| Gavin Bone |
THE SEAFARER |
|
3/1, p. 1 |
| DAVID J. SHIRT |
THE DIDO EPISODE IN ENÉAS: THE RESHAPING OF TRAGEDY AND ITS STYLISTIC CONSEQUENCES |
|
51/1, p. 3 |
| Morton W. Bloomfield |
THE ALLEGORIES OF "DOBEST" ("PIERS PLOWMAN" B XIX-XX) |
|
50/1, p. 30 |
| B.S. Lee |
LUCIDUS AND DUBIUS: A FIFTEENTH-CENTURY THEOLOGICAL DEBATE AND ITS SOURCES |
|
45/1, p. 79 |
| Peter N. Dunn |
THEMES AND IMAGES IN THE "COPLAS POR LA MUERTE DE SU PADRE" OF JORGE MANRIQUE |
|
33/3, p. 169 |
| Thomas D. Hill |
THE FOOL ON THE BRIDGE: 'CAN VEI LA LAUZETA MOVER' STANZA 5 |
|
48/2, p. 198 |
| Elizabeth Boyle |
Neoplatonic thought in medieval Ireland: the evidence of Scéla na esérgi |
|
78/2, p. 216 |
| B.K. Martin |
"THE LAMENT OF THE OLD WOMAN OF BEARE": A CRITICAL EVALUATION |
|
38/3, p. 245 |
| A.G. Rigg |
'JAM NUNC IN PROXIMO': A LATIN MORTALITY POEM |
|
36/3, p. 249 |
| CLAUDE LUTTRELL |
THE INTRODUCTION TO THE DREAM IN "PEARL" |
|
47/2, p. 274 |