| Anthony Gervase Mathew |
Piers Plowman as a Fourteenth Century Apocalypse, by Morton W. Bloomfield |
|
32/1, p. 72 |
| H.L. SPENCER |
The Vercelli Homilies and Related Texts, by D. G. Scragg |
|
63/1, p. 124 |
| MICHAEL J. FRANKLIN |
Poets at Play: Irony and Parody in the Harley Lyrics, by Daniel J. Ransom |
|
56/1, p. 128 |
| DAVID MILLS |
The N-Town Play: Cotton MS Vespasian D.8, Early English Text Society, Supplementary Series, 11, 12, 2 vols., by Stephen Spector |
|
62/1, p. 137 |
| Bernard O'Donoghue |
Hermeneutics and Medieval Culture, by Patrick J. Gallagher, Helen Damico |
|
60/1, p. 145 |
| NICOLETTE ZEEMAN |
C. David Benson, Public Piers Plowman: Modern Scholarship and Late Medieval English Culture |
|
75/1, p. 149 |
| Ludwig Bieler |
English Caroline Minuscule. (Oxford Palaeographical Handbooks), by T. A. M. Bishop |
|
42/2, p. 154 |
| N. Denholm-Young |
Dictionary of Writers of Thirteenth Century England. Special Supplement No. 3 to the Bulletin of the Institute of Historical Research, by Josiah Cox Russell |
|
6/3, p. 240 |
| Dorena Allen Wright |
Orpheus in the Middle Ages, by John Block Friedman |
|
41/3, p. 268 |
| T.A. SHIPPEY |
Alcuin and Beowulf: an Eighth-Century View, by W. F. Bolton |
|
49/2, p. 268 |
| Elspeth Kennedy |
Beroul: The Romance of Tristran. Volume II, by A. Ewert |
|
40/3, p. 280 |
| ALCUIN BLAMIRES |
The Meanings of Sex Difference in the Middle Ages: Medicine, Science, and Culture, by Joan Cadden |
|
63/2, p. 307 |
| John Frankis |
Das altenglische Martyrologium, by Günter Kotzor |
|
52/2, p. 313 |
| Derek Pearsall |
Troilus and Criseyde, Oxford Guides to Chaucer, by Barry Windeatt |
|
62/2, p. 324 |
| NEIL THOMAS |
Adventure as Social Performance: a Study of the German Court Epic, Untersuchungen zur deutschen Literaturgeschichte, 52, by Will Hasty |
|
60/2, p. 326 |
| John Fox |
François Villon: Complete Poems, by Barbara N. Sargent-Baur |
|
65/2, p. 332 |