| Helen C.R. Laurie |
NARCISUS |
|
35/2, p. 111 |
| Eric Colledge |
ALIRI |
|
27/2, p. 111 |
| Joseph Szövérffy |
VIRGIL AND A LATIN CHRISTMAS CAROL |
|
26/2, p. 111 |
| JOHN FINLAYSON |
ARTHUR AND THE GIANT OF ST. MICHAEL'S MOUNT |
|
33/2, p. 112 |
| Phyllis Abrahams |
THE MERCATOR-SCENES IN MEDIÆVAL FRENCH PASSION-PLAYS |
|
3/2, p. 112 |
| Dominica Legge, Georgine Brereton |
THREE HITHERTO UNLISTED MSS. OF THE FRENCH PROSE "BRUTE CHRONICLE" |
|
7/2, p. 113 |
| G.W.S. Friedrichsen |
GOTHIC NOTES |
|
26/2, p. 113 |
| J.A.W. Bennett |
CHAUCER, DANTE, AND BOCCACCIO |
|
22/2, p. 114 |
| C.T. Onions |
THE TYPE 'A TALBOT' |
|
26/2, p. 114 |
| N.R. Ker |
MS. COTTON GALBA A. XIX: "THE PROVERBS OF ALFRED" |
|
5/2, p. 115 |
| N.R. Ker |
A MIDDLE-ENGLISH SUMMARY OF THE BIBLE |
|
29/2, p. 115 |
| Edward M. Wilson |
WORD PLAY AND THE INTERPRETATION OF "PEARL" |
|
40/2, p. 116 |
| BARBARA N. SARGENT-BAUR |
MEDIÆVAL RIRE, RIDERE: A LAUGHING MATTER? |
|
43/2, p. 116 |
| F.J.E. Raby |
SOME NOTES ON DANTE AND MACROBIUS |
|
35/2, p. 117 |
| JOHN NORTON-SMITH |
CHAUCER'S "ETAS PRIMA" |
|
32/2, p. 117 |
| W.S.M. Nicoll |
SOME PASSAGES IN EINHARD'S "VITA KAROLI" IN RELATION TO SUETONIUS |
|
|
| C.T. Onions |
THE PHRASE "END OF ONE'S KIN" |
|
7/2, p. 118 |
| A.G. Mitchell |
THE TEXT OF "PIERS PLOWMAN" C. Prologue 1. 215 |
|
8/2, p. 118 |
| R.A. Dwyer |
ASENATH OF EGYPT IN MIDDLE ENGLISH |
|
39/2, p. 118 |
| H.J. Chaytor |
STATUTES OF THE CONFRATERNITY OF ST. LAZARE IN BORDEAUX |
|
10/3, p. 119 |
| L.T. Topsfield |
INTENTION AND IDEAS IN "FLAMENCA" |
|
36/2, p. 119 |
| A.L. Kellogg |
CHAUCER'S SELF-PORTRAIT AND DANTE'S |
|
29/2, p. 119 |
| Richard A. Lewis |
ALLITERATION AND OLD ENGLISH METRE |
|
42/2, p. 119 |
| Kenneth A. Bleeth |
JULIANA, 647-52 |
|
38/2, p. 119 |
| Dominica Legge |
A FUER DE GUERRE |
|
5/2, p. 121 |
| John M. Steadman |
OLD AGE AND "CONTEMPTUS MUNDI IN THE PARDONER'S TALE" |
|
33/2, p. 121 |
| Catherine M. Darrall |
A COMPARISON OF TWO EPISODES IN THE PROSE "LANCELOT" |
|
41/2, p. 121 |
| J.S. McKINNELL |
ON THE DATE OF "THE BATTLE OF MALDON" |
|
|
| E.J. Arnould |
ON RICHARD ROLLE'S PATRONS: a new reading |
|
6/2, p. 122 |
| Joseph Szövérffy |
NICOLAS OF CLAIRVAUX AND IRELAND'S CONVERSION |
|
34/2, p. 122 |
| Douglas Brooks, Alastair Fowler |
THE MEANING OF CHAUCER'S "KNIGHT'S TALE" |
|
39/2, p. 123 |
| Fanni Bogdanow |
MORGAIN'S ROLE IN THE THIRTEENTH-CENTURY FRENCH PROSE ROMANCES OF THE ARTHURIAN CYCLE |
|
38/2, p. 123 |
| P.L. Heyworth |
SIR GAWAIN'S CROSSING OF DEE |
|
41/2, p. 124 |
| Alan Fedrick |
A NOTE ON THE "FOLIE TRISTAN DE BERNE" |
|
32/2, p. 125 |
| D.J.A. Ross |
ALEXANDER IN THE "LIBER FLORIDUS" OF LAMBERT OF ST. OMER |
|
31/2, p. 125 |
| G.V. Smithers |
TWO TYPOLOGICAL TERMS IN THE "ANCRENE RIWLE" |
|
34/2, p. 126 |
| E.V. Gordon, C.T. Onions |
NOTES ON THE TEXT AND INTERPRETATION OF "PEARL" |
|
|
| R.C. Goffin |
CHAUCER AND ELOCUTION |
|
4/3, p. 127 |
| Z.P. Zaddy |
DEFINITION OF SLEEP IN "ANDREAS CAPELLANUS" |
|
34/2, p. 129 |
| A.H. MacLaine |
CHAUCER'S WINE-CASK IMAGE : WORD PLAY IN "THE REEVE'S PROLOGUE" |
|
31/2, p. 129 |
| W.S. Angus |
THE EIGHTH SCRIBE'S DATES IN THE PARKER MANUSCRIPT OF THE ANGLO-SAXON CHRONICLE |
|
10/3, p. 130 |
| Jean Marx |
CORRESPONDENCE |
|
23/2, p. 131 |
| Desmond Paul Henry |
SAINT ANSELM'S "RUSTICI" |
|
33/2, p. 131 |
| Robert A. Caldwell |
BEOWULF vv. 413b-414 |
|
42/2, p. 131 |
| C.S. Lewis |
DANTE'S STATIUS |
|
25/3, p. 133 |
| John A. Alford |
HAUKYN'S COAT: SOME OBSERVATIONS ON "PIERS PLOWMAN" B. XIV. 22-7 |
|
43/2, p. 133 |
| Sister Marie Brisson |
THE INFLUENCE OF FRÈRE LAURENT'S "LA SOMME LE ROI" ON FRÈRE ROBERT'S "LE CHASTEL PERILLEUX" |
|
36/2, p. 134 |
| A.V.C. Schmidt |
LANGLAND AND SCHOLASTIC PHILOSOPHY |
|
38/2, p. 134 |
| Eugène Vinaver |
THE LEGEND OF WADE IN THE "MORTE DARTHUR" |
|
|
| |
Erratum: THE PETITIONS OF THE PATERNOSTER IN MEDIÆVAL ENGLISH LITERATURE |
|
27/2, p. 135 |
| Mark Eccles |
"LUDUS COVENTRIÆ" LINCOLN OR NORFOLK? |
|
40/2, p. 135 |
| DONALD G. BZDYL |
PRAYER IN OLD ENGLISH NARRATIVES |
|
51/2, p. 135 |
| N.R. Ker |
SOME NOTES ON THE PETERBOROUGH CHRONICLE |
|
3/2, p. 136 |
| James L. Rosier |
"HEAFOD" AND "HELM": CONTEXTUAL COMPOSITION IN "BEOWULF" |
|
37/2, p. 137 |
| A.T. Baker |
OLD FRENCH "BEUBELET, BEAUBELET" |
|
|
| N.R. Ker |
OLD ENGLISH "SCÆGAN" |
|
|
| Rosemary Woolf |
DOCTRINAL INFLUENCES ON "THE DREAM OF THE ROOD" |
|
27/3, p. 137 |
| G.V. Smithers |
THE MEANING OF THE "SEAFARER" AND "THE WANDERER" |
|
26/3, p. 137 |
| John W. Conlee |
THE "ABBEY OF THE HOLY GHOST" AND THE "EIGHT GHOSTLY DWELLING PLACES" OF HUNTINGTON LIBRARY HM 744 |
|
|
| N.R. Ker |
THE SCRIBES OF THE "TRINITY HOMILIES" |
|
|
| Michael C. Seymour |
THE SCRIBE OF HUNTINGTON LIBRARY MS. HM 114 |
|
43/2, p. 139 |
| L.E. Kastner |
CONCERNING A CERTAIN ALLUSION IN A PROVENÇAL "CANSO" |
|
|
| Beryl Smalley |
JOHN RIDEWALL'S COMMENTARY ON "DE CIVITATE DEI" |
|
25/3, p. 140 |
| Stanley B. Greenfield |
THE ROLE OF CALKAS IN "TROILUS AND CRISEYDE" |
|
36/2, p. 141 |
| Helen C.R. Laurie |
"ENEAS" AND THE "LANCELOT" OF CHRETIEN DE TROYES |
|
37/2, p. 142 |
| Anne Hudson |
A LOLLARD SERMON-CYCLE AND ITS IMPLICATIONS |
|
40/2, p. 142 |
| H.E. Butler |
SOME NEW PAGES OF GIRALDUS CAMBRENSIS |
|
4/3, p. 143 |
| H.B. Willson |
THE ROLE OF KEII IN HARTMANN'S "IWEIN" |
|
30/3, p. 145 |
| Wolfgang Becker |
THE LATIN MANUSCRIPT SOURCES OF THE OLD ENGLISH TRANSLATIONS OF THE SERMON "REMEDIA PECCATORUM" |
|
45/2, p. 145 |
| JOHN C. HIRSH |
AUTHOR AND SCRIBE IN "THE BOOK OF MARGERY KEMPE" |
|
|
| James Shiel |
THE LATIN ARISTOTLE |
|
42/2, p. 147 |
| C.E. Wright |
A POSTSCRIPT TO 'LATE OLD ENGLISH RUNE-NAMES' (M.Æ. I 24-34) |
|
5/2, p. 149 |
| L. Whitbread |
A NOTE ON "WULF AND EADWACER" |
|
10/3, p. 150 |
| |
CORRIGENDUM: DUKE WILLIAM'S MESSENGERS: AN 'INSOLUBLE, REVERSE-ORDER' SCENE OF THE BAYEUX TAPESTRY |
|
51/2, p. 151 |
| Bernice W. Kliman |
SPEECH AS A MIRROR OF "SAPIENTIA" AND "FORTITUDO" IN BARBOUR'S "BRUCE" |
|
|
| Donald Schueler |
THE AGE OF THE LOVER IN GOWER'S "CONFESSIO AMANTIS" |
|
36/2, p. 152 |
| T.D. CRAWFORD |
ON THE LINGUISTIC COMPETENCE OF GEOFFREY OF MONMOUTH |
|
51/2, p. 152 |
| J.L.N. O'Loughlin |
THE MIDDLE ENGLISH ALLITERATIVE: MORTE ARTHURE |
|
4/3, p. 153 |
| H.B. Willson |
CONCORD AND DISCORD: THE DIALECTIC OF THE "NIBELUNGENLIED" |
|
28/3, p. 153 |
| H. Peter Clive |
"FLORIDAN ET ELVIDE": A CRITICAL EDITION |
|
26/3, p. 154 |
| Alfred Ewert |
THE GLASGOW LATIN-FRENCH GLOSSARY |
|
25/3, p. 154 |
| Donald C. Miller |
THE SEQUENCE OF THE "WALDHERE" FRAGMENTS |
|
10/3, p. 155 |
| Gwyn Jones |
FJÖRBAUGSGARƉR |
|
9/3, p. 155 |
| Constance Bullock-Davies |
A NOTE ON "LE SIÈGE DE KARLAVEROK" |
|
39/2, p. 155 |
| Mario Roques |
LES SERMENTS DE STRASBOURG |
|
5/3, p. 157 |
| John Scattergood |
POLITICAL CONTEXT, DATE AND COMPOSITION OF "THE SAYINGS OF THE FOUR PHILOSOPHERS" |
|
37/2, p. 157 |
| Eugène Vinaver |
A ROMANCE OF "GAHERET" |
|
|
| Kathleen Chesney |
TWO COLLECTIONS OF EARLY SIXTEENTH-CENTURY FRENCH RONDEAUX |
|
40/2, p. 157 |
| A.J. Bliss |
TWO HILTON MANUSCRIPTS IN COLUMBIA UNIVERSITY LIBRARY |
|
38/2, p. 157 |
| EMMA MASON |
ST WULFSTAN'S STAFF: A LEGEND AND ITS USES |
|
53/2, p. 157 |
| JOHN NORTON-SMITH |
AUERBACH ON LITERARY LANGUAGE |
|
36/2, p. 159 |
| Michael C. Seymour |
THE ORIGIN OF THE EGERTON VERSION OF "MANDEVILLE'S TRAVELS" |
|
30/3, p. 159 |
| R. SHARPE |
AN "EXORTACIO AD CONTEMPLACIONEM" FROM FARNE ISLAND |
|
54/2, p. 159 |
| Tony Hunt |
"DELICIAE CLERICORUM": INTELLECTUAL AND SCIENTIFIC PURSUITS IN TWO DORSET MONASTERIES |
|
56/2, p. 159 |
| Robert Easting |
OWEIN AT ST PATRICK'S PURGATORY |
|
55/2, p. 159 |
| M.A.L. Locherbie-Cameron |
BYRHTNOTH, HIS NOBLE COMPANION AND HIS SISTER'S SON |
|
57/2, p. 159 |
| Roger Sherman Loomis |
"ISDERNUS" AGAIN |
|
|
| P.J. Frankis |
DEOR AND "WULF AND EADWACER" : SOME CONJECTURES |
|
31/3, p. 161 |
| W.J. Keith |
LAƷAMON'S "BRUT": THE LITERARY DIFFERENCES BETWEEN THE TWO TEXTS |
|
29/3, p. 161 |
| Mortimer J. Donovan |
HERODIS IN THE AUCHINLECK "SIR ORFEO" |
|
27/3, p. 162 |
| Angus J. Kennedy, Kenneth Varty |
"VERNAGE": TWO CORRECTIONS TO GODEFROY |
|
|
| Roger Ellis |
'FLORES AD FABRICANDAM ... CORONAM': AN INVESTIGATION INTO THE USES OF THE REVELATIONS OF ST BRIDGET OF SWEDEN IN FIFTEENTH-CENTURY ENGLAND |
|
51/2, p. 163 |
| Alfred Ewert |
ANGLO-NORMAN STUDIES |
|
7/2, p. 164 |
| S.T. Knight |
THE ORAL TRANSMISSION OF "SIR LAUNFAL" |
|
38/2, p. 164 |
| FRANK SHAW |
KARL DER GROSSE UND DIE SCHOTTISCHEN HEILIGEN |
|
45/2, p. 164 |
| E.V. Gordon, C.T. Onions |
NOTES ON THE TEXT AND INTERPRETATION OF "PEARL" (Continued) |
|
|
| Michael C. Seymour |
A FIFTEENTH-CENTURY EAST ANGLIAN SCRIBE |
|
37/2, p. 166 |
| JOHN NORTON-SMITH |
LYDGATE'S CHANGES IN THE "TEMPLE OF GLAS" |
|
27/3, p. 166 |
| Curt F. Bühler |
A LOLLARD TRACT: ON TRANSLATING THE BIBLE INTO ENGLISH |
|
7/3, p. 167 |
| S.O. Andrew |
SOME PRINCIPLES OF OLD ENGLISH WORD-ORDER |
|
3/3, p. 167 |
| Gweneth Whitteridge |
THE DATE OF THE "TRISTAN" OF BEROUL |
|
28/3, p. 167 |
| A. McI. Trounce |
THE ENGLISH TAIL-RHYME ROMANCES. (Continued) |
|
|
| Ethel Seaton |
"THE PARLEMENT OF FOULES" AND LIONEL OF CLARENCE |
|
25/3, p. 168 |
| Peter N. Dunn |
THEMES AND IMAGES IN THE "COPLAS POR LA MUERTE DE SU PADRE" OF JORGE MANRIQUE |
|
33/3, p. 169 |
| C.E. Wright |
ROBERT TALBOT AND "DOMITIAN A. IX" |
|
6/2, p. 170 |
| Richard Leighton Greene |
A MIDDLE ENGLISH LOVE POEM AND THE 'O-AND-I' REFRAIN-PHRASE |
|
30/3, p. 170 |
| G.V. Smithers |
WHAT "SIR GAWAIN AND THE GREEN KNIGHT" IS ABOUT |
|
32/3, p. 171 |
| Dominica Legge |
PLACE-NAMES AND THE DATE OF BEROUL |
|
38/2, p. 171 |
| Karl P. Wentersdorf |
OBSERVATIONS ON "THE RUIN" |
|
46/2, p. 171 |
| John M. Steadman |
FLATTERY AND THE "MORALITAS" OF THE NONNE PREESTES TALE |
|
28/3, p. 172 |
| JOCELYN PRICE |
LA VIE DE SAINTE MODWENNE: A NEGLECTED ANGLO-NORMAN HAGIOGRAPHIC TEXT, AND SOME IMPLICATIONS FOR ENGLISH SECULAR LITERATURE |
|
57/2, p. 172 |
| M.M. Lascelles |
ALEXANDER AND THE EARTHLY PARADISE IN MEDIÆVAL ENGLISH WRITINGS (Continued) |
|
5/3, p. 173 |
| R.M. Dawkins |
ALEXANDER AND THE WATER OF LIFE |
|
6/3, p. 173 |
| Georgine Brereton |
VIPER INTO WEASEL: (A note on a line in Chaucer's "Melibee") |
|
27/3, p. 173 |
| Constance Bullock-Davies |
L'UEVRE SALEMUN |
|
29/3, p. 173 |
| Peter Orton |
THE OE 'SOUL AND BODY': A FURTHER EXAMINATION |
|
48/2, p. 173 |
| W. Rothwell |
THE MISSING LINK IN ENGLISH ETYMOLOGY: ANGLO-FRENCH |
|
60/2, p. 173 |
| Roger Sherman Loomis |
A COMMON SOURCE FOR "EREC" AND "GEREINT" |
|
27/3, p. 175 |
| Eugène Vinaver |
THE DOLOROUS STROKE |
|
25/3, p. 175 |
| Henry Chadwick |
THETA ON PHILOSOPHY'S DRESS IN BOETHIUS |
|
49/2, p. 175 |
| Edward B. Ham |
THE LANGUAGE OF THE "ROMAN DE WALDEF" |
|
4/3, p. 176 |
| K.B. McFarlane |
WILLIAM WORCESTER AND A PRESENT OF LAMPREYS |
|
30/3, p. 176 |
| MICHAEL J. FRANKLIN |
'FYNGRES HEO HAϷ FEIR TO FOLDE': TROTHPLIGHT IN SOME OF THE LOVE LYRICS OF MS HARLEY 2253 |
|
55/2, p. 176 |
| TERENCE SCULLY |
THE "OPUSCULUM DE SAPORIBUS" OF MAGNINUS MEDIOLANENSIS |
|
54/2, p. 178 |
| B.D.H. Miller |
TWO NOTES ON "DAME SIRITH" |
|
28/3, p. 180 |
| VALERIE EDDEN |
A CAROLINGIAN PARODY OF PASTORAL |
|
49/2, p. 180 |
| WILLIAM A. QUINN |
THE PSYCHOLOGY OF "ST ERKENWALD" |
|
53/2, p. 180 |
| G.N. BROMILEY |
ANDRET AND THE TOURNAMENT EPISODE IN BÉROUL'S "TRISTRAN" |
|
46/2, p. 181 |
| Kenneth Urwin |
A NOTE ON ANGLO-NORMAN "MALUER" OR "MALVER" |
|
49/2, p. 182 |
| J.R.R. Tolkien |
SIGELWARA LAND |
|
|
| David Scott-Macnab |
A RE-EXAMINATION OF OCTOVYEN'S HUNT IN "THE BOOK OF THE DUCHESS" |
|
56/2, p. 183 |
| Alexander Bell |
MAISTRE GEFFREI GAIMAR |
|
7/3, p. 184 |
| W.R.J. BARRON |
"JOSEPH OF ARIMATHIE" AND THE "ESTOIRE DEL SAINT GRAAL" |
|
33/3, p. 184 |
| G.W.S. Friedrichsen |
GOTHIC NOTES |
|
29/3, p. 184 |
| H.B. Willson |
"IR REINEN WÎP, IR WERDEN MAN" (WALTHER 66,21 ff.) |
|
49/2, p. 184 |
| Alison Hanham |
THE TEXT OF THE CELY LETTERS |
|
26/3, p. 186 |
| CLAUDE LUTTRELL |
"CLEANNESS" AND THE KNIGHT OF LA TOUR LANDRY |
|
29/3, p. 187 |
| Avril Henry |
TEMPTATION AND HUNT IN "SIR GAWAIN AND THE GREEN KNIGHT" |
|
45/2, p. 187 |
| MARTHA WALLEN |
SIGNIFICANT VARIATIONS IN THE BURGUNDIAN PROSE VERSION OF "EREC ET ENIDE" |
|
51/2, p. 187 |
| Christopher Cannon |
THE STYLE AND AUTHORSHIP OF THE OTHO REVISION OF LAZAMON'S "BRUT" |
|
62/2, p. 187 |
| Mishtooni Bose |
FROM EXEGESIS TO APPROPRIATION: THE MEDIEVAL SOLOMON |
|
65/2, p. 187 |
| Daniel Anlezark |
An ideal marriage: Abraham and Sarah in Old English literature |
|
69/2, p. 187 |
| B.D.H. Miller |
'SHE WHO HATH DRUNK ANY POTION' ... |
|
31/3, p. 188 |
| ALAN J. FLETCHER |
THE SERMON BOOKLETS OF FRIAR NICHOLAS PHILIP |
|
55/2, p. 188 |
| Tony Hunt |
Fécamp and vernacular historiography |
|
72/2, p. 189 |
| NANCY MASON BRADBURY |
The erosion of oath-based relationships: a cultural context for Athelston |
|
73/2, p. 189 |
| J.K. Bostock |
THE ORTHOGRAPHY OF THE OLD HIGH GERMAN "GEORGSLIED" |
|
5/3, p. 189 |
| H.B. Willson |
'NEMT, VROWE, DISEN KRANZ' |
|
34/3, p. 189 |
| SERGEY IVANOV, SVETLANA KLEYNER |
The English versions of the Friday legend: three and twelve |
|
84/2, p. 189 |
| RALPH HANNA III |
Editing ‘Middle English Lyrics’: the case of Candet nudatum pectus |
|
80/1, p. 189 |
| A. McI. Trounce |
THE ENGLISH TAIL-RHYME ROMANCES (Continued) |
|
|
| Gweneth Hutchings |
TWO HITHERTO UNNOTICED MANUSCRIPTS OF THE FRENCH PROSE "LANCELOT" |
|
3/3, p. 189 |
| MILIJA N. PAVLOVIĆ, Roger M. Walker |
A REAPPRAISAL OF THE CLOSING SCENES OF THE "POEMA DE MIO CID" II: THE DUELS |
|
58/2, p. 189 |
| Michael G. Sargent |
WALTER HILTON'S "SCALE OF PERFECTION": THE LONDON MANUSCRIPT GROUP RECONSIDERED |
|
52/2, p. 189 |
| LYNNE GRUNDY |
GOD MEDITATES: A MODEL FOR THE 'SALVATION HISTORIES' IN THREE HOMILIES OF ÆLFRIC AND IN HIS "HEXAMERON" |
|
61/2, p. 189 |
| Olive Sayce |
LESLIE SEIFFERT (1934-1990) |
|
59/2, p. 189 |
| Nigel Harris |
THE PRESENTATION OF CLERICAL CHARACTERS IN HARTMANN'S "GREGORIUS" AND IN THE "VIE DU PAPE SAINT GREGOIRE" |
|
64/2, p. 189 |
| Andrew Galloway |
Word-play and political satire: solving the riddle of the text of Jezebel |
|
68/2, p. 189 |
| PETER DAMIAN-GRINT |
Estoire as word and genre: meaning and literary usage in the twelfth century |
|
66/2, p. 189 |
| SUSAN E. DESKIS |
Jonah and genre in Resignation B |
|
67/2, p. 189 |
| Janet M. Bately |
Did King Alfred actually translate anything? The integrity of the Alfredian canon revisited |
|
78/2, p. 189 |
| BEN PARSONS |
Shearing the shepherds: violence and anticlerical satire in Langland’s Piers Plowman |
|
79/2, p. 189 |
| Alexander Bell |
THE ROYAL "BRUT" INTERPOLATION |
|
32/3, p. 190 |
| G.V. Smithers |
THE STYLE OF "HAUELOK" |
|
57/2, p. 190 |
| A.T. FEAR |
Taming Rasputin? Braulio and St Aemilian |
|
76/2, p. 191 |
| R.D. FULK |
Six cruces in the Finnsburg Fragment and Episode |
|
74/2, p. 191 |
| ISTVÁN P. BEJCZY |
Gerald of Wales on the cardinal virtues: a reappraisal of De principis instructione |
|
75/2, p. 191 |
| Ad Putter |
The text of Sir Perceval of Galles |
|
70/2, p. 191 |
| Michael Winterbottom |
THREE LIVES OF SAINT ETHELWOLD |
|
41/3, p. 191 |
| Georgia Ronan Crampton |
CHAUCER'S SINGULAR PRAYER |
|
59/2, p. 191 |
| Jill Mann |
ALLEGORICAL BUILDINGS IN MEDIAEVAL LITERATURE |
|
63/2, p. 191 |
| A.G. Rigg |
The tortoise and the snail: a lexical shellgame |
|
77/2, p. 191 |
| TERENCE McCARTHY |
Literary practice in eleventh-century music theory: the colores rhetorici and Aribo’s De musica |
|
71/2, p. 191 |
| Ivor D.O. Arnold |
THOMAS SAMPSON AND THE "ORTHOGRAPHIA GALLICA" |
|
6/3, p. 193 |
| C.A.J. Armstrong |
VERSES BY JEAN MIÉLOT ON EDWARD IV AND RICHARD EARL OF WARWICK |
|
8/3, p. 193 |
| Raphael Levy |
"LA DAMOISELE A LA MURE": ETUDE TEXTUELLE |
|
4/3, p. 194 |
| CLAUDE LUTTRELL |
THE MEDIÆVAL TRADITION OF THE PEARL VIRGINITY |
|
31/3, p. 194 |
| Hugh Shields |
ORAL TECHNIQUES IN WRITTEN VERSE: PHILIPPE DE THAON'S "LIVRE DE SIBILE" |
|
49/2, p. 194 |
| CHARLOTTE BREWER |
Z AND THE A- B- AND C-TEXTS OF "PIERS PLOWMAN" |
|
53/2, p. 194 |
| F.E.A. Arnold |
THE SOURCE OF THE ALEXANDER HISTORY IN B.M. MS SLOANE 289 |
|
33/3, p. 195 |
| J.A.W. Bennett |
DUNBAR'S BIRTH OF ANTICHRIST, 31-2 |
|
26/3, p. 196 |
| Stephen L. Wailes |
STUDENTS AS LOVERS IN THE GERMAN FABLIAU |
|
46/2, p. 196 |
| MILIJA N. PAVLOVIĆ, Roger M. Walker |
MONEY, MARRIAGE AND THE LAW IN THE "POEMA DE MIO CID" |
|
51/2, p. 197 |
| BRUCE BURNAM |
AN UNEDITED ANGLO-NORMAN PROLOGUE TO THE "PASSION DES JONGLEURS" AND ITS RELATION TO THE "PASSIO CHRISTI" OF CLERMONT-FERRAND |
|
60/2, p. 197 |
| D. Whitelock |
BEOWULF 2444-2471 |
|
8/3, p. 198 |
| Thomas D. Hill |
THE FOOL ON THE BRIDGE: 'CAN VEI LA LAUZETA MOVER' STANZA 5 |
|
48/2, p. 198 |
| T.B.W. Reid |
A NOTE ON THE ORIGINS OF FRENCH ON |
|
7/3, p. 199 |
| S.D. Stirk |
DER WETTSTREIT DER DREI LEIBPAGEN DES KÖNIG DARIUS |
|
5/3, p. 199 |
| Henry L. Savage |
A NOTE ON "SIR GAWAIN AND THE GREEN KNIGHT" 1. 1700 |
|
4/3, p. 199 |
| B.K. Martin |
"SIR LAUNFAL" AND THE FOLKTALE |
|
35/3, p. 199 |
| F. Whitehead |
ON CERTAIN EPISODES IN THE FOURTH BOOK OF MALORY'S "MORTE DARTHUR" |
|
|
| D. Biggins |
"CANTERBURY TALES" X (I) 424: 'THE HYNDRE PART OF A SHE-APE IN THE FULLE OF THE MOONE' |
|
33/3, p. 200 |
| GERALD MORGAN |
THE ACTION OF THE HUNTING AND BEDROOM SCENES IN SIR "GAWAIN AND THE GREEN KNIGHT" |
|
56/2, p. 200 |
| Daniel Anlezark |
The stray ending in the Solomonic anthology in Cambridge, Corpus Christi College, MS 422 |
|
80/1, p. 201 |
| Marion E. Gibbs |
ITHER VON GAHEVIEZ AND THE GREEN CASKET: A NOTE ON TREVRIZENT'S ENCOUNTER WITH GAHMURET ("PARZIVAL" 497, 22-498, 20) |
|
48/2, p. 201 |
| D.C. Cox |
THE FRENCH CHRONICLE OF LONDON |
|
45/2, p. 201 |
| MARGARET LAING |
Notes on Oxford, Bodleian Library, MS Digby 86, The Names of a Hare in English |
|
67/2, p. 201 |
| CHERYL TAYLOR |
The Cloud-author’s remaking of the Pseudo-Dionysius’ Mystical Theology |
|
75/2, p. 202 |
| Hugh Shields |
THE "LAMENT FOR SIMON DE MONTFORT": AN UNNOTICED TEXT OF THE FRENCH POEM |
|
41/3, p. 202 |
| JOHN BUGBEE |
Sight and sound in St Erkenwald: on theodicy and the senses |
|
77/2, p. 202 |
| Betty Hill |
THE FIFTEENTH-CENTURY PROSE "LEGEND OF THE CROSS BEFORE CHRIST" |
|
34/3, p. 203 |
| Betty Hill |
THE HISTORY OF JESUS COLLEGE, OXFORD MS. 29 |
|
32/3, p. 203 |
| John Scattergood |
SKELTON AND TRADITIONAL SATIRE: WARE THE HAUKE |
|
55/2, p. 203 |
| R.E. Kaske |
THE READING "GENYRE" IN "THE HUSBAND'S MESSAGE" LINE 49 |
|
33/3, p. 204 |
| Gweneth Hutchings |
"ISDERNUS" OF THE MODENA ARCHIVOLT |
|
|
| GERALD MORGAN |
Experience and the judgement of poetry: a reconsideration of the Franklin’s Tale |
|
70/2, p. 204 |
| S.O. Andrew |
THREE TEXTUAL CRUXES IN "BEOWULF" |
|
8/3, p. 205 |
| JANET SCHRUNK ERICKSEN |
Legalizing the Fall of Man |
|
74/2, p. 205 |
| DOROTHY S. SEVERIN, HARVEY L. SHARRER |
FIFTEENTH-CENTURY SPANISH FRAGMENTS OF A LOST PROSE ALEXANDER |
|
48/2, p. 205 |
| Douglas Gray |
A TRIBUTE TO J. A. W. BENNETT (1911-1981) |
|
50/2, p. 205 |
| Tony Hunt |
AN ANGLO-NORMAN TREATISE ON FEMALE RELIGIOUS |
|
64/2, p. 205 |
| T.M. Smallwood |
'GOD WAS BORN IN BETHLEHEM ...': THE TRADITION OF A MIDDLE ENGLISH CHARM |
|
58/2, p. 206 |
| BELLA MILLETT |
THE ORIGINS OF "ANCRENE WISSE": NEW ANSWERS, NEW QUESTIONS |
|
61/2, p. 206 |
| W.G. COOKE |
Who cursed whom, and when? The cursing of the hoard and Beowulf’s fate |
|
76/2, p. 207 |
| NICHOLAS PERKINS |
Reading the Bible in Sawles Warde and Ancrene Wisse |
|
72/2, p. 207 |
| Linda Marshall |
THE AUTHORSHIP OF THE ANGLO-NORMAN POEM "CORSET" |
|
42/3, p. 207 |
| Alastair Minnis |
JOHN GOWER, "SAPIENS" IN ETHICS AND POLITICS |
|
49/2, p. 207 |
| NEIL ADKIN |
THE PROEM OF WALTER OF CHÂTILLON'S "ALEXANDREIS": 'SI ... NOSTROS UIXISSET IN ANNOS' |
|
60/2, p. 207 |
| CATHERINE NALL |
Malory’s Morte Darthur and the rhetoric of war |
|
79/2, p. 207 |
| N.R. Ker |
OLD ENGLISH "HROHIAN" |
|
|
| Bruce Harbert |
THE MYTH OF TEREUS IN OVID AND GOWER |
|
41/3, p. 208 |
| ROBERT ADAMS |
THE RELIABILITY OF THE RUBRICS IN THE B-TEXT OF "PIERS PLOWMAN" |
|
54/2, p. 208 |
| Laurence Eldredge, KARI ANNE RAND SCHMIDT, M. B. Smith |
Four medieval manuscripts with mathematical games |
|
68/2, p. 209 |
| C. ANNETTE GRISÉ |
Women’s devotional reading in late-medieval England and the gendered reader |
|
71/2, p. 209 |
| Johan Vising |
DEUX CAS DE MÉTATHÈSE VOCALIQUE EN FRANÇAIS |
|
6/3, p. 210 |
| JUDITH JESCH |
HISTORY IN THE 'POLITICAL SAGAS' |
|
62/2, p. 210 |
| Stephen J. Miko |
MALORY AND THE CHIVALRIC ORDER |
|
35/3, p. 211 |
| PETER WILLIAM HURST |
ÊNÎTE'S DOMINION OVER THE HORSES: NOTES ON THE COALESCENCE OF PLATONIC AND HAGIOGRAPHIC ELEMENTS IN AN EPISODE FROM HARTMANN'S "ÊREC" |
|
63/2, p. 211 |
| Robert Easting |
PETER OF BRAMHAM'S ACCOUNT OF A CHAPLAIN'S VISION OF PURGATORY (c. 1343?) |
|
65/2, p. 211 |
| Daron Burrows |
Le Chastiement des c!ers: a dit concerning the Nations of the University of Paris, edited from Paris, Bibliothèque Nationale, MS f. fr. 837 |
|
69/2, p. 211 |
| Cecily Clark |
AS SEINT AUSTIN SEITH . . . |
|
46/2, p. 212 |
| DEBORAH YOUNGS |
Vision in a Trance: a fifteenth-century vision of Purgatory |
|
67/2, p. 212 |
| Kemp Malone |
THE LIDWICINGS OF "WIDSITH" |
|
6/3, p. 213 |
| Daniel McCann |
Words of fire and fruit: the psychology of prayer words in the Cloud of Unknowing |
|
84/2, p. 213 |
| P.J.C. Field |
THOMAS MALORY: THE HUTTON DOCUMENTS |
|
48/2, p. 213 |
| Linda M. Paterson |
GREAT COURT FESTIVALS IN THE SOUTH OF FRANCE AND CATALONIA IN THE TWELFTH AND THIRTEENTH CENTURIES |
|
51/2, p. 213 |
| David R. Evans |
THE SEQUENCE OF EVENTS IN "BEOWULF", 11. 207-16 |
|
32/3, p. 214 |
| SARAH M. HORRALL |
MIDDLE ENGLISH TEXTS IN A CARTHUSIAN COMMONPLACE BOOK: WESTMINSTER CATHEDRAL, DIOCESAN ARCHIVES, MS H.38 |
|
59/2, p. 214 |
| Conrad Mainzer |
JOHN GOWER'S USE OF THE 'MEDIÆVAL OVID' IN THE "CONFESSIO AMANTIS" |
|
41/3, p. 215 |
| Peter Godman |
THE ANGLO-LATIN "OPUS GEMINATUM": FROM ALDHELM TO ALCUIN |
|
50/2, p. 215 |
| Elizabeth Boyle |
Neoplatonic thought in medieval Ireland: the evidence of Scéla na esérgi |
|
78/2, p. 216 |
| Gwilym Dodd |
Writing wrongs: the drafting of supplications to the crown in later fourteenth-century England |
|
80/1, p. 217 |
| A.T.P. Byles, P.G.C. Campbell |
NOTES ON "THE BOOK OF FAYTTES OF ARMES AND OF CHYVALRYE" |
|
|
| Thomas D. Hill |
TWO NOTES ON "SOLOMON AND SATURN" |
|
40/3, p. 217 |
| ALAN J. FLETCHER |
JOHN MIRK AND THE LOLLARDS |
|
56/2, p. 217 |
| R.N. Illingworth |
THE STRUCTURE OF THE ANGLO-NORMAN "VOYAGE OF ST BRENDAN" BY BENEDEIT |
|
55/2, p. 217 |
| C.M. WOOLGAR, Bernard O'Donoghue |
TWO MIDDLE ENGLISH POEMS AT MAGDALEN COLLEGE, OXFORD |
|
52/2, p. 217 |
| Nicholas Orme |
Children and literature in medieval England |
|
68/2, p. 218 |
| RUPERT T. PICKENS |
Arthurian time and space: Chrétien’s Conte del Graal and Wace’s Brut |
|
75/2, p. 219 |
| T.M. Smallwood |
THE TEXT OF LANGTOFT'S CHRONICLE |
|
46/2, p. 219 |
| O.S. PICKERING |
A MIDDLE ENGLISH PROSE MIRACLE OF THE VIRGIN, WITH HIDDEN VERSES |
|
57/2, p. 219 |
| Daniel G. Calder |
"THE FATES OF THE APOSTLES", THE LATIN MARTYROLOGIES, AND THE LITANY OF THE SAINTS |
|
44/3, p. 219 |
| Anne Hudson, H.L. SPENCER |
OLD AUTHOR, NEW WORK: THE SERMONS OF MS LONGLEAT 4 |
|
53/2, p. 220 |
| Judith A. Jefferson, Ad Putter |
The distribution of infinitives in ‑e and ‑en in some Middle English alliterative poems |
|
74/2, p. 221 |
| A.K. Brown |
THE ENGLISH COMPASS POINTS |
|
47/2, p. 221 |
| RUTH E. HARVEY |
"JOGLARS" AND THE PROFESSIONAL STATUS OF THE EARLY TROUBADOURS |
|
62/2, p. 221 |
| A. Keith Bate |
JOSEPH OF EXETER—RELIGIOUS POET |
|
40/3, p. 222 |
| D.C. Baker |
'DE ARTE LACRIMANDI': A SUPPLEMENT AND SOME CORRECTIONS |
|
52/2, p. 222 |
| NICOLETTE ZEEMAN |
THE VERSE OF COURTLY LOVE IN THE FRAMING NARRATIVE OF THE "CONFESSIO AMANTIS" |
|
60/2, p. 222 |
| Sylvia Huot |
PATIENCE IN ADVERSITY: THE COURTLY LOVER AND JOB IN MACHAUT'S MOTETS 2 AND 3 |
|
63/2, p. 222 |
| MOIRA FITZGIBBONS |
Poverty, dignity, and lay spirituality in Pore Caitif and Jacob’s Well |
|
77/2, p. 222 |
| James L. Rosier |
A TEXTUAL AMBIGUITY IN "BEOWULF: STOD ON STAPOLE" |
|
34/3, p. 223 |
| |
VOL. XXIX, pp. 49-80: ERRATA |
|
29/3, p. 223 |
| H.B. Willson |
UNMÂZE IN HARTMANN'S "GREGORIOS" |
|
42/3, p. 224 |
| ALCUIN BLAMIRES |
THE WIFE OF BATH AND LOLLARDY |
|
58/2, p. 224 |
| LAWRENCE WARNER |
The ending, and end, of Piers Plowman B: the C-version origins of the final two passus |
|
76/2, p. 225 |
| PETER WHITEFORD |
Rereading Gawain’s five wits |
|
73/2, p. 225 |
| CATHERINE LA FARGE |
CONVERSATION IN MALORY'S "MORTE DARTHUR" |
|
56/2, p. 225 |
| Bruce Harbert |
MATTHEW OF VENDÔME |
|
44/3, p. 225 |
| MARIE JENNEQUIN-LEROY, VIRGINIE MINET-MAHY |
Allégorie et voies de sagesse chez Georges Chastelain et Jean Molinet: citation, images et analogie |
|
79/2, p. 225 |
| F.J.E. Raby |
"TURRIS ALETHIE" AND THE "ECLOGA THEODULI" |
|
34/3, p. 226 |
| P.J.C. Field |
Malory’s own marginalia |
|
70/2, p. 226 |
| Alexandra Barratt |
A MIDDLE ENGLISH LYRIC IN AN OLD FRENCH MANUSCRIPT |
|
52/2, p. 226 |
| EMMA J. CAYLEY |
Collaborative communities: the manuscript context of Alain Chartier’s Belle Dame sans mercy |
|
71/2, p. 226 |
| Dennis Green |
THE "MILLSTÄTTER EXODUS" AND ITS BIBLICAL SOURCE |
|
38/3, p. 227 |
| ROY J. PEARCY |
Anglo-Norman fabliaux and Chaucer's Merchant's Tale |
|
69/2, p. 227 |
| DEIRDRE KESSEL-BROWN |
THE EMOTIONAL LANDSCAPE OF THE FOREST IN THE MEDIAEVAL LOVE LAMENT |
|
59/2, p. 228 |
| THOMAS J.A. HEFFERNAN |
THE VIRGIN AS AN AID TO SALVATION IN SOME FIFTEENTH-CENTURY ENGLISH AND LATIN VERSES |
|
52/2, p. 229 |
| LORI WALTERS |
THE POET-NARRATOR'S ADDRESS TO HIS LADY AS STRUCTURAL DEVICE IN "PARTONOPEU DE BLOIS" |
|
61/2, p. 229 |
| N.R. Ker |
MIDDLE ENGLISH VERSES AND A LATIN LETTER IN A MANUSCRIPT AT STANBROOK ABBEY |
|
34/3, p. 230 |
| Rachel Hands |
HORSE-DEALING LORE, OR A FIFTEENTH-CENTURY 'HELP TO DISCOURSE'? |
|
41/3, p. 230 |
| Olive Sayce |
CHAUCER'S 'RETRACTIONS': THE CONCLUSION OF THE "CANTERBURY TALES" AND ITS PLACE IN LITERARY TRADITION |
|
40/3, p. 230 |
| B.S. Lee |
"GUBERNACIO HOMINIS": A FIFTEENTH-CENTURY ALLEGORICAL POEM |
|
50/2, p. 230 |
| Neil Cartlidge |
THE DATE OF "THE OWL AND THE NIGHTINGALE" |
|
65/2, p. 230 |
| James I. Wimsatt |
THE SOURCES OF CHAUCER'S 'SEYS AND ALCYONE' |
|
36/3, p. 231 |
| Laurence Wright |
"CHANTER A GRESILLON(S)" AND "CHANTER ES GRESILLONS" |
|
35/3, p. 231 |
| Allan Westphall |
On not melting into tears: managing meditative reading in Michigan State University Library, MS 1 and Cambridge, Magdalene College, MS Pepys 2125 |
|
84/2, p. 231 |
| Antonia Gransden |
SILENT MEANINGS IN RANULF HIGDEN'S "POLYCHRONICON AND IN THOMAS ELMHAM's LIBER METRICUS DE HENRICO QUINTO" |
|
46/2, p. 231 |
| Michael Van Dussen |
Three verse eulogies of Anna of Bohemia |
|
78/2, p. 231 |
| M.L. Samuels |
LANGLAND'S DIALECT |
|
54/2, p. 232 |
| Carolyne Larrington |
"LEIZLA RANNVEIGAR": GENDER AND POLITICS IN THE OTHERWORLD VISION |
|
64/2, p. 232 |
| Dennis Green |
EPIC EXPANSION AND THE PROBLEM OF RHYME IN THE MILLSTÄTTER EXODUS |
|
43/3, p. 234 |
| Helen Swift |
The ghost(s) of the author(s) past, present, and future: a literary-reflexive perspective on authorship in the poems of Jean de Meun and Martin Le Franc |
|
73/2, p. 235 |
| LINNE R. MOONEY |
'A woman's reply to her lover' and four other new courtly love lyrics in Cambridge, Trinity College, MS R. 3. l 9 |
|
67/2, p. 235 |
| MARILYN CORRIE |
The compilation of Oxford, Bodleian Library, MS Digby 86 |
|
66/2, p. 236 |
| PAUL BATTLES |
In folly ripe, in reason rotten: The Flower and the Leaf and the ‘Purgatory of Cruel Beauties’ |
|
72/2, p. 238 |
| T.M. Smallwood |
THE INTERPRETATION OF "SOMER SONEDAY" |
|
42/3, p. 238 |
| R.W. Hunt |
A MANUSCRIPT CONTAINING EXTRACTS FROM THE "DISTINCTIONS MONASTICAE" |
|
44/3, p. 238 |
| Barbara C. Raw |
"THE DREAM OF THE ROOD" AND ITS CONNECTONS WITH EARLY CHRISTIAN ART |
|
39/3, p. 239 |
| Alison I. Gyger |
THE OLD ENGLISH "SOUL AND BODY" AS AN EXAMPLE OF ORAL TRANSMISSION |
|
38/3, p. 239 |
| Ian Short |
THE PATRONAGE OF BENEIT'S "VIE DE THOMAS BECKET" |
|
56/2, p. 239 |
| Thomas D. Hill |
THE MIDDLE ENGLISH LYRIC 'HOW CHRIST SHALL COME': AN INTERPRETATION |
|
52/2, p. 239 |
| CERIDWEN LLOYD-MORGAN |
THE RELATIONSHIP BETWEEN THE "PERLESVAUS" AND THE "PROSE LANCELOT" |
|
53/2, p. 239 |
| CHARLES A. OWEN Jr |
WHAT THE MANUSCRIPTS TELL US ABOUT THE PARSON'S TALE |
|
63/2, p. 239 |
| Thomas D. Hill |
‘The Ballad of St Stephen and Herod’: biblical history and medieval popular religious culture |
|
70/2, p. 240 |
| JOHN NORTON-SMITH |
EKPHRASIS AS A STYLISTIC ELEMENT IN DOUGLAS'S "PALIS OF HONOURE" |
|
48/2, p. 240 |
| DENISE N. BAKER |
CHAUCER AND MORAL PHILOSOPHY: THE VIRTUOUS WOMEN OF "THE CANTERBURY TALES" |
|
60/2, p. 241 |
| ALISON SPEDDING |
‘I shalle send word in writing’: lexical choices and legal acumen in the letters of Margaret Paston |
|
77/2, p. 241 |
| P.L. Heyworth |
"JACK UPLAND'S REJOINDER", A LOLLARD INTERPOLATOR AND "PIERS PLOWMAN" B.X. 249f |
|
36/3, p. 242 |
| David G. Pattison |
JUAN MANUEL'S "CRÓNICA ABREVIADA" AND ALPHONSINE HISTORIOGRAPHY |
|
61/2, p. 242 |
| ALAN SPEARMAN |
LANGLAND'S 'CORLEW': ANOTHER LOOK AT "PIERS PLOWMAN" B xiv.43 |
|
62/2, p. 242 |
| Helen C.R. Laurie |
A NOTE OF THE COMPOSITION OF MARIE'S "GUIGEMAR" |
|
44/3, p. 242 |
| JANET WILSON |
SKELTON'S "WARE THE HAUKE" AND THE 'CIRCUMSTANCES' OF SIN |
|
58/2, p. 243 |
| CRAIG McDONALD |
THE PERVERSION OF LAW IN ROBERT HENRYSON'S FABLE OF THE FOX, "THE WOLF, AND THE HUSBANDMAN" |
|
49/2, p. 244 |
| B.K. Martin |
"THE LAMENT OF THE OLD WOMAN OF BEARE": A CRITICAL EVALUATION |
|
38/3, p. 245 |
| D.R. Howlett |
THE DATE AND AUTHORSHIP OF THE MIDDLE ENGLISH VERSE TRANSLATION OF PALLADIUS' "DE RE RUSTICA" |
|
46/2, p. 245 |
| Jane Roberts |
On giving Scribe B a name and a clutch of London manuscripts from c.1400 |
|
80/1, p. 247 |
| BARBARA K. ALTMANN, F. REGINA PSAKI |
Considering holy war in Le Charroi de Nîmes |
|
75/2, p. 247 |
| JEFFREY GANTZ |
THEMATIC STRUCTURE IN THE FOUR BRANCHES OF THE MABINOGI |
|
47/2, p. 247 |
| MARIANNE AILES |
"DOON DE NANTEUIL" AND THE EPIC OF REVOLT |
|
52/2, p. 247 |
| PHILLIPA HARDMAN |
Gawain's practice of piety in Sir Gawain and the Green Knight |
|
68/2, p. 247 |
| SIMON HOROBIN |
‘In London and Opelond’: the dialect and circulation of the C version of Piers Plowman |
|
74/2, p. 248 |
| R.N. Illingworth |
STRUCTURAL INTERLACE IN THE "LAI" OF "CHEVREFOIL" |
|
54/2, p. 248 |
| ROBERT MULLALLY |
DANCE TERMINOLOGY IN THE WORKS OF MACHAUT AND FROISSART |
|
59/2, p. 248 |
| PHILLIPA HARDMAN |
LYDGATE'S "LIFE OF OUR LADY": A TEXT IN TRANSITION |
|
65/2, p. 248 |
| Fred C. Robinson |
THE ROYAL EPITHET "ENGLE LEO" IN THE OLD ENGLISH "DURHAM" POEM |
|
37/3, p. 249 |
| A.G. Rigg |
'JAM NUNC IN PROXIMO': A LATIN MORTALITY POEM |
|
36/3, p. 249 |
| Lewis J. Owen |
THE RECOGNITION SCENE IN "SIR ORFEO" |
|
40/3, p. 249 |
| Britton J. Harwood |
IMAGINATIVE IN "PIERS PLOWMAN" |
|
44/3, p. 249 |
| N.R. HAVELY |
WHITE WORDS, FALSE WORLD: CHAUCER'S PANDARUS AND THE ANTIFRATERNAL TRADITION IN "TROILUS", BOOKS I-III |
|
61/2, p. 250 |
| ROGER DALRYMPLE |
THE LITERARY USE OF RELIGIOUS FORMULAE IN CERTAIN MIDDLE ENGLISH ROMANCES |
|
64/2, p. 250 |
| PHILLIPA HARDMAN |
READING THE SPACES: PICTORIAL INTENTIONS IN THE THORNTON MSS, LINCOLN CATHEDRAL MS 91, AND BL MS ADD. 31042 |
|
63/2, p. 250 |
| Neil Cartlidge |
The composition and social context of Oxford, Jesus College, MS 29(ii) and London, British Library, MS Cotton Caligula A.ix |
|
66/2, p. 250 |
| Alexander Murray |
Did Simone Serdini ('Il Saviozzo') really commit suicide? |
|
79/2, p. 250 |
| KANTIK GHOSH |
Logic and Lollardy |
|
76/2, p. 251 |
| J. Marrow |
DUTCH ILLUMINATION AND THE "DEVOTIO MODERNA" |
|
42/3, p. 251 |
| Neville Denny |
ASPECTS OF THE STAGING OF "MANKIND" |
|
43/3, p. 252 |
| Lynette Muir |
KING ARTHUR'S NORTHERN CONQUESTS IN THE "LEGES ANGLORUM LONDONIIS COLLECTAE" |
|
37/3, p. 253 |
| R.J. Lyall |
DUNBAR AND THE FRANCISCANS |
|
46/2, p. 253 |
| Cecily Clark |
CHARLES D'ORLEANS: SOME ENGLISH PERSPECTIVES |
|
40/3, p. 254 |
| Alastair Minnis |
A NOTE ON CHAUCER AND THE "OVIDE MORALISÉ" |
|
48/2, p. 254 |
| J.K. Walsh |
SANCTITY AND GENDER IN BERCEO'S "SANTA ORIA" |
|
57/2, p. 254 |
| K.V. SINCLAIR |
THE HOSPITAL, HOSPICE AND CHURCH OF THE HEALTHY BELONGING TO THE KNIGHTS OF ST JOHN OF JERUSALEM ON CYPRUS |
|
49/2, p. 254 |
| Jane H.M. Taylor |
THE PATTERN OF PERFECTION: JEHAN DE SAINTRÉ AND THE CHIVALRIC IDEAL |
|
53/2, p. 254 |
| JAMES D. JOHNSON |
FORMULAIC THRIFT IN THE ALLITERATIVE "MORTE ARTHURE" |
|
47/2, p. 255 |
| Graham A. Runnalls |
MEDIÆVAL TRADE GUILDS AND THE "MIRACLES DE NOSTRE DAME PAR PERSONNAGES" |
|
39/3, p. 257 |
| T.J. Gorton |
ARABIC WORDS AND REFRAINS IN PROVENÇAL AND PORTUGUESE POETRY |
|
|
| D.A. Trotter |
THE INFLUENCE OF BIBLE COMMENTARIES ON OLD FRENCH BIBLE TRANSLATIONS |
|
56/2, p. 257 |
| BENJAMIN T. HUDSON |
THE VIKING AND THE IRISHMAN |
|
60/2, p. 257 |
| MERJA BLACK |
A scribal translation of Piers Plowman |
|
67/2, p. 257 |
| JAKE WALSH MORRISSEY |
‘To al indifferent’: the virtues of Lydgate’s ‘Dietary’ |
|
84/2, p. 258 |
| Brian Murdoch |
THE HOLY HOSTAGE: "DE FILIO MULIERIS" IN THE MIDDLE CORNISH PLAY "BEUNANS MERIASEK" |
|
58/2, p. 258 |
| SHIRLEY LUKITSCH |
THE POETICS OF THE "PROLOGUE": MACHAUT'S CONCEPTION OF THE PURPOSE OF HIS ART |
|
52/2, p. 258 |
| MICHAEL HANRAHAN |
Defamation as political contest during the reign of Richard II |
|
72/2, p. 259 |
| HEATHER STUART |
'IC ME ON ÞISSE GYRDE BELUCE': THE STRUCTURE AND MEANING OF THE OLD ENGLISH "JOURNEY CHARM" |
|
50/2, p. 259 |
| Daniel Wakelin |
The occasion, author, and readers of Knyghthode and Bataile |
|
73/2, p. 260 |
| LAWRENCE C. BESSERMAN |
THE DANCERS OF COLBEK |
|
49/2, p. 260 |
| Kathleen Palti |
An unpublished fifteenth-century carol collection: Oxford, Lincoln College MS Lat. 141 |
|
77/2, p. 260 |
| WENDY SCASE |
REGINALD PECOCK, JOHN CARPENTER AND JOHN COLOP'S 'COMMON-PROFIT' BOOKS: ASPECTS OF BOOK OWNERSHIP AND CIRCULATION IN FIFTEENTH-CENTURY LONDON |
|
61/2, p. 261 |
| Anthony P. Bale |
A Norfolk gentlewoman and Lydgatian patronage: Lady Sibylle Boys and her cultural environment |
|
78/2, p. 261 |
| CARTER REVARD |
From French 'fabliau manuscripts' and MS Harley 2253 to the Decameron and the Canterbury Tales |
|
69/2, p. 261 |
| P.B. Grout |
CONTEMPORARY LIFE AND SOCIETY IN THE "ROMAN DE THÈBES" |
|
38/3, p. 262 |
| PHILLIPA HARDMAN |
A MEDIAEVAL "LIBRARY IN PARVO" |
|
47/2, p. 262 |
| Z.P. Zaddy |
CHRETIEN DE TROYES AND THE VERB "ESPROVER" |
|
37/3, p. 263 |
| CYRIL EDWARDS |
TÔHUWĀBŌHÛ: THE "WESSOBRUNNER GEBET" AND ITS ANALOGUES |
|
53/2, p. 263 |
| Alexander Bell |
A NOTE ON ISEULT'S DREAM |
|
43/3, p. 264 |
| PRISCILLA J. BAWCUTT |
"PAMPHILUS DE AMORE" 'IN INGUSH TOUNG' |
|
64/2, p. 264 |
| Alexandra Barratt |
THE PRYMER AND ITS INFLUENCE ON FIFTEENTH-CENTURY ENGLISH PASSION LYRICS |
|
44/3, p. 264 |
| R.A. Dwyer |
THE OLD FRENCH BOETHIUS: ADDENDUM |
|
43/3, p. 265 |
| George Corbett |
The Christian ethics of Dante’s Purgatory |
|
83/1, p. 266 |
| A.G. Rigg |
CORRESPONDENCE |
|
36/3, p. 267 |
| Sylvia Huot |
Re-fashioning Boethius: prose and poetry in Chartier’s Livre de l’Esperance |
|
76/2, p. 268 |
| RUTH E. HARVEY |
The Empress Eudoxia and the troubadours |
|
70/2, p. 268 |
| Judith Weiss |
Two fragments from a newly discovered manuscript of Wace's Brut |
|
68/2, p. 268 |
| FREDERICK M. BIGGS, LAURA L. HOWES |
THEOPHANY IN THE MILLER'S TALE |
|
65/2, p. 269 |
| Corinne J. Saunders |
MALORY'S "BOOK OF HUNTYNGE": THE TRISTRAM SECTION OF THE "MORTE DARTHUR" |
|
62/2, p. 270 |
| SIÂN ECHARD |
Pre-texts: tables of contents and the reading of John Gower's Confessio Amantis |
|
66/2, p. 270 |
| Alastair Bennett |
A fifteenth-century Middle English sermon on the decline of the world and the age of stone |
|
80/1, p. 271 |
| YIN LIU |
Richard Beauchamp and the uses of romance |
|
74/2, p. 271 |
| Richard Spencer |
THE "COURTOIS-VILAIN" NEXUS IN "LA MALE HONTE" |
|
37/3, p. 272 |
| Sarah Kay |
LOVE IN A MIRROR: AN ASPECT OF THE IMAGERY OF BERNART DE VENTADORN |
|
52/2, p. 272 |
| MARILYN CORRIE |
Self-determination in the Post-Vulgate Suite du Merlin and Malory’s Le Morte Darthur |
|
73/2, p. 273 |
| MICHAEL J. BENNETT |
Mandeville’s Travels and the Anglo-French moment |
|
75/2, p. 273 |
| JONATHAN USHER |
FRAME AND NOVELLA GARDENS IN THE "DECAMERON" |
|
58/2, p. 274 |
| CLAUDE LUTTRELL |
THE INTRODUCTION TO THE DREAM IN "PEARL" |
|
47/2, p. 274 |
| ELIZABETH DRAYSON |
SOME POSSIBLE SOURCES FOR THE INTRODUCTION TO BERCEO'S "MILAGROS DE NUESTRA SEÑORA" |
|
50/2, p. 274 |
| WENDY SCASE |
'PROUD GALLANTS AND POPEHOLY PRIESTS': THE CONTEXT AND FUNCTION OF A FIFTEENTH-CENTURY SATIRICAL POEM |
|
63/2, p. 275 |
| MARTIN J. DUFFELL |
THE METRE OF SANTILLANA'S SONNETS |
|
56/2, p. 276 |
| Alexandra Barratt |
Dame Eleanor Hull: the translator at work |
|
72/2, p. 277 |
| Matthew P. McDiarmid |
RICHARD HOLLAND'S "BUKE OF THE HOWLAT": AN INTERPRETATION |
|
38/3, p. 277 |
| James I. Wimsatt |
GUILLAUME DE MACHAUT AND CHAUCER'S "TROILUS AND CRISEYDE" |
|
|
| WYBREN SCHEEPSMA |
Filling the blanks: a Middle Dutch Dionysius quotation and the origins of the Rothschild Canticles |
|
70/2, p. 278 |
| TRACY ADAMS |
Pur vostre cor su jo em paine': the Augustinian subtext of Thomas's Tristan |
|
68/2, p. 278 |
| ANNETTE VOLFING |
Orientalism in the Strassburger Alexander |
|
79/2, p. 278 |
| IVANA DJORDJEVIĆ |
Les Pruesses Gui: summarizing Gui de Warewic in London, College of Arms, MS Arundel 27 |
|
84/2, p. 279 |
| Angus J. Kennedy |
Christine de Pizan’s crown of twelve stars |
|
77/2, p. 279 |
| RALPH HANNA III |
Humphrey Newton and Bodleian Library, MS Lat. misc. c.66 |
|
69/2, p. 279 |
| SEBASTIAN JAMES LANGDELL |
‘What world is this? How vndirstande am I?’ A reappraisal of poetic authority in Thomas Hoccleve’s Series |
|
78/2, p. 281 |
| PETER GOODALL |
CHAUCER'S 'BURGESSES' AND THE ALDERMEN OF LONDON |
|
50/2, p. 284 |
| VIRGINIE MINET-MAHY |
Pouvoir et critique de la rhétorique d’Alain Chartier au Séjour d’Honneur d’Octovien de Saint-Gelais |
|
76/2, p. 285 |
| GEOFFREY WEST |
MEDIAEVAL HISTORIOGRAPHY MISCONSTRUED: THE EXILE OF THE CID, RODRIGO DÍAZ, AND THE SUPPOSED "INVIDIA" OF ALFONSO VI |
|
52/2, p. 286 |
| MARTIN J. DUFFELL |
THE METRICS OF AUSIAS MARCH IN A EUROPEAN CONTEXT |
|
63/2, p. 287 |
| ALAN MacCOLL |
Rhetoric, narrative, and conceptions of history in the French Prose Brut |
|
74/2, p. 288 |
| Fanni Bogdanow |
A NOTE ON THE SECOND VERSION OF THE POST-VULGATE "QUESTE" AND "GUIRON LE COURTOIS" |
|
39/3, p. 288 |
| JOHN C. HIRSH |
Fate, faith and paradox: medieval unlucky days as a context for 'Wytte Hath Wondyr' |
|
66/2, p. 288 |
| W.M. ORMROD |
KNIGHTS OF VENUS |
|
73/2, p. 290 |
| Peter J. Lucas |
TOWARDS AN INTERPRETATION OF "SIR LAUNFAL" WITH PARTICULAR REFERENCE TO LINE 683 |
|
39/3, p. 291 |
| D.C. Baker |
'THERFOR TO WEPE, CUM LERNE OFF ME': A "PLANCTUS" FRAGMENT IN MS. CORPUS CHRISTI COLLEGE OXFORD F. 261 |
|
38/3, p. 291 |
| Tony Hunt |
The 'Geste de Burch': a manuscript |
|
67/2, p. 291 |
| A.J. GILBERT |
THE INFLUENCE OF BOETHIUS ON THE "PARLEMENT OF FOULYS" |
|
47/2, p. 292 |
| JEAN-JACQUES VINCENSINI |
Désordre de l'abjection et ordre de la courtoisie: le corps abject dans Paris et Vienne de Pierre de La Cépède |
|
68/2, p. 292 |
| John E. Wrigley |
A PRESUMED LOST PETRARCHAN LETTER: "SINE NOMINE" X |
|
37/3, p. 293 |
| SIÂN GRØNLIE |
‘No longer male and female’: redeeming women in the Icelandic conversion narratives |
|
75/2, p. 293 |
| Brent A. Pitts |
La Terre des Sarazins: the summary version |
|
84/2, p. 297 |
| Anne Mouron |
The Manere of Good Lyvyng: the manner of a good translator? |
|
78/2, p. 300 |
| Anne Hudson |
Five problems in Wycliffite texts and a suggestion |
|
80/1, p. 301 |
| John Block Friedman |
THE PRIORESS'S BEADS 'OF SMAL CORAL' |
|
39/3, p. 301 |
| A.V.C. Schmidt |
CHAUCER'S "NEMBROT": A NOTE ON "THE FORMER AGE" |
|
47/2, p. 304 |
| ROSANNA CANTAVELLA |
The meaning of destral as 'go-between' in the Catalan Facet and in Old Occitan |
|
67/2, p. 304 |
| ANDREW LYNCH |
‘Manly cowardyse’: Thomas Hoccleve’s peace strategy |
|
73/2, p. 306 |
| M.R. Golding |
THE IMPORTANCE OF KEEPING 'TROUTHE' IN "THE FRANKLIN'S TALE" |
|
39/3, p. 306 |
| MICHAEL J. FRANKLIN |
THE FIELDFARE AND THE NIGHTINGALE (A NOTE ON "THE THRUSH AND THE NIGHTINGALE") |
|
47/2, p. 308 |
| ADRIAN ARMSTRONG |
The manuscript reception of Jean Molinet’s Trosne d’Honneur |
|
74/2, p. 311 |
| Linda Marshall, W. Rothwell |
THE "MIROIR" OF ROBERT OF GRETHAM |
|
39/3, p. 313 |
| |
Corrigenda: 'PENSASTES EL MUNDO POR VOS TRASTORNAR': THE WORLD UPSIDE-DOWN IN THE "DANÇA GENERAL DE LA MUERTE" |
|
48/2, p. 336 |
| Claudia Tardelli Terry |
Reading Aristotle through Dante: the case of Meteorologica in Francesco da Buti’s Commento |
|
86/2, p. 350 |