Ivor D.O. Arnold |
L'œuvre lyrique d'Henri III duc de Brabant, by Albert Henry |
|
19/, p. 86 |
John Stevens |
The Early Medieval Sequence, by Richard L. Crocker |
|
49/1, p. 96 |
John Stevens |
Hucbald, Guido, and John on Music: Three Medieval Treatises. (Music Theory Translation Series 3), by Warren Babb, Claude V. Palisca |
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49/1, p. 99 |
JOHN WALL |
Cycle de Noël (Corpus Troporum I: Tropes du propre de la messe 1). (Acta Universitatis Stockholmiensis, Studia Latina Stockholmiensia), by Ritva Jonsson |
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49/1, p. 100 |
LEOFRANC HOLFORD-STREVENS |
Silvia Wälli Melodien aus mittelalterlichen Horaz-Handschriften. Edition und Interpretation der Quellen, Monumenta monodica medii aevi: subsidia, III |
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73/1, p. 116 |
John Stevens |
The chansons of the troubadours and trouvères: a study of the melodies and their relation to the poems, by Hendrik van der Werf |
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48/1, p. 163 |
John Stevens |
Medieval Music, the Sixth Liberal Art. (Toronto Medieval Bibliographies 4), by Andrew Hughes |
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48/1, p. 168 |
SIMON B. GAUNT |
Actes du premier congrès international de l'Association Internationale d'Etudes Occitanes, by Peter T. Ricketts |
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58/1, p. 174 |
John Stevens |
Ausgewählte Melodien des Minnesangs, by Ewald Jammers |
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33/3, p. 243 |
A.J. Bliss |
The Meter and Melody of Beowulf. (Illinois Studies in Language and Literature 64), by Thomas Cable |
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MICHAEL SHIELDS |
The 'Summa musice': A Thirteenth-Century Manual for Singers, by Christopher Page |
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63/2, p. 309 |
ARDIS BUTTERFIELD |
Gillebert de Berneville: les poésies, Textes littéraires français, 357, by Karen Fresco |
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59/2, p. 324 |
Constance Bullock-Davies |
Les lais anonymes bretons des xiie et xiiie siècles, by Prudence Mary O'Hara Tobin |
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47/2, p. 344 |
ALAN ROBERTSHAW |
Christoph März, Die weltlichen Lieder des Mönchs von Salzburg: Texte und Melodien |
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70/2, p. 354 |