M.R. Godden |
Did King Alfred write anything? |
|
76/1, p. 1 |
Jessie Crosland |
"DOLOPATHOS" AND THE SEVEN SAGES OF ROME |
|
25/1, p. 1 |
E.V. Gordon |
ON "HRAFNKELS SAGA FREYSGOĐA" |
|
8/1, p. 1 |
Max I. Wolff |
ROM UND DIE ROMANIA |
|
7/1, p. 1 |
M.L. Samuels |
"ANCRENE RIWLE" STUDIES |
|
22/1, p. 1 |
Ian Short |
THE "PSEUDO-TURPIN CHRONICLE": SOME UNNOTICED VERSIONS AND THEIR SOURCES |
|
38/1, p. 1 |
W. Rothwell |
NOTES ON THE TEXT OF "LE LAIE BIBLE" |
|
33/1, p. 1 |
John Frankis |
Layamon and the fortunes of yogh |
|
73/1, p. 1 |
Peter Orton |
Sticks or stones? The story of Imma in Cambridge, Corpus Christi College, MS 41 of the Old English Bede, and Old English tān (‘twig’) |
|
72/1, p. 1 |
JUANITA FEROS RUYS |
‘Ut sexu sic animo’: the resolution of sex and gender in the Planctus of Abelard |
|
75/1, p. 1 |
Thomas Walton |
LES POÈMES D'AMÉ DE MONTGESOIE (fl. 1457-1478) |
|
|
|
EDITORIAL |
|
|
Roger Fowler |
'ARCHBISHOP WULFSTAN'S COMMONPLACE-BOOK' AND THE "CANONS OF EDGAR" |
|
32/1, p. 1 |
Colin Smith |
PER ABBAT AND THE "Poema de mio Cid" |
|
42/1, p. 1 |
T.B.W. Reid |
CHRÉTIEN DE TROYES AND THE SCRIBE GUIOT |
|
45/1, p. 1 |
James Simpson |
FROM REASON TO AFFECTIVE KNOWLEDGE: MODES OF THOUGHT AND POETIC FORM IN "PIERS PLOWMAN" |
|
55/1, p. 1 |
NICHOLAS MANN |
L. T. TOPSFIELD (1920-1981) |
|
51/1, p. 1 |
A.G. Rigg |
ERACLIUS ARCHIPOETA: BEKYNTON ANTHOLOGY NOS. 14, 15, 20, 77 |
|
53/1, p. 1 |
Norman Davis, John Stevens |
J. A. W. BENNETT (1911-1981) |
|
50/1, p. 1 |
P.G. Walsh |
'GOLIAS' AND GOLIARDIC POETRY |
|
52/1, p. 1 |
Peter J. Lucas |
EASTER, THE DEATH OF ST GUTHLAC AND THE LITURGY FOR HOLY SATURDAY IN FELIX'S "VITA" AND THE OLD ENGLISH "GUTHLAC" B |
|
61/1, p. 1 |
Richard North |
GETTING TO KNOW THE GENERAL IN "THE BATTLE OF MALDON" |
|
60/1, p. 1 |
MARK BALFOUR |
MOSES AND THE PRINCESS: JOSEPHUS' "ANTIQUITATES JUDAICAE" AND THE "CHANSONS DE GESTE" |
|
64/1, p. 1 |
F.J. Tanquerey, E.J. Arnould |
CHRONOLOGIE DU "CONTE DE LA CHARRETTE" |
|
12/, p. 1 |
Oliver A. Beckerlegge |
AN ABRIDGED ANGLO-NORMAN VERSION OF THE "SECRETUM SECRETORUM" |
|
13/, p. 1 |
Ruth Harvey |
THE PROVENANCE OF THE OLD HIGH GERMAN "LUDWIGSLIED" |
|
14/, p. 1 |
Elaine C. Southward |
THE KNIGHT YDER AND THE "BEOWULF" LEGEND IN ARTHURIAN ROMANCE |
|
15/, p. 1 |
DAVID J. SHIRT |
THE DIDO EPISODE IN ENÉAS: THE RESHAPING OF TRAGEDY AND ITS STYLISTIC CONSEQUENCES |
|
51/1, p. 3 |
S. MARY CLEMENTE DAVLIN |
"KYNDE KNOWYNG" AS A MIDDLE ENGLISH EQUIVALENT FOR 'WISDOM' IN "PIERS PLOWMAN" B |
|
50/1, p. 5 |
Lewis Thorpe |
WALTER MAP AND GERALD OF WALES |
|
47/1, p. 6 |
W. Ann Trindade |
THE ENEMIES OF TRISTAN |
|
43/1, p. 6 |
Lester K. Born |
THE "VERSUS PROVERBIALES" ATTRIBUTED TO JOHN OF GARLAND |
|
3/1, p. 7 |
Murray Copland |
THE SHIPMAN'S TALE: CHAUCER AND BOCCACCIO |
|
35/1, p. 11 |
Kathleen Chesney |
NOTES ON SOME TREATISES OF DEVOTION INTENDED FOR MARGARET OF YORK (MS. DOUCE 365) |
|
20/, p. 11 |
Murray Copland |
THE REEVE'S TALE: HARLOTRIE OR SERMONYNG? |
|
31/1, p. 14 |
D.S. Brewer |
FORM IN THE "MORTE DARTHUR" |
|
21/, p. 14 |
J.C. Douglas Marshall |
THREE PROBLEMS IN THE "VISION OF TUNDAL" |
|
|
Neil Cartlidge |
Nicholas of Guildford and The Owl and the Nightingale |
|
79/1, p. 14 |
Ig. González-Llubera |
THREE JEWISH SPANISH BALLADS IN MS. "BRITISH MUSEUM ADD". 26967 |
|
7/1, p. 15 |
C.A. Robson |
A FIFTEENTH-CENTURY PUZZLE: JEAN II, DUC DE BOURBON, REPUTED AUTHOR OF THE "QUINZE JOYES DE MARIAGE" |
|
17/, p. 15 |
T.B.W. Reid |
THE SHE-WOLF'S MATE |
|
24/1, p. 16 |
Jane Roberts |
ST. BARTHOLOMEW'S DAY: A PROBLEM RESOLVED? |
|
46/1, p. 16 |
Elspeth Kennedy |
FAILURE IN ARTHURIAN ROMANCE |
|
60/1, p. 16 |
C.W. MARX |
AN EDITION AND STUDY OF THE "CONFLICTUS INTER DEUM ET DIABOLUM" |
|
59/1, p. 16 |
John Orr |
A PETIT VOUS SOIT |
|
16/, p. 16 |
H.L. Rogers |
AN ICELANDIC/NORWEGIAN NAME FOR WESTMINSTER |
|
27/1, p. 17 |
ANDREW BREEZE |
TWO BARDIC THEMES: THE VIRGIN AND CHILD, AND "AVE-EVA" |
|
63/1, p. 17 |
N.R. Ker |
C. MAIER'S TRANSCRIPT OF THE VERCELLI BOOK |
|
19/, p. 17 |
Marco Nievergelt |
Paradigm, intertext, or residual allegory: Guillaume Deguileville and the Gawain-poet |
|
80/2, p. 18 |
Ruth J. Dean |
A FOURTEENTH-CENTURY MANUSCRIPT OF "LE ROMAN DE LA ROSE" AND A FRAGMENT OF "LE COMPOT": HUNTINGTON MANUSCRIPT 902 |
|
12/, p. 18 |
H.G. Pfander |
THE MEDIÆVAL FRIARS AND SOME ALPHABETICAL REFERENCE-BOOKS FOR SERMONS |
|
3/1, p. 19 |
A.G. Rigg |
Joseph of Exeter's pagan gods again |
|
70/1, p. 19 |
A.J. Bliss |
CELTIC MYTH AND ARTHURIAN ROMANCE |
|
30/1, p. 19 |
MARY DOVE |
GAWAIN AND THE "BLASME DES FEMMES" TRADITION |
|
41/1, p. 20 |
Louise W. Stone |
OLD FRENCH TRANSLATIONS OF THE "DE CONSOLATIONE PHILOSOPHIÆ OF BOETHIUS |
|
6/1, p. 21 |
Jonathan Wordsworth |
A LINK BETWEEN THE KNIGHT'S TALE AND THE MILLER'S |
|
27/1, p. 21 |
John V. Fleming |
HOCCLEVE'S 'LETTER OF CUPID' AND THE 'QUARREL' OVER THE "ROMAN DE LA ROSE" |
|
40/1, p. 21 |
Helen Nicholson |
Following the path of the Lionheart: the De ortu Walwanii and the Itinerarium peregrinorum et gesta regis Ricardi |
|
69/1, p. 21 |
J. Keith Atkinson |
SOME FURTHER CONFIRMATIONS AND ATTRIBUTIONS OF MANUSCRIPTS OF THE MEDIAEVAL FRENCH BOETHIUS |
|
47/1, p. 22 |
Eric Stanley |
LAZAMON'S ANTIQUARIAN SENTIMENTS |
|
38/1, p. 23 |
AUDREY L. MEANEY |
THE "IDES" OF THE COTTON GNOMIC POEM |
|
48/1, p. 23 |
George W. Brewer, Bedwyr Lewis Jones |
POPULAR TALE MOTIFS AND HISTORICAL TRADITION IN "BREUDWYT MAXEN" |
|
|
Neil Cartlidge |
In the silence of a midwinter night: a re-evaluation of the Visio Philiberti |
|
75/1, p. 24 |
J.K. Bostock |
DER ARME HEINRICH 584 AND 725-26 |
|
16/, p. 24 |
Elizabeth Zeeman |
CONTINUITY AND CHANGE IN MIDDLE ENGLISH VERSIONS OF THE "MEDITATIONES VTTAE CHRISTI" |
|
26/1, p. 25 |
H.L. Levy |
'As myn auctour seyth' |
|
12/, p. 25 |
E.O. Winstedt |
SIEGFRIED |
|
21/, p. 25 |
Elizabeth Salter |
LUDOLPHUS OF SAXONY AND HIS ENGLISH TRANSLATORS |
|
33/1, p. 26 |
P.E. Russell |
ROBERT PAYN AND JUAN DE CUENCA, TRANSLATORS OF GOWER'S "CONFESSIO AMANTIS" |
|
30/1, p. 26 |
Nicolas Jacobs |
THE PROCESSES OF SCRIBAL SUBSTITUTION AND REDACTION: A STUDY OF THE CAMBRIDGE FRAGMENT OF "SIR DEGARRÉ" |
|
53/1, p. 26 |
Margaret Fitzgerald Richey |
THE GERMAN CONTRIBUTION TO THE MATTER OF BRITAIN, WITH SPECIAL REFERENCE TO THE LEGEND OF KING ARTHUR AND THE TABLE ROUND |
|
19/, p. 26 |
Roberto Weiss |
THE STUDY OF VARRO AT MONTECASSINO IN THE MIDDLE AGES |
|
16/, p. 27 |
Dorothy Everett |
THE RELATIONSHIP OF CHESTRE'S "LAUNFAL" AND "LYBEAUS DESCONUS" |
|
7/1, p. 29 |
ÁRMANN JAKOBSSON |
The amplified saga: structural disunity in Morkinskinna |
|
70/1, p. 29 |
Jane H.M. Taylor |
AROES THE ENCHANTER—AN EPISODE IN THE "ROMAN DE PERCEFOREST" AND ITS SOURCES |
|
47/1, p. 30 |
M.M. Lascelles, N.R. Ker |
ALEXANDER AND THE EARTHLY PARADISE IN MEDIÆVAL ENGLISH WRITINGS |
|
5/1, p. 31 |
Priscilla Preston |
DID GAVIN DOUGLAS WRITE "KING HART?" |
|
28/1, p. 31 |
LAURA ASHE |
The ‘Short Charter of Christ’: an unpublished longer version, from Cambridge University Library, MS Add. 6686 |
|
72/1, p. 32 |
M.L. HOLFORD |
A local source for Horn Child and Maiden Rimnild |
|
74/1, p. 34 |
A. McI. Trounce |
THE ENGLISH TAIL-RHYME ROMANCES. (Continued) |
|
|
D.S. Brewer |
MALORY RE-EDITED |
|
39/1, p. 35 |
Monica J. Barnett |
MAUDUIT DE RAMES |
|
46/1, p. 35 |
Angus McIntosh |
THE LANGUAGE OF THE EXTANT VERSIONS OF "HAVELOK THE DANE" |
|
45/1, p. 36 |
John J. Thompson |
LITERARY ASSOCIATIONS OF AN ANONYMOUS MIDDLE ENGLISH PARAPHRASE OF VULGATE PSALM L |
|
57/1, p. 38 |
Ian Bishop |
CHAUCER AND THE RHETORIC OF CONSOLATION |
|
52/1, p. 38 |
C.T. Onions |
Middle English gawne |
|
21/, p. 39 |
Elizabeth Salter |
THE TIMELINESS OF "WYNNERE AND WASTOURE" |
|
47/1, p. 40 |
R.C. Goffin |
QUITING BY TIDINGS IN "THE HOUS OF FAME" |
|
12/, p. 40 |
IVANA DJORDJEVIĆ |
Versification and translation in Sir Beves of Hampton |
|
74/1, p. 41 |
Dorena Allen Wright |
HENRYSON'S "ORPHEUS AND EURYDICE" AND THE TRADITION OF THE MUSES |
|
40/1, p. 41 |
W.G. COOKE, D'A.J.D. BOULTON |
Sir Gawain and the Green Knight: a poem for Henry of Grosmont? |
|
68/1, p. 42 |
T.D. Hemming |
PROBLEMS OF THE CLERMONT-FERRAND PASSION NARRATIVE |
|
35/1, p. 43 |
Jane Roberts |
"GUĐLAC" A, B, AND C? |
|
42/1, p. 43 |
Alison Adams |
A FOURTEENTH-CENTURY BOWDLERIZATION |
|
46/1, p. 46 |
Sarah Kay |
CONTINUATION AS CRITICISM: THE CASE OF JAUFRE RUDEL |
|
56/1, p. 46 |
Kathleen Chesney |
A NEGLECTED PROSE VERSION OF THE "ROMAN DE TROIE" |
|
11/, p. 46 |
Peter Dronke |
THE CONCLUSION OF "TROILUS AND CRISEYDE" |
|
33/1, p. 47 |
G.N. BROMILEY |
THE MAKING OF BEROUL'S "TRISTAN": THE ROLE OF REPETITION |
|
54/1, p. 47 |
PRISCILLA J. BAWCUTT |
LEXICAL NOTES ON GAVIN DOUGLAS'S "ENEADOS" |
|
40/1, p. 48 |
Erika von Erhardt-Siebold |
THE ANGLO-SAXON RIDDLE 74 AND EMPEDOKLES' FRAGMENT 117 |
|
15/, p. 48 |
Helen Phillips |
THE GHOST'S BAPTISM IN "THE AWNTYRS OFF ARTHURE" |
|
58/1, p. 49 |
Curt F. Bühler |
LYDGATE'S "RULES OF HEALTH" IN MS. LANSDOWNE 699 |
|
3/1, p. 51 |
Kenneth Urwin |
NOTE ON THE EPIC CÆSURA IN FIFTEENTHCENTURY FRENCH LITERATURE |
|
8/1, p. 54 |
Marcel Françon |
LA STRUCTURE DU RONDEAU |
|
|
Jeremy Lawrance |
NUÑO DE GUZMÁN AND EARLY SPANISH HUMANISM: SOME RECONSIDERATIONS |
|
51/1, p. 55 |
SIMON B. GAUNT |
MARGINAL MEN, MARCABRU AND ORTHODOXY: THE EARLY TROUBADOURS AND ADULTERY |
|
59/1, p. 55 |
J.A.W. Bennett |
THE DATE OF THE B-TEXT OF "PIERS PLOWMAN" |
|
12/, p. 55 |
JOANNA SUMMERS |
Gower's Vox clamantis and Usk's Testament of Love |
|
68/1, p. 55 |
F.S. Shears |
THE LANGUAGE OF THE FIRST AND THIRD VERSIONS OF FROISSART'S CHRONICLES |
|
|
Kemp Malone |
BEOWULFIANA |
|
|
PHILIP E. BENNETT |
THOMAS ELIE DE BIVILLE |
|
55/1, p. 58 |
KAREN SULLIVAN |
Disputations, literary and inquisitorial: the conversion of the heretic Sicart of Figueiras |
|
78/1, p. 58 |
ALISON M. PEDEN |
MACROBIUS AND MEDIAEVAL DREAM LITERATURE |
|
54/1, p. 59 |
CLEM C. WILLIAMS |
A CASE OF MISTAKEN IDENTITY: STILL ANOTHER TROJAN NARRATIVE IN OLD FRENCH PROSE |
|
53/1, p. 59 |
Michael C. Seymour |
Chaucer’s Book of the Duchess: a proposal |
|
74/1, p. 60 |
Gweneth Hutchings |
GAWAIN AND THE ABDUCTION OF GUENEVERE |
|
4/1, p. 61 |
G.V. Smithers |
STORY-PATTERNS IN SOME BRETON LAYS |
|
22/2, p. 61 |
Susanna Greer Fein |
A THIRTEEN-LINE ALLITERATIVE STANZA ON THE ABUSE OF PRAYER FROM THE AUDELAY MS |
|
63/1, p. 61 |
LUCY LEWIS |
The identity of Margaret in Thomas Usk's Testament of Love |
|
68/1, p. 63 |
T.B.W. Reid |
OLD FRENCH "GIENS", PROVENÇAL "GES", CATALAN "GENS" |
|
|
R.L.G. Ritchie |
THE DATE OF THE "VOYAGE OF ST BRENDAN" |
|
19/, p. 64 |
Leo Carruthers |
The Duke of Clarence and the Earls of March: Garter knights and Sir Gawain and the Green Knight |
|
70/1, p. 66 |
CATHERINE LÉGLU |
Nourishing lineage in the earliest French versions of the Roman de Mélusine |
|
74/1, p. 71 |
C.L. Wrenn |
THE TEXT OF "HAVARÐAR SAGA ISFIRÐINGS" |
|
|
Linda M. Paterson |
TOURNAMENTS AND KNIGHTLY SPORTS IN TWELFTH- AND THIRTEENTH-CENTURY OCCITANIA |
|
55/1, p. 72 |
R.G. Keightley |
THE "CRONYQUES OF SPAYGNE" IN CAXTON'S VERSION OF THE TROJAN HISTORY OF RAOUL LE FÈVRE |
|
49/1, p. 73 |
Ivor D.O. Arnold |
MALORY'S STORY OF ARTHUR'S ROMAN CAMPAIGN (M.Æ. VI 99 ff.) |
|
7/1, p. 74 |
D.G. Hoggan |
THE VERSION OF "ALISCANS" KNOWN TO THE AUTHOR OF "FOUCON DE CANDIE" |
|
26/2, p. 74 |
C.H.L. Bodenham |
THE NATURE OF THE DREAM IN LATE MEDIAEVAL FRENCH LITERATURE |
|
54/1, p. 74 |
CHARITY SCOTT STOKES |
THOMAS HOCCLEVE'S "MOTHER OF GOD" AND "BALADE TO THE VIRGIN AND CHRIST": LATIN AND ANGLO-NORMAN SOURCES |
|
64/1, p. 74 |
JOSETTE A. WISMAN |
JACQUES LEGRAND, CHRISTINE DE PIZAN, ET LA QUESTION DE LA 'NOUVELETÉ' |
|
63/1, p. 75 |
GERALD MORGAN |
A DEFENCE OF DORIGEN'S COMPLAINT |
|
46/1, p. 77 |
PENNY SULLIVAN |
THE PRESENTATION OF ENIDE IN THE "PREMIER VERS" OF CHRETIEN'S "EREC ET ENIDE" |
|
52/1, p. 77 |
PRISCILLA J. BAWCUTT |
The Boston Public Library manuscript of John Lydgate's Siege of Thebes: its Scottish owners and inscriptions |
|
70/1, p. 80 |
John Frankis |
Taste and patronage in late medieval England as reflected in versions of Guy of Warwick |
|
66/1, p. 80 |
Charles W. Jones |
THE BYRHTFERTH GLOSSES |
|
7/2, p. 81 |
E.V. Gordon, Eugène Vinaver |
NEW LIGHT ON THE TEXT OF THE ALLITERATIVE "MORTE ARTHURE" |
|
6/2, p. 81 |
Margaret E. Goldsmith |
THE CHRISTIAN THEME OF "BEOWULF" |
|
29/2, p. 81 |
HEATHER O'DONOGHUE |
What has Baldr to do with Lamech? The lethal shot of a blind man in Old Norse myth and Jewish exegetical traditions |
|
72/1, p. 82 |
Nevill Coghill |
TWO NOTES ON "PIERS PLOWMAN": I. THE ABBOT OF ABINGDON AND THE DATE OF THE C TEXT |
|
4/2, p. 83 |
J.K. Bostock |
THE ANT'S WAIST: A QUERY |
|
25/2, p. 84 |
D.J.A. Ross |
A FIFTEENTH-CENTURY REVISION OF THE OLD FRENCH PROSE ALEXANDER |
|
27/2, p. 86 |
A. McI. Trounce |
THE ENGLISH TAIL-RHYME ROMANCES |
|
|
W.P. Albrecht |
A SEVENTEENTH-CENTURY TEXT OF THOMAS OF ERCELDOUNE |
|
23/2, p. 88 |
Maldwyn Mills |
THE COMPOSITION AND STYLE OF THE 'SOUTHERN' "OCTAVIAN, SIR LAUNFAL" AND "LIBEAUS DESCONUS" |
|
31/2, p. 88 |
Fanni Bogdanow |
THE FRAGMENTS OF "GUIRON LE COURTOIS" PRESERVED IN MS DOUCE 383, OXFORD |
|
33/2, p. 89 |
O.D. Macrae-Gibson |
HOW HISTORICAL IS "THE BATTLE OF MALDON?" |
|
39/2, p. 89 |
Elspeth Kennedy |
SOCIAL AND POLITICAL IDEAS IN THE FRENCH PROSE "LANCELOT" |
|
26/2, p. 90 |
R. Wayne Hamm |
A CRITICAL EVALUATION OF THE "CONFISYON DEL AMANTE", THE CASTILIAN TRANSLATION OF GOWER'S "CONFESSIO AMANTIS" |
|
47/1, p. 91 |
Peter Ainsworth |
KNIFE, KEY, BEAR AND BOOK: POISONED METONYMIES AND THE PROBLEM OF "TRANSLATIO" IN FROISSART'S "LATER CHRONIQUES" |
|
59/1, p. 91 |
WILLIAM E. COLEMAN |
CHAUCER, THE "TESEIDA", AND THE VISCONTI LIBRARY AT PAVIA: A HYPOTHESIS |
|
51/1, p. 92 |
A.I. Doyle |
MORE LIGHT ON JOHN SHIRLEY |
|
30/2, p. 93 |
Georgine Brereton |
"LA RIOTE DU MONDE"—A NEW FRAGMENT |
|
4/2, p. 95 |
NICOLE D. SMITH |
Estreitement bendé: Marie de France’s Guigemar and the erotics of tight dress |
|
77/1, p. 96 |
Marvin L. Colker |
A NOTE ON THE HISTORY OF THE COMMENTARY ON THE "ALEXANDREIS" |
|
28/2, p. 97 |
Kathleen Chesney |
NICOLAS DE CLAMANGES: SOME SUPPLEMENTARY BIBLIOGRAPHICAL NOTES |
|
7/2, p. 98 |
Diana B. Tyson |
THE EPITAPH OF EDWARD THE BLACK PRINCE |
|
46/1, p. 98 |
P.J.C. Field |
Morte Arthure, the Montagus, and Milan |
|
78/1, p. 98 |
Tania Vorontzoff |
MALORY'S STORY OF ARTHUR'S ROMAN CAMPAIGN |
|
6/2, p. 99 |
S. Harrison Thomson |
THE DATE OF THE EARLY ENGLISH TRANSLATION OF THE "CANDET NUDATUM PECTUS" |
|
4/2, p. 100 |
R.L. Reynolds |
AN ECHO OF "BEOWULF" in ATHELSTAN'S CHARTERS OF 931-933 A.D.? |
|
24/2, p. 101 |
MÍĊEÁL F. VAUGHAN |
Personal politics and Thomas Gascoigne’s account of Chaucer’s death |
|
75/1, p. 103 |
Joy Russell-Smith |
KEIS IN "SAWLES WARDE" |
|
22/2, p. 104 |
F.M. Dear |
CHAUCER'S "BOOK OF THE LION" |
|
7/2, p. 105 |
G.R. Evans |
MENS DEVOTA: THE LITERARY COMMUNITY OF THE DEVOTIONAL WORKS OF JOHN OF FÉCAMP AND ST. ANSELM |
|
43/2, p. 105 |
William A. Craigie |
NEW EDITIONS OF THE ICELANDIC SAGAS |
|
21/, p. 106 |
Katherine T. Emerson, Ethel Seaton |
"THE PARLEMENT OF FOULES" AND LIONEL OF CLARENCE: A REPLY |
|
26/2, p. 107 |
Frederic Amory |
THE SATIRES OF SEXTUS AMARCIUS |
|
39/2, p. 108 |
Dominica Legge, Georgine Brereton |
THREE HITHERTO UNLISTED MSS. OF THE FRENCH PROSE "BRUTE CHRONICLE" |
|
7/2, p. 113 |
C.T. Onions |
THE TYPE 'A TALBOT' |
|
26/2, p. 114 |
N.R. Ker |
A MIDDLE-ENGLISH SUMMARY OF THE BIBLE |
|
29/2, p. 115 |
BARBARA N. SARGENT-BAUR |
MEDIÆVAL RIRE, RIDERE: A LAUGHING MATTER? |
|
43/2, p. 116 |
W.S.M. Nicoll |
SOME PASSAGES IN EINHARD'S "VITA KAROLI" IN RELATION TO SUETONIUS |
|
|
C.T. Onions |
THE PHRASE "END OF ONE'S KIN" |
|
7/2, p. 118 |
John M. Steadman |
OLD AGE AND "CONTEMPTUS MUNDI IN THE PARDONER'S TALE" |
|
33/2, p. 121 |
Catherine M. Darrall |
A COMPARISON OF TWO EPISODES IN THE PROSE "LANCELOT" |
|
41/2, p. 121 |
Fanni Bogdanow |
MORGAIN'S ROLE IN THE THIRTEENTH-CENTURY FRENCH PROSE ROMANCES OF THE ARTHURIAN CYCLE |
|
38/2, p. 123 |
Jean Marx |
CORRESPONDENCE |
|
23/2, p. 131 |
Eugène Vinaver |
THE LEGEND OF WADE IN THE "MORTE DARTHUR" |
|
|
Rosemary Woolf |
DOCTRINAL INFLUENCES ON "THE DREAM OF THE ROOD" |
|
27/3, p. 137 |
L.E. Kastner |
CONCERNING A CERTAIN ALLUSION IN A PROVENÇAL "CANSO" |
|
|
Beryl Smalley |
JOHN RIDEWALL'S COMMENTARY ON "DE CIVITATE DEI" |
|
25/3, p. 140 |
H. Peter Clive |
"FLORIDAN ET ELVIDE": A CRITICAL EDITION |
|
26/3, p. 154 |
C.T. Onions |
MIDDLE ENGLISH "WRABBE, WROBBE" |
|
10/3, p. 159 |
JOHN NORTON-SMITH |
AUERBACH ON LITERARY LANGUAGE |
|
36/2, p. 159 |
R. SHARPE |
AN "EXORTACIO AD CONTEMPLACIONEM" FROM FARNE ISLAND |
|
54/2, p. 159 |
Tony Hunt |
"DELICIAE CLERICORUM": INTELLECTUAL AND SCIENTIFIC PURSUITS IN TWO DORSET MONASTERIES |
|
56/2, p. 159 |
Robert Easting |
OWEIN AT ST PATRICK'S PURGATORY |
|
55/2, p. 159 |
M.A.L. Locherbie-Cameron |
BYRHTNOTH, HIS NOBLE COMPANION AND HIS SISTER'S SON |
|
57/2, p. 159 |
Roger Sherman Loomis |
"ISDERNUS" AGAIN |
|
|
P.J. Frankis |
DEOR AND "WULF AND EADWACER" : SOME CONJECTURES |
|
31/3, p. 161 |
W.J. Keith |
LAƷAMON'S "BRUT": THE LITERARY DIFFERENCES BETWEEN THE TWO TEXTS |
|
29/3, p. 161 |
Mortimer J. Donovan |
HERODIS IN THE AUCHINLECK "SIR ORFEO" |
|
27/3, p. 162 |
Roger Ellis |
'FLORES AD FABRICANDAM ... CORONAM': AN INVESTIGATION INTO THE USES OF THE REVELATIONS OF ST BRIDGET OF SWEDEN IN FIFTEENTH-CENTURY ENGLAND |
|
51/2, p. 163 |
Alfred Ewert |
ANGLO-NORMAN STUDIES |
|
7/2, p. 164 |
S.T. Knight |
THE ORAL TRANSMISSION OF "SIR LAUNFAL" |
|
38/2, p. 164 |
Michael C. Seymour |
A FIFTEENTH-CENTURY EAST ANGLIAN SCRIBE |
|
37/2, p. 166 |
JOHN NORTON-SMITH |
LYDGATE'S CHANGES IN THE "TEMPLE OF GLAS" |
|
27/3, p. 166 |
S.O. Andrew |
SOME PRINCIPLES OF OLD ENGLISH WORD-ORDER |
|
3/3, p. 167 |
Ethel Seaton |
"THE PARLEMENT OF FOULES" AND LIONEL OF CLARENCE |
|
25/3, p. 168 |
R.M. Dawkins |
ALEXANDER AND THE WATER OF LIFE |
|
6/3, p. 173 |
Georgine Brereton |
VIPER INTO WEASEL: (A note on a line in Chaucer's "Melibee") |
|
27/3, p. 173 |
Constance Bullock-Davies |
L'UEVRE SALEMUN |
|
29/3, p. 173 |
Roger Sherman Loomis |
A COMMON SOURCE FOR "EREC" AND "GEREINT" |
|
27/3, p. 175 |
Eugène Vinaver |
THE DOLOROUS STROKE |
|
25/3, p. 175 |
Henry Chadwick |
THETA ON PHILOSOPHY'S DRESS IN BOETHIUS |
|
49/2, p. 175 |
Edward B. Ham |
THE LANGUAGE OF THE "ROMAN DE WALDEF" |
|
4/3, p. 176 |
VALERIE EDDEN |
A CAROLINGIAN PARODY OF PASTORAL |
|
49/2, p. 180 |
Roger Sherman Loomis |
ONOMASTIC RIDDLES IN MALORY'S "BOOK OF ARTHUR AND HIS KNIGHTS" |
|
25/3, p. 181 |
G.N. BROMILEY |
ANDRET AND THE TOURNAMENT EPISODE IN BÉROUL'S "TRISTRAN" |
|
46/2, p. 181 |
Alexander Bell |
MAISTRE GEFFREI GAIMAR |
|
7/3, p. 184 |
W.R.J. BARRON |
"JOSEPH OF ARIMATHIE" AND THE "ESTOIRE DEL SAINT GRAAL" |
|
33/3, p. 184 |
MARTHA WALLEN |
SIGNIFICANT VARIATIONS IN THE BURGUNDIAN PROSE VERSION OF "EREC ET ENIDE" |
|
51/2, p. 187 |
Mishtooni Bose |
FROM EXEGESIS TO APPROPRIATION: THE MEDIEVAL SOLOMON |
|
65/2, p. 187 |
NANCY MASON BRADBURY |
The erosion of oath-based relationships: a cultural context for Athelston |
|
73/2, p. 189 |
Olive Sayce |
LESLIE SEIFFERT (1934-1990) |
|
59/2, p. 189 |
Andrew Galloway |
Word-play and political satire: solving the riddle of the text of Jezebel |
|
68/2, p. 189 |
Alexander Bell |
THE ROYAL "BRUT" INTERPOLATION |
|
32/3, p. 190 |
G.V. Smithers |
THE STYLE OF "HAUELOK" |
|
57/2, p. 190 |
A.T. FEAR |
Taming Rasputin? Braulio and St Aemilian |
|
76/2, p. 191 |
Ad Putter |
The text of Sir Perceval of Galles |
|
70/2, p. 191 |
A.G. Rigg |
The tortoise and the snail: a lexical shellgame |
|
77/2, p. 191 |
TERENCE McCARTHY |
Literary practice in eleventh-century music theory: the colores rhetorici and Aribo’s De musica |
|
71/2, p. 191 |
C.A.J. Armstrong |
VERSES BY JEAN MIÉLOT ON EDWARD IV AND RICHARD EARL OF WARWICK |
|
8/3, p. 193 |
MILIJA N. PAVLOVIĆ, Roger M. Walker |
MONEY, MARRIAGE AND THE LAW IN THE "POEMA DE MIO CID" |
|
51/2, p. 197 |
S.D. Stirk |
DER WETTSTREIT DER DREI LEIBPAGEN DES KÖNIG DARIUS |
|
5/3, p. 199 |
Daniel Anlezark |
The stray ending in the Solomonic anthology in Cambridge, Corpus Christi College, MS 422 |
|
80/1, p. 201 |
R.E. Kaske |
THE READING "GENYRE" IN "THE HUSBAND'S MESSAGE" LINE 49 |
|
33/3, p. 204 |
Gweneth Hutchings |
"ISDERNUS" OF THE MODENA ARCHIVOLT |
|
|
DOROTHY S. SEVERIN, HARVEY L. SHARRER |
FIFTEENTH-CENTURY SPANISH FRAGMENTS OF A LOST PROSE ALEXANDER |
|
48/2, p. 205 |
Douglas Gray |
A TRIBUTE TO J. A. W. BENNETT (1911-1981) |
|
50/2, p. 205 |
Linda Marshall |
THE AUTHORSHIP OF THE ANGLO-NORMAN POEM "CORSET" |
|
42/3, p. 207 |
Alastair Minnis |
JOHN GOWER, "SAPIENS" IN ETHICS AND POLITICS |
|
49/2, p. 207 |
CATHERINE NALL |
Malory’s Morte Darthur and the rhetoric of war |
|
79/2, p. 207 |
C. ANNETTE GRISÉ |
Women’s devotional reading in late-medieval England and the gendered reader |
|
71/2, p. 209 |
Kemp Malone |
THE LIDWICINGS OF "WIDSITH" |
|
6/3, p. 213 |
P.J.C. Field |
THOMAS MALORY: THE HUTTON DOCUMENTS |
|
48/2, p. 213 |
David R. Evans |
THE SEQUENCE OF EVENTS IN "BEOWULF", 11. 207-16 |
|
32/3, p. 214 |
Conrad Mainzer |
JOHN GOWER'S USE OF THE 'MEDIÆVAL OVID' IN THE "CONFESSIO AMANTIS" |
|
41/3, p. 215 |
Peter Godman |
THE ANGLO-LATIN "OPUS GEMINATUM": FROM ALDHELM TO ALCUIN |
|
50/2, p. 215 |
A.T.P. Byles, P.G.C. Campbell |
NOTES ON "THE BOOK OF FAYTTES OF ARMES AND OF CHYVALRYE" |
|
|
Ludwig Bieler |
MUIRCHÚ'S LIFE OF ST. PATRICK AS A WORK OF LITERATURE |
|
43/3, p. 219 |
T.M. Smallwood |
THE TEXT OF LANGTOFT'S CHRONICLE |
|
46/2, p. 219 |
A.K. Brown |
THE ENGLISH COMPASS POINTS |
|
47/2, p. 221 |
Sylvia Huot |
PATIENCE IN ADVERSITY: THE COURTLY LOVER AND JOB IN MACHAUT'S MOTETS 2 AND 3 |
|
63/2, p. 222 |
LAWRENCE WARNER |
The ending, and end, of Piers Plowman B: the C-version origins of the final two passus |
|
76/2, p. 225 |
EMMA J. CAYLEY |
Collaborative communities: the manuscript context of Alain Chartier’s Belle Dame sans mercy |
|
71/2, p. 226 |
Dennis Green |
THE "MILLSTÄTTER EXODUS" AND ITS BIBLICAL SOURCE |
|
38/3, p. 227 |
ROY J. PEARCY |
Anglo-Norman fabliaux and Chaucer's Merchant's Tale |
|
69/2, p. 227 |
Rachel Hands |
HORSE-DEALING LORE, OR A FIFTEENTH-CENTURY 'HELP TO DISCOURSE'? |
|
41/3, p. 230 |
Olive Sayce |
CHAUCER'S 'RETRACTIONS': THE CONCLUSION OF THE "CANTERBURY TALES" AND ITS PLACE IN LITERARY TRADITION |
|
40/3, p. 230 |
Roger M. Walker |
FROM FRENCH VERSE TO SPANISH PROSE: "LA CHANSON DE FLORENCE DE ROME" AND "EL CUENTO DEL ENPERADOR OTAS DE ROMA" |
|
49/2, p. 230 |
Neil Cartlidge |
THE DATE OF "THE OWL AND THE NIGHTINGALE" |
|
65/2, p. 230 |
James I. Wimsatt |
THE SOURCES OF CHAUCER'S 'SEYS AND ALCYONE' |
|
36/3, p. 231 |
Antonia Gransden |
SILENT MEANINGS IN RANULF HIGDEN'S "POLYCHRONICON AND IN THOMAS ELMHAM's LIBER METRICUS DE HENRICO QUINTO" |
|
46/2, p. 231 |
Michael Van Dussen |
Three verse eulogies of Anna of Bohemia |
|
78/2, p. 231 |
MARILYN CORRIE |
The compilation of Oxford, Bodleian Library, MS Digby 86 |
|
66/2, p. 236 |
PAUL BATTLES |
In folly ripe, in reason rotten: The Flower and the Leaf and the ‘Purgatory of Cruel Beauties’ |
|
72/2, p. 238 |
T.M. Smallwood |
THE INTERPRETATION OF "SOMER SONEDAY" |
|
42/3, p. 238 |
R.W. Hunt |
A MANUSCRIPT CONTAINING EXTRACTS FROM THE "DISTINCTIONS MONASTICAE" |
|
44/3, p. 238 |
Ian Short |
THE PATRONAGE OF BENEIT'S "VIE DE THOMAS BECKET" |
|
56/2, p. 239 |
CERIDWEN LLOYD-MORGAN |
THE RELATIONSHIP BETWEEN THE "PERLESVAUS" AND THE "PROSE LANCELOT" |
|
53/2, p. 239 |
CHARLES A. OWEN Jr |
WHAT THE MANUSCRIPTS TELL US ABOUT THE PARSON'S TALE |
|
63/2, p. 239 |
Mabel Day |
TWO NOTES ON "PEARL" |
|
3/3, p. 241 |
BENJAMIN T. HUDSON |
‘Brjáns Saga’ |
|
71/2, p. 241 |
Helen C.R. Laurie |
A NOTE OF THE COMPOSITION OF MARIE'S "GUIGEMAR" |
|
44/3, p. 242 |
B.K. Martin |
"THE LAMENT OF THE OLD WOMAN OF BEARE": A CRITICAL EVALUATION |
|
38/3, p. 245 |
D.R. Howlett |
THE DATE AND AUTHORSHIP OF THE MIDDLE ENGLISH VERSE TRANSLATION OF PALLADIUS' "DE RE RUSTICA" |
|
46/2, p. 245 |
SIMON HOROBIN |
‘In London and Opelond’: the dialect and circulation of the C version of Piers Plowman |
|
74/2, p. 248 |
R.N. Illingworth |
STRUCTURAL INTERLACE IN THE "LAI" OF "CHEVREFOIL" |
|
54/2, p. 248 |
Fred C. Robinson |
THE ROYAL EPITHET "ENGLE LEO" IN THE OLD ENGLISH "DURHAM" POEM |
|
37/3, p. 249 |
ROGER DALRYMPLE |
THE LITERARY USE OF RELIGIOUS FORMULAE IN CERTAIN MIDDLE ENGLISH ROMANCES |
|
64/2, p. 250 |
Neil Cartlidge |
The composition and social context of Oxford, Jesus College, MS 29(ii) and London, British Library, MS Cotton Caligula A.ix |
|
66/2, p. 250 |
Alexander Murray |
Did Simone Serdini ('Il Saviozzo') really commit suicide? |
|
79/2, p. 250 |
Martin Plessner |
ORIENTALISTISCHE BEMERKUNGEN ZU RELIGIONS-HISTORISCHEN DEUTUNGEN VON WOLFRAMS "PARZIVAL" |
|
36/3, p. 253 |
Cecily Clark |
CHARLES D'ORLEANS: SOME ENGLISH PERSPECTIVES |
|
40/3, p. 254 |
Alastair Minnis |
A NOTE ON CHAUCER AND THE "OVIDE MORALISÉ" |
|
48/2, p. 254 |
T.J. Gorton |
ARABIC WORDS AND REFRAINS IN PROVENÇAL AND PORTUGUESE POETRY |
|
|
D.A. Trotter |
THE INFLUENCE OF BIBLE COMMENTARIES ON OLD FRENCH BIBLE TRANSLATIONS |
|
56/2, p. 257 |
BENJAMIN T. HUDSON |
THE VIKING AND THE IRISHMAN |
|
60/2, p. 257 |
MERJA BLACK |
A scribal translation of Piers Plowman |
|
67/2, p. 257 |
Brian Murdoch |
THE HOLY HOSTAGE: "DE FILIO MULIERIS" IN THE MIDDLE CORNISH PLAY "BEUNANS MERIASEK" |
|
58/2, p. 258 |
HEATHER STUART |
'IC ME ON ÞISSE GYRDE BELUCE': THE STRUCTURE AND MEANING OF THE OLD ENGLISH "JOURNEY CHARM" |
|
50/2, p. 259 |
Daniel Wakelin |
The occasion, author, and readers of Knyghthode and Bataile |
|
73/2, p. 260 |
Anthony P. Bale |
A Norfolk gentlewoman and Lydgatian patronage: Lady Sibylle Boys and her cultural environment |
|
78/2, p. 261 |
P.B. Grout |
CONTEMPORARY LIFE AND SOCIETY IN THE "ROMAN DE THÈBES" |
|
38/3, p. 262 |
Z.P. Zaddy |
CHRETIEN DE TROYES AND THE VERB "ESPROVER" |
|
37/3, p. 263 |
PRISCILLA J. BAWCUTT |
"PAMPHILUS DE AMORE" 'IN INGUSH TOUNG' |
|
64/2, p. 264 |
R.A. Dwyer |
THE OLD FRENCH BOETHIUS: ADDENDUM |
|
43/3, p. 265 |
Sylvia Huot |
Re-fashioning Boethius: prose and poetry in Chartier’s Livre de l’Esperance |
|
76/2, p. 268 |
SIÂN ECHARD |
Pre-texts: tables of contents and the reading of John Gower's Confessio Amantis |
|
66/2, p. 270 |
YIN LIU |
Richard Beauchamp and the uses of romance |
|
74/2, p. 271 |
MICHAEL J. BENNETT |
Mandeville’s Travels and the Anglo-French moment |
|
75/2, p. 273 |
JONATHAN USHER |
FRAME AND NOVELLA GARDENS IN THE "DECAMERON" |
|
58/2, p. 274 |
Alexandra Barratt |
Dame Eleanor Hull: the translator at work |
|
72/2, p. 277 |
RALPH HANNA III |
Humphrey Newton and Bodleian Library, MS Lat. misc. c.66 |
|
69/2, p. 279 |
SEBASTIAN JAMES LANGDELL |
‘What world is this? How vndirstande am I?’ A reappraisal of poetic authority in Thomas Hoccleve’s Series |
|
78/2, p. 281 |
VIRGINIE MINET-MAHY |
Pouvoir et critique de la rhétorique d’Alain Chartier au Séjour d’Honneur d’Octovien de Saint-Gelais |
|
76/2, p. 285 |
W.M. ORMROD |
KNIGHTS OF VENUS |
|
73/2, p. 290 |
Peter J. Lucas |
TOWARDS AN INTERPRETATION OF "SIR LAUNFAL" WITH PARTICULAR REFERENCE TO LINE 683 |
|
39/3, p. 291 |
Tony Hunt |
The 'Geste de Burch': a manuscript |
|
67/2, p. 291 |
John E. Wrigley |
A PRESUMED LOST PETRARCHAN LETTER: "SINE NOMINE" X |
|
37/3, p. 293 |
SIÂN GRØNLIE |
‘No longer male and female’: redeeming women in the Icelandic conversion narratives |
|
75/2, p. 293 |
Anne Mouron |
The Manere of Good Lyvyng: the manner of a good translator? |
|
78/2, p. 300 |
ROSANNA CANTAVELLA |
The meaning of destral as 'go-between' in the Catalan Facet and in Old Occitan |
|
67/2, p. 304 |
Claudio Lagomarsini |
The prose Description of England: a hitherto unedited Anglo-Norman text from BL, Additional MS 14252 |
|
80/1, p. 325 |