| JOHN C. HIRSH |
The Origin and Meaning of Courtly Love. A Critical Study of European Scholarship, by Roger Boase |
|
48/1, p. 124 |
| MICHAEL J. FRANKLIN |
Poets at Play: Irony and Parody in the Harley Lyrics, by Daniel J. Ransom |
|
56/1, p. 128 |
| G.N. BROMILEY |
Neda Chernack Zovic, Les Espaces de la transgression dans Tristan de Béroul, Studies in the Humanities, Literature — Politics — Society 19 |
|
67/1, p. 147 |
| A.E. Cobby |
Brian J. Levy, The Comic Text: Patterns and Images in the Old French Fabliaux, Faux Titre 186 |
|
71/1, p. 152 |
| Richard North |
Verbal Duelling in Heroic Narrative: the Homeric and Old English Traditions, by Ward Parks |
|
60/2, p. 300 |
| Sarah Kay |
The Game of Love: Troubadour Wordplay, by Laura Kendrick |
|
58/2, p. 331 |
| Anthony P. Bale |
Siân Echard, A Companion to Gower |
|
74/2, p. 348 |