| C.W. MARX |
English Medieval Theatre 1400—1500, by William Tydeman |
|
57/1, p. 123 |
| Daniel Anlezark |
Benjamin C. Withers, The Illustrated Old English Hexateuch, Cotton Claudius B.iv: The Frontier of Seeing and Reading in Anglo-Saxon England |
|
80/2, p. 129 |
| Anne Hudson |
John Scattergood, Occasions for Writing: Essays on Medieval and Renaissance Literature, Politics and Society |
|
80/2, p. 130 |
| SUSAN E. DESKIS |
Paul Cavill, Maxims in Old English Poetry |
|
70/1, p. 134 |
| MICHAEL STOLZ |
Jens Haustein,Marner-Studien, Münchener Texte und Untersuchungen zur deutschen Literatur des Mittelalters 109, |
|
67/1, p. 168 |
| DERRICK PITARD |
Framing Medieval Bodies, by Sarah Kay, Miri Rubin |
|
64/2, p. 298 |
| RICHARD JENKYNS |
The Shadow of Ulysses: Figures of a Myth, by Piero Boitani, Anita Weston |
|
65/2, p. 298 |
| JAN ČERMÁK |
A Grammar of Old English, Vol. I: Phonology, by Richard M. Hogg |
|
62/2, p. 312 |
| J.R. Maddicott |
Chaucer's England: Literature in Historical Context, by Barbara A. Hanawalt |
|
62/2, p. 331 |