| Dorothy Everett |
The Battle of Brunanburh, by Alistair Campbell |
|
9/1, p. 35 |
| Dorothy Everett |
Chaucer's Canterbury Tales und das Decameron. (Nachrichten von der Gesellschaft der Wissenschaften zu Göttingen, Neuere Philologie und Literaturgeschichte, Neue Folge, Band I, Nr. 4), by Lorenz Morsbach |
|
4/1, p. 54 |
| D. Mervyn Jones |
Researches into the Mediaeval History of Folk Ballad, by Lajos Vargyas, Arthur H. Whitney |
|
38/1, p. 94 |
| R.J. Taylor |
The Meistersingerschule at Memmingen and its 'Kurtze Entwerffung', by Clair Hayden Bell |
|
23/2, p. 119 |
| David Hook |
Irene Zaderenko, Problemas de autoría, de estructura y de fuentes en el 'Poema de mio Cid', Poetria nova 5 |
|
69/1, p. 164 |
| FIONA ROBERTSON |
Scott, Chaucer, and Medieval Romance: a Study in Sir Walter Scott's Indebtedness to the Literature of the Middle Ages, by Jerome Mitchell |
|
59/1, p. 165 |
| SARAH CARPENTER |
Fifteenth Century English Drama: the Early Moral Plays and their Literary Relations, by W. A. Davenport |
|
53/2, p. 321 |
| DAVID ANDERSON |
Boccaccio, Beauvau, Chaucer: 'Troilus and Criseyde'. Four Perspectives on Influence, by Michael G. Hanly |
|
62/2, p. 325 |
| Barbara C. Raw |
Anglo-Saxon Animal Art and its Germanic Background, by George Speake |
|
50/2, p. 327 |
| Eleanor Relle |
Paradise Lost and the Genesis Tradition, by J. M. Evans |
|
39/3, p. 376 |