| Phyllis M. Giles |
Illuminated Manuscripts in the Bodleian Library, Oxford. 2: Italian School, by Otto Pächt, J. J. G. Alexander |
|
41/1, p. 84 |
| Joan Turville-Petre |
Wulfstan's Prose (Sir Israel Gollancz Memorial Lecture, British Academy), by Angus McIntosh |
|
19/, p. 89 |
| Joseph Szövérffy |
Étude lexicographique sur les séquences limousines. (Studia Latina Stockholmiensia VII), by Lars Elfving |
|
35/2, p. 130 |
| FRANÇOISE LE SAUX |
Francine Mora-Lebrun, ‘Metre en romanz’: Les romans d'antiquité du Xlle et leur postérité (XIIIe—XIVe siècle), Series Moyen Âge: Outils de synthèse 3 |
|
78/1, p. 144 |
| Brian Murdoch |
Nikolaus Henkel, Martin H. Jones, Nigel Palmer, and Christine Putzo (eds), Dialoge: Sprachliche Kommunikation in und zwischen Texten im deutschen Mittelalter. Hamburger Colloquium 1999 |
|
75/1, p. 165 |
| Gavin Bone |
The Book of Fayttes of Armes and of Chyualrye, by William Caxton, Christine de Pisan, A. T. P. Byles |
|
3/3, p. 214 |
| J.J.G. Alexander |
Evangelica Historia. Disegni trecenteschi del MS. L. 58. Sup. della Biblioteca Ambrosiana. (Fontes Ambrosiani in Lucem Editi Cura et Studio Bibliothecae Ambrosianae 58), by B. Degenhart, A. Schmitt, A. Paredi |
|
49/2, p. 307 |
| Barbara C. Raw |
Anglo-Saxon Animal Art and its Germanic Background, by George Speake |
|
50/2, p. 327 |