| ALAN ROBERTSHAW |
Christoph März, Die weltlichen Lieder des Mönchs von Salzburg: Texte und Melodien |
|
70/2, p. 354 |