| RICHARD GAMESON |
Andrea Worm, Das Pariser Perikopenbuch und die Anfänge der romanischen Buchmalerei an Rhein und Weser |
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78/1, p. 124 |
| RICHARD GAMESON |
Peter Darby, Bede and the End of Time |
|
|
| RICHARD GAMESON |
A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges IV.1. The British Isles: Insular and Anglo-Saxon Manuscripts, ed. Nigel Morgan and Stella Panayotova with the assistance of Rebecca Rushforth |
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84/1, p. 137 |
| RICHARD GAMESON |
Vicky Gunn, Bede’s Historiae: Genre, Rhetoric and the Construction of Anglo-Saxon Church History |
|
79/1, p. 154 |
| RICHARD GAMESON |
Ben Snook, The Anglo-Saxon Chancery: The History, Language and Production of Anglo-Saxon Charters from Alfred to Edgar |
|
86/1, p. 160 |
| RICHARD GAMESON |
Ralph Hanna, Editing Medieval Texts: An Introduction, Using Exemplary Materials Derived from Richard Rolle ‘Super Canticum’ 4 |
|
86/1, p. 165 |
| RICHARD GAMESON |
Matthew Fisher, Scribal Authorship and the Writing of History in Medieval England |
|
83/1, p. 315 |
| RICHARD GAMESON |
Catherine E. Karkov, The Art of Anglo-Saxon England |
|
82/1, p. 326 |
| RICHARD GAMESON |
Donald Scragg, A Conspectus of Scribal Hands Writing English, 960-1100 |
|
82/1, p. 331 |
| RICHARD GAMESON |
Susan D. Thompson, Anglo-Saxon Royal Diplomas: A Palaeography |
|
78/2, p. 331 |
| RICHARD GAMESON |
Sonja Drimmer, The Art of Allusion. Illuminators and the Making of English Literature, 1403–1476 |
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89/2, p. 400 |