| Monica J. Barnett |
RENOART AU TINEL AND OGIER DE DANEMARCHE: A CASE OF CONTAMINATION |
|
40/1, p. 1 |
| Richard Leighton Greene |
THE BURDEN AND THE SCOTTISH VARIANT OF THE CORPUS CHRISTI CAROL |
|
33/1, p. 53 |
| G.V. Smithers |
THE MEANING OF "THE SEAFARER" AND "THE WANDERER": APPENDIX |
|
28/2, p. 99 |
| Fanni Bogdanow |
MORGAIN'S ROLE IN THE THIRTEENTH-CENTURY FRENCH PROSE ROMANCES OF THE ARTHURIAN CYCLE |
|
38/2, p. 123 |
| Eugène Vinaver |
THE DOLOROUS STROKE |
|
25/3, p. 175 |
| R.N. Illingworth |
CELTIC TRADITION AND THE LAI OF GUIGEMAR |
|
31/3, p. 176 |
| RUPERT T. PICKENS |
Arthurian time and space: Chrétien’s Conte del Graal and Wace’s Brut |
|
75/2, p. 219 |
| CERIDWEN LLOYD-MORGAN |
THE RELATIONSHIP BETWEEN THE "PERLESVAUS" AND THE "PROSE LANCELOT" |
|
53/2, p. 239 |
| MARILYN CORRIE |
Self-determination in the Post-Vulgate Suite du Merlin and Malory’s Le Morte Darthur |
|
73/2, p. 273 |