| Richard Axton |
Babio: A Twelfth Century Profane Comedy. The Citadel: Monograph Series, Number VII, by Malcolm M. Brennan |
|
39/1, p. 49 |
| A.V.C. Schmidt |
The Oxford Book of Late Medieval Verse and Prose, by Douglas Gray |
|
57/1, p. 115 |
| Daniel Wakelin |
Liam O. Purdon, The Wakefield Master's Dramatic Art: A Drama of Spiritual Understanding |
|
73/1, p. 126 |
| J.S. McKINNELL |
Peter Happé, The Towneley Cycle: Unity and Diversity, Religion and Culture in the Middle Ages |
|
77/1, p. 134 |
| RICHARD W. KAEUPER |
Robin Hood, by J. C. Holt |
|
54/1, p. 137 |
| JOHN INSLEY |
A Dictionary of English Surnames, third edition, by P. H. Reaney, R. M. Wilson |
|
62/1, p. 140 |
| Mark Campbell Chambers |
Ruth Niesse, Defining Acts: Drama and the Politics of Interpretation in Late Medieval England |
|
76/1, p. 141 |
| Richard Axton |
The Construction of the Wakefield Cycle, by John Gardner |
|
47/1, p. 181 |
| Arthur Brown |
The Wakefield Pageants in the Towneley Cycle, by A. C. Cawley |
|
29/3, p. 207 |
| Douglas Gray |
Studies in Medieval Literature, by Albert Croll Baugh, MacEdward Leach |
|
33/3, p. 240 |
| Richard Beadle |
The N-Town Plays: A Facsimile of British Library MS Cotton Vespasian D VIII (Leeds Texts and Monographs: Medieval Drama Facsimiles 4), by Peter Meredith, Stanley J. Kahrl |
|
48/2, p. 319 |
| Edwin D. Craun |
Janette Dillon, Language and Stage in Medieval and Renaissance England |
|
68/2, p. 319 |
| PAMELA M. KING |
The Towneley Plays, Early English Text Society, Supplementary Series 13, by Martin Stevens, A. C. Cawley |
|
65/2, p. 320 |