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CORRIGENDUM: MIDDLE ENGLISH "WRABBE, WROBBE" |
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10/1, p. -1 |
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CORRIGENDUM: THE DATE OF THE EARLY ENGLISH TRANSLATION OF THE "CANDET NUDATUM PECTUS" |
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4/1, p. -1 |
Thomas D. Hill |
The ‘palmtwigede’ Pater Noster: horticultural semantics and the Old English Solomon and Saturn I |
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74/1, p. 1 |
M.R. Godden |
Did King Alfred write anything? |
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76/1, p. 1 |
Jessie Crosland |
"DOLOPATHOS" AND THE SEVEN SAGES OF ROME |
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25/1, p. 1 |
E.V. Gordon |
ON "HRAFNKELS SAGA FREYSGOĐA" |
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8/1, p. 1 |
G.S. Purkis |
LAURENT DE PREMIERFAIT'S TRANSLATION OF THE "DECAMERON" |
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24/1, p. 1 |
F.J. Tanquerey |
GIRAUT DE BARRI ET "LE ROMAN DE TRISTAN" |
|
6/1, p. 1 |
Jean Misrahi |
GIRARD DE VIENNE ET LA GESTE DE GUILLAUME |
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4/1, p. 1 |
Mildred K. Pope |
NOTES ON SOME AMBIGUOUS PASSAGES IN THE "CHANSON DE ROLAND" |
|
5/1, p. 1 |
Max I. Wolff |
ROM UND DIE ROMANIA |
|
7/1, p. 1 |
M.L. Samuels |
"ANCRENE RIWLE" STUDIES |
|
22/1, p. 1 |
C. Pinchbeck |
THREE OLD FRENCH VERSE SERMONS |
|
23/1, p. 1 |
N.R. Ker |
UNPUBLISHED PARTS OF THE "ORMULUM" PRINTED FROM MS. LAMBETH 783 |
|
9/1, p. 1 |
William J. Entwistle |
EL CONDE DIRLOS |
|
10/1, p. 1 |
Ian Short |
THE "PSEUDO-TURPIN CHRONICLE": SOME UNNOTICED VERSIONS AND THEIR SOURCES |
|
38/1, p. 1 |
Janet M. Bately |
GRIMBALD OF ST. BERTIN'S |
|
35/1, p. 1 |
Angus McIntosh, M.L. Samuels |
PROLEGOMENA TO A STUDY OF MEDIÆVAL ANGLO-IRISH |
|
37/1, p. 1 |
John Frankis |
Layamon and the fortunes of yogh |
|
73/1, p. 1 |
Peter Orton |
Sticks or stones? The story of Imma in Cambridge, Corpus Christi College, MS 41 of the Old English Bede, and Old English tān (‘twig’) |
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72/1, p. 1 |
JUANITA FEROS RUYS |
‘Ut sexu sic animo’: the resolution of sex and gender in the Planctus of Abelard |
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75/1, p. 1 |
Thomas Walton |
LES POÈMES D'AMÉ DE MONTGESOIE (fl. 1457-1478) |
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|
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EDITORIAL |
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Lionel J. Friedman |
JOINVILLE'S TARTAR VISIONARY |
|
27/1, p. 1 |
R.D.A. Crafter |
MATERIALS FOR A STUDY OF THE SOURCES OF GUILLAUME GUIART'S "LA BRANCHE DES ROYAUS LINGNAGES" |
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26/1, p. 1 |
P.B. Salmon |
THE 'THREE VOICES' OF POETRY IN MEDIÆVAL LITERARY THEORY |
|
30/1, p. 1 |
Leslie Seiffert |
THE METRICAL FORM AND COMPOSITION OF THE "WESSOBRUNNER GEBET" |
|
31/1, p. 1 |
Joseph L. Baird |
UNFERTH THE "PYLE" |
|
39/1, p. 1 |
Monica J. Barnett |
RENOART AU TINEL AND OGIER DE DANEMARCHE: A CASE OF CONTAMINATION |
|
40/1, p. 1 |
T.B.W. Reid |
CHRÉTIEN DE TROYES AND THE SCRIBE GUIOT |
|
45/1, p. 1 |
R.T. Farrell |
SOME REMARKS ON THE EXETER BOOK "AZARIAS" |
|
41/1, p. 1 |
W.B. Yapp |
A NEW LOOK AT ENGLISH BESTIARIES |
|
54/1, p. 1 |
Patrick Sims-Williams |
AN UNPUBLISHED SEVENTH- OR EIGHTH-CENTURY ANGLO-LATIN LETTER IN BOULOGNE-SUR-MER MS 74 (82) |
|
48/1, p. 1 |
A.G. Rigg |
ERACLIUS ARCHIPOETA: BEKYNTON ANTHOLOGY NOS. 14, 15, 20, 77 |
|
53/1, p. 1 |
P.G. Walsh |
'GOLIAS' AND GOLIARDIC POETRY |
|
52/1, p. 1 |
Helen Phillips |
CHAUCER AND DEGUILEVILLE: THE "ABC" IN CONTEXT |
|
62/1, p. 1 |
Richard North |
GETTING TO KNOW THE GENERAL IN "THE BATTLE OF MALDON" |
|
60/1, p. 1 |
J.A. TASIOULAS |
THE MOTHER'S LAMENT: "WULF AND EADWACER" RECONSIDERED |
|
65/1, p. 1 |
MARK BALFOUR |
MOSES AND THE PRINCESS: JOSEPHUS' "ANTIQUITATES JUDAICAE" AND THE "CHANSONS DE GESTE" |
|
64/1, p. 1 |
F.J. Tanquerey, E.J. Arnould |
CHRONOLOGIE DU "CONTE DE LA CHARRETTE" |
|
12/, p. 1 |
Oliver A. Beckerlegge |
AN ABRIDGED ANGLO-NORMAN VERSION OF THE "SECRETUM SECRETORUM" |
|
13/, p. 1 |
J.H. Mozley |
THE COLLECTION OF MEDIÆVAL LATIN VERSE IN MS. COTTON TITUS D. XXIV |
|
11/, p. 1 |
J.L.N. O'Loughlin |
"BEOWULF"—ITS UNITY AND PURPOSE |
|
21/, p. 1 |
Ruth Harvey |
THE PROVENANCE OF THE OLD HIGH GERMAN "LUDWIGSLIED" |
|
14/, p. 1 |
F.J.E. Raby |
ON THE DATE AND PROVENANCE OF SOME EARLY LATIN HYMNS |
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16/, p. 1 |
Carole Hough |
Alfred's domboc and the language of rape: a reconsideration of Alfred ch. 11 |
|
66/1, p. 1 |
R.M. THOMSON |
Serlo of Wilton and the schools of Oxford |
|
68/1, p. 1 |
J.S. McKINNELL |
Myth as therapy: the usefulness of Þrymskviða |
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69/1, p. 1 |
B.H. Sumner |
DANTE AND THE "REGNUM ITALICUM" |
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Tony Hunt |
THE ANGLO-NORMAN VOCABULARIES IN MS OXFORD, BODLEIAN LIBRARY, DOUCE 88 |
|
49/1, p. 5 |
Brian S. Merrilees |
'IL N'I A LANGE KE PUT PARLER . . .': WORDS AGAINST WOMEN |
|
40/1, p. 6 |
Lewis Thorpe |
WALTER MAP AND GERALD OF WALES |
|
47/1, p. 6 |
Maurice Hussey |
THE PETITIONS OF THE PATERNOSTER IN MEDIÆVAL ENGLISH LITERATURE |
|
27/1, p. 8 |
Richard Leighton Greene |
THE MEANING OF THE CORPUS CHRISTI CAROL |
|
29/1, p. 10 |
Cecily Clark |
SIR "GAWAIN AND THE GREEN KNIGHT": ITS ARTISTRY AND ITS AUDIENCE |
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40/1, p. 10 |
GERALDINE BARNES |
CUNNING AND INGENUITY IN THE MIDDLE ENGLISH FLORIS AND BLAUNCHEFLUR |
|
53/1, p. 10 |
Murray Copland |
THE SHIPMAN'S TALE: CHAUCER AND BOCCACCIO |
|
35/1, p. 11 |
Maldwyn Mills |
A MEDIÆVAL REVISER AT WORK |
|
32/1, p. 11 |
Kathleen Chesney |
NOTES ON SOME TREATISES OF DEVOTION INTENDED FOR MARGARET OF YORK (MS. DOUCE 365) |
|
20/, p. 11 |
L. Whitbread |
THE BINDING OF WELAND |
|
25/1, p. 13 |
Alfred Ewert |
A FOURTEENTH-CENTURY LATIN-FRENCH NOMINALE |
|
3/1, p. 13 |
M. BRADFORD BEDINGFIELD |
Reinventing the Gospel: l: Ælfric and the liturgy |
|
68/1, p. 13 |
Murray Copland |
THE REEVE'S TALE: HARLOTRIE OR SERMONYNG? |
|
31/1, p. 14 |
Ig. González-Llubera |
THREE JEWISH SPANISH BALLADS IN MS. "BRITISH MUSEUM ADD". 26967 |
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7/1, p. 15 |
C.A. Robson |
A FIFTEENTH-CENTURY PUZZLE: JEAN II, DUC DE BOURBON, REPUTED AUTHOR OF THE "QUINZE JOYES DE MARIAGE" |
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17/, p. 15 |
T.B.W. Reid |
THE SHE-WOLF'S MATE |
|
24/1, p. 16 |
Gareth Morgan |
WALTHER THE WOOD-SPRITE |
|
41/1, p. 16 |
H.L. Rogers |
AN ICELANDIC/NORWEGIAN NAME FOR WESTMINSTER |
|
27/1, p. 17 |
CYRIL EDWARDS |
THE GROWTH OF A SONG: HEINRICH VON MORUNGEN'S "ROBBER LADY" (MF 130, 9) |
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58/1, p. 17 |
BELLA MILLETT |
THE SONGS OF ENTERTAINERS AND THE SONG OF THE ANGELS: VERNACULAR LYRIC FRAGMENTS IN ODO OF CHERITON'S "SERMONES DE FESTIS" |
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64/1, p. 17 |
ANDREW BREEZE |
TWO BARDIC THEMES: THE VIRGIN AND CHILD, AND "AVE-EVA" |
|
63/1, p. 17 |
N.R. Ker |
C. MAIER'S TRANSCRIPT OF THE VERCELLI BOOK |
|
19/, p. 17 |
Charles Russell Stone |
‘Many man he shal do woo’: portents and the end of an empire in Kyng Alisaunder |
|
81/2, p. 18 |
J.R.L. Highfield |
THE GREEN SQUIRE |
|
22/1, p. 18 |
Marco Nievergelt |
Paradigm, intertext, or residual allegory: Guillaume Deguileville and the Gawain-poet |
|
80/2, p. 18 |
Constance Bullock-Davies |
THE FORM OF THE BRETON LAY |
|
42/1, p. 18 |
H.G. Pfander |
THE MEDIÆVAL FRIARS AND SOME ALPHABETICAL REFERENCE-BOOKS FOR SERMONS |
|
3/1, p. 19 |
A.J. Bliss |
CELTIC MYTH AND ARTHURIAN ROMANCE |
|
30/1, p. 19 |
Dominica Legge |
A LIST OF LANGTOFT MANUSCRIPTS, WITH NOTES ON MS. Laud Misc. 637 |
|
4/1, p. 20 |
Maldwyn Mills |
HAVELOK'S RETURN |
|
45/1, p. 20 |
Ian Short |
AN EARLY DRAFT OF GUERNES' "VIE DE SAINT THOMAS BECKET" |
|
46/1, p. 20 |
KARIN BOKLUND-LAGOPOULOU |
"JUDAS": THE FIRST ENGLISH BALLAD? |
|
62/1, p. 20 |
Louise W. Stone |
OLD FRENCH TRANSLATIONS OF THE "DE CONSOLATIONE PHILOSOPHIÆ OF BOETHIUS |
|
6/1, p. 21 |
Mahmoud Manzalaoui |
ENGLISH ANALOGUES TO THE "LIBER SCALÆ" |
|
34/1, p. 21 |
John V. Fleming |
HOCCLEVE'S 'LETTER OF CUPID' AND THE 'QUARREL' OVER THE "ROMAN DE LA ROSE" |
|
40/1, p. 21 |
J.A.W. Bennett |
A NEW COLLATION OF A "PIERS PLOWMAN" MANUSCRIPT (HM 137) |
|
17/, p. 21 |
N. Rubinstein |
POLITICAL RHETORIC IN THE IMPERIAL CHANCERY DURING THE TWELFTH AND THIRTEENTH CENTURIES |
|
14/, p. 21 |
Helen Nicholson |
Following the path of the Lionheart: the De ortu Walwanii and the Itinerarium peregrinorum et gesta regis Ricardi |
|
69/1, p. 21 |
J. Keith Atkinson |
SOME FURTHER CONFIRMATIONS AND ATTRIBUTIONS OF MANUSCRIPTS OF THE MEDIAEVAL FRENCH BOETHIUS |
|
47/1, p. 22 |
Antonio Pace |
OLD FRENCH "IVEL, IGAL," ALTERNATIVE FORMS FOR "ÉGAL" |
|
9/1, p. 23 |
Eric Stanley |
LAZAMON'S ANTIQUARIAN SENTIMENTS |
|
38/1, p. 23 |
AUDREY L. MEANEY |
THE "IDES" OF THE COTTON GNOMIC POEM |
|
48/1, p. 23 |
George W. Brewer, Bedwyr Lewis Jones |
POPULAR TALE MOTIFS AND HISTORICAL TRADITION IN "BREUDWYT MAXEN" |
|
|
J.A. TASIOULAS |
Heaven and earth in little space: the foetal existence of Christ in medieval literature and thought |
|
76/1, p. 24 |
Neil Cartlidge |
In the silence of a midwinter night: a re-evaluation of the Visio Philiberti |
|
75/1, p. 24 |
C.L. Wrenn |
LATE OLD ENGLISH RUNE-NAMES |
|
|
Audrey Graham |
FROISSART'S USE OF CLASSICAL ALLUSION IN HIS POEMS |
|
32/1, p. 24 |
Elizabeth Zeeman |
CONTINUITY AND CHANGE IN MIDDLE ENGLISH VERSIONS OF THE "MEDITATIONES VTTAE CHRISTI" |
|
26/1, p. 25 |
E.O. Winstedt |
SIEGFRIED |
|
21/, p. 25 |
Elizabeth Salter |
LUDOLPHUS OF SAXONY AND HIS ENGLISH TRANSLATORS |
|
33/1, p. 26 |
P.E. Russell |
ROBERT PAYN AND JUAN DE CUENCA, TRANSLATORS OF GOWER'S "CONFESSIO AMANTIS" |
|
30/1, p. 26 |
Nicolas Jacobs |
THE PROCESSES OF SCRIBAL SUBSTITUTION AND REDACTION: A STUDY OF THE CAMBRIDGE FRAGMENT OF "SIR DEGARRÉ" |
|
53/1, p. 26 |
Margaret Fitzgerald Richey |
THE GERMAN CONTRIBUTION TO THE MATTER OF BRITAIN, WITH SPECIAL REFERENCE TO THE LEGEND OF KING ARTHUR AND THE TABLE ROUND |
|
19/, p. 26 |
CONSTANCE B. HIEATT |
The third fifteenth-century cookbook: a newly identified group within a family |
|
73/1, p. 27 |
R.N.B. GODDARD |
EUGENIUS OF TOLEDO AND MARBOD OF RENNES IN MARCABRU'S 'POIS LA FUOILLA REVIROLA' |
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57/1, p. 27 |
Roberto Weiss |
THE STUDY OF VARRO AT MONTECASSINO IN THE MIDDLE AGES |
|
16/, p. 27 |
CATHERINE LÉGLU |
Defamation in the troubadour sirventes: legislation and lyric poetry |
|
66/1, p. 28 |
Dorothy Everett |
THE RELATIONSHIP OF CHESTRE'S "LAUNFAL" AND "LYBEAUS DESCONUS" |
|
7/1, p. 29 |
ÁRMANN JAKOBSSON |
The amplified saga: structural disunity in Morkinskinna |
|
70/1, p. 29 |
PAULINE HEAD |
Who is the nun from Heidenheim? A study of Hugeburc’s Vita Willibaldi |
|
71/1, p. 29 |
A. McI. Trounce |
THE ENGLISH TAIL-RHYME ROMANCES. (Continued) |
|
3/1, p. 30 |
Jane H.M. Taylor |
AROES THE ENCHANTER—AN EPISODE IN THE "ROMAN DE PERCEFOREST" AND ITS SOURCES |
|
47/1, p. 30 |
M.M. Lascelles, N.R. Ker |
ALEXANDER AND THE EARTHLY PARADISE IN MEDIÆVAL ENGLISH WRITINGS |
|
5/1, p. 31 |
James Kinsley |
THE TRETIS OF THE TUA MARIIT WEMEN AND THE WEDO |
|
23/1, p. 31 |
R.I. Page |
'ET LICONAUS OT NON SES PERE' |
|
26/1, p. 32 |
C.T. Onions |
TWO NOTES ON MIDDLE ENGLISH TEXTS |
|
17/, p. 32 |
Dominica Legge |
"THE BRUT ABRIDGED", A QUERY |
|
16/, p. 32 |
J.A. Burrow |
'A MANER LATYN CORRUPT' |
|
30/1, p. 33 |
D.C. Cox, CARTER REVARD |
A NEW ME O-AND-I LYRIC AND ITS PROVENANCE |
|
54/1, p. 33 |
ARDIS BUTTERFIELD |
LYRIC AND ELEGY IN "THE BOOK OF THE DUCHESS" |
|
60/1, p. 33 |
M.L. HOLFORD |
A local source for Horn Child and Maiden Rimnild |
|
74/1, p. 34 |
A. McI. Trounce |
THE ENGLISH TAIL-RHYME ROMANCES. (Continued) |
|
|
V.E. Watts |
PEARL AS A CONSOLATIO |
|
32/1, p. 34 |
Simon Tugwell |
ADVENT LYRICS 348-77 (LYRIC NO. X) |
|
39/1, p. 34 |
W.G. COOKE |
SIR GAWAIN AND THE GREEN KNIGHT: A RESTORED DATING |
|
58/1, p. 34 |
ANNE B. THOMPSON |
SHAPING A SAINT'S LIFE: FRIDESWIDE OF OXFORD |
|
63/1, p. 34 |
W. Rothwell |
Anglo-French and Middle English vocabulary in Femina nova |
|
69/1, p. 34 |
Monica J. Barnett |
MAUDUIT DE RAMES |
|
46/1, p. 35 |
Peter R. Grillo |
THE 'FIN DE ROBERT DE NORMANDIE' EPISODE IN LONDON, BRITISH LIBRARY, MS ADD. 36615 |
|
61/1, p. 35 |
GEORGE R. KEISER |
RECONSTRUCTING ROBERT THORNTON'S HERBAL |
|
65/1, p. 35 |
ALAN MacCOLL |
Rhetoric, narrative, and conceptions of history in the French Prose Brut |
|
78/1, p. 35 |
Olive Sayce |
ABORTIVE MOTIVATION IN PART I OF THE "NIBELUNGENLIED" |
|
23/1, p. 36 |
Rachel Bromwich |
A NOTE ON THE BRETON LAYS |
|
26/1, p. 36 |
Erika von Erhardt-Siebold |
NOTE ON ANGLO-SAXON RIDDLE 74 |
|
21/, p. 36 |
SANTHA BHATTACHARJI |
"PEARL" AND THE LITURGICAL 'COMMON OF VIRGINS' |
|
64/1, p. 37 |
B.S. Donaghey |
ANOTHER ENGLISH MANUSCRIPT OF AN OLD FRENCH TRANSLATION OF BOETHIUS |
|
42/1, p. 38 |
John J. Thompson |
LITERARY ASSOCIATIONS OF AN ANONYMOUS MIDDLE ENGLISH PARAPHRASE OF VULGATE PSALM L |
|
57/1, p. 38 |
C.T. Onions |
Middle English gawne |
|
21/, p. 39 |
N.R. Ker |
THE HAGUE MANUSCRIPT OF THE EPISTOLA CUTHBERTI DE OBITU BEDÆ WITH BEDE'S SONG |
|
8/1, p. 40 |
CHRISTOPHER HOHLER |
THE PROPER OFFICE OF ST. NICHOLAS AND RELATED MATTERS WITH REFERENCE TO A RECENT BOOK |
|
36/1, p. 40 |
Huw Grange |
A paraphrase of the Miserere in Anglo-Norman verse (Lambeth Palace, MS 431) |
|
84/1, p. 40 |
M.R. Morgan |
THE MEANINGS OF OLD FRENCH "POLAIN", LATIN "PULLANUS" |
|
48/1, p. 40 |
Elizabeth Salter |
THE TIMELINESS OF "WYNNERE AND WASTOURE" |
|
47/1, p. 40 |
R.C. Goffin |
QUITING BY TIDINGS IN "THE HOUS OF FAME" |
|
12/, p. 40 |
Ronald N. Walpole |
STANZAS 26 AND 27 OF THE MIDDLE ENGLISH ROMANCE "ROLAND & VERNAGU" |
|
20/, p. 40 |
IVANA DJORDJEVIĆ |
Versification and translation in Sir Beves of Hampton |
|
74/1, p. 41 |
Megan Leitch |
Thinking twice about treason in Caxton’s prose romances: proper chivalric conduct and the English printing press |
|
81/2, p. 41 |
Dorena Allen Wright |
HENRYSON'S "ORPHEUS AND EURYDICE" AND THE TRADITION OF THE MUSES |
|
40/1, p. 41 |
W.G. COOKE, D'A.J.D. BOULTON |
Sir Gawain and the Green Knight: a poem for Henry of Grosmont? |
|
68/1, p. 42 |
Charles S.F. Burnett |
The works of Petrus Alfonsi: questions of authenticity |
|
66/1, p. 42 |
T.D. Hemming |
PROBLEMS OF THE CLERMONT-FERRAND PASSION NARRATIVE |
|
35/1, p. 43 |
FLORIN CURTA |
Colour perception, dyestuffs, and colour terms in twelfth-century French literature |
|
73/1, p. 43 |
Jane Roberts |
"GUĐLAC" A, B, AND C? |
|
42/1, p. 43 |
D.J.A. Ross |
THE ICONOGRAPHY OF ROLAND |
|
37/1, p. 46 |
Alison Adams |
A FOURTEENTH-CENTURY BOWDLERIZATION |
|
46/1, p. 46 |
Kathleen Chesney |
A NEGLECTED PROSE VERSION OF THE "ROMAN DE TROIE" |
|
11/, p. 46 |
PRISCILLA J. BAWCUTT |
LEXICAL NOTES ON GAVIN DOUGLAS'S "ENEADOS" |
|
40/1, p. 48 |
LUCINDA RUMSEY |
THE SCORPION OF LECHERY AND "ANCRENE WISSE" |
|
61/1, p. 48 |
ELLIOT KENDALL |
Chamberlain Danger: the social meaning of love allegory in the Confessio Amantis |
|
76/1, p. 49 |
C.E. Wright |
TWO ÆLFRIC FRAGMENTS |
|
7/1, p. 50 |
Piero Boitani |
THE "MONK'S TALE": DANTE AND BOCCACCIO |
|
45/1, p. 50 |
VICTOR I. SCHERB |
CONCEPTION, FLIES, AND HERESY IN SKELTON'S 'REPLYCACION' |
|
62/1, p. 51 |
Derek Pearsall |
CHAUCER'S TOMB: THE POLITICS OF REBURIAL |
|
64/1, p. 51 |
Richard Leighton Greene |
THE BURDEN AND THE SCOTTISH VARIANT OF THE CORPUS CHRISTI CAROL |
|
33/1, p. 53 |
ROGER PENSOM |
INSIDE AND OUTSIDE: FACT AND FICTION IN "FOUKE LE FITZ WARYN" |
|
63/1, p. 53 |
J. ALLAN MITCHELL |
Queen Katherine and the secret of Lydgate’s Temple of Glas |
|
77/1, p. 54 |
Marcel Françon |
LA STRUCTURE DU RONDEAU |
|
|
Jeremy Lawrance |
NUÑO DE GUZMÁN AND EARLY SPANISH HUMANISM: SOME RECONSIDERATIONS |
|
51/1, p. 55 |
SIMON B. GAUNT |
MARGINAL MEN, MARCABRU AND ORTHODOXY: THE EARLY TROUBADOURS AND ADULTERY |
|
59/1, p. 55 |
J.A.W. Bennett |
THE DATE OF THE B-TEXT OF "PIERS PLOWMAN" |
|
12/, p. 55 |
JOANNA SUMMERS |
Gower's Vox clamantis and Usk's Testament of Love |
|
68/1, p. 55 |
Norman Davis |
NOTES ON THE MIDDLE ENGLISH "BESTIARY" |
|
19/, p. 56 |
H.J.R. Murray |
THE MEDIÆVAL GAMES OF TABLES |
|
10/2, p. 57 |
MARIANNE WYNN |
BOOK 1 OF WOLFRAM VON ESCHENBACH'S "WILLEHALM" AND ITS CONCLUSION |
|
49/1, p. 57 |
Kemp Malone |
BEOWULFIANA |
|
|
PHILIP E. BENNETT |
THOMAS ELIE DE BIVILLE |
|
55/1, p. 58 |
KAREN SULLIVAN |
Disputations, literary and inquisitorial: the conversion of the heretic Sicart of Figueiras |
|
78/1, p. 58 |
ALISON M. PEDEN |
MACROBIUS AND MEDIAEVAL DREAM LITERATURE |
|
54/1, p. 59 |
CLEM C. WILLIAMS |
A CASE OF MISTAKEN IDENTITY: STILL ANOTHER TROJAN NARRATIVE IN OLD FRENCH PROSE |
|
53/1, p. 59 |
HELEN BARR |
Pearl - or the jeweller's tale |
|
69/1, p. 59 |
Lucas Wood |
Of werewolves and wicked women: Melion’s misogyny reconsidered |
|
84/1, p. 60 |
Jane H.M. Taylor |
Inescapable rose: Jean le Seneschal's Cent Balades and the art of cheerful paradox |
|
67/1, p. 60 |
W.L. Wardale |
DIOCLES OF CARYSTOS AND GERMAN POPULAR MEDICINE |
|
9/2, p. 61 |
Ad Putter |
King Arthur at Oxbridge: Nicholas Cantelupe, Geoffrey of Monmouth, and Cambridge’s Arthurian foundation myth |
|
72/1, p. 63 |
George Fenwick Jones |
SARTORIAL SYMBOLS IN MEDIÆVAL LITERATURE |
|
25/2, p. 63 |
LUCY LEWIS |
The identity of Margaret in Thomas Usk's Testament of Love |
|
68/1, p. 63 |
R.L.G. Ritchie |
THE DATE OF THE "VOYAGE OF ST BRENDAN" |
|
19/, p. 64 |
Enid M. Raynes |
MS. BOULOGNE-SUR-MER 63 AND ÆLFRIC |
|
26/2, p. 65 |
R.I. Page |
THE OLD ENGLISH RUNE "EAR" |
|
30/2, p. 65 |
JOHN GORNALL |
HOW MANY TIMES WAS THE COUNT OF BARCELONA OFFERED HIS FREEDOM? DOUBLE NARRATION IN THE "POEMA DE MIO CID" |
|
56/1, p. 65 |
Leo Carruthers |
The Duke of Clarence and the Earls of March: Garter knights and Sir Gawain and the Green Knight |
|
70/1, p. 66 |
James I. Wimsatt |
GUILLAUME DE MACHAUT AND CHAUCER'S LOVE LYRICS |
|
47/1, p. 66 |
MICHAEL STEFFES |
‘As dewe in Aprylle’: ‘I syng of a mayden’ and the liturgy |
|
71/1, p. 66 |
Kenneth Urwin |
BRITISH LATIN "VENETARE" AND ANGLO-NORMAN "VENETER" |
|
48/1, p. 67 |
G.S. Purkis |
A BODLEIAN "DECAMERON" |
|
19/, p. 67 |
A. McI. Trounce |
CHAUCER'S IMPERATIVE WITH "AS" |
|
|
ALISON WILLIAMS |
Stories within stories: writing history in Fouke le Fitz Waryn |
|
81/2, p. 70 |
Hilda R. Ellis |
FOSTERING BY GIANTS IN OLD NORSE SAGA LITERATURE |
|
10/2, p. 70 |
Brian Murdoch |
GENESIS AND PSEUDO-GENESIS IN LATE MEDIÆVAL GERMAN POETRY |
|
45/1, p. 70 |
CATHERINE LÉGLU |
Nourishing lineage in the earliest French versions of the Roman de Mélusine |
|
74/1, p. 71 |
Cecily Clark |
NOTES ON MS. LAUD MISC. 636 |
|
23/2, p. 71 |
C.L. Wrenn |
THE TEXT OF "HAVARÐAR SAGA ISFIRÐINGS" |
|
|
Judith Weiss |
THE MAJOR INTERPOLATIONS IN "SIR BEUES OF HAMTOUN" |
|
48/1, p. 71 |
E.J. Dobson |
MIDDLE ENGLISH AND MIDDLE DUTCH "BOYE" |
|
12/, p. 71 |
Linda M. Paterson |
TOURNAMENTS AND KNIGHTLY SPORTS IN TWELFTH- AND THIRTEENTH-CENTURY OCCITANIA |
|
55/1, p. 72 |
JANET R. DONER |
SCRIBAL WHIM AND MINIATURE ALLOCATION IN THE ILLUSTRATED MANUSCRIPTS OF THE "CONTINUATION-GAUVAIN" |
|
65/1, p. 72 |
R.G. Keightley |
THE "CRONYQUES OF SPAYGNE" IN CAXTON'S VERSION OF THE TROJAN HISTORY OF RAOUL LE FÈVRE |
|
49/1, p. 73 |
Aengus Ward |
Inventing a tradition: the Crónica d'Espayña de García de Eugui and the beginnings of Navarrese historiography |
|
68/1, p. 73 |
D.G. Hoggan |
THE VERSION OF "ALISCANS" KNOWN TO THE AUTHOR OF "FOUCON DE CANDIE" |
|
26/2, p. 74 |
JOSETTE A. WISMAN |
JACQUES LEGRAND, CHRISTINE DE PIZAN, ET LA QUESTION DE LA 'NOUVELETÉ' |
|
63/1, p. 75 |
Douglas J. Gillam |
A NOTE ON THE OLD HIGH GERMAN "GEORGSLIED" |
|
7/1, p. 76 |
John Orr |
LA DEMOISELLE A LA MURE : ETUDE TEXTUELLE |
|
5/1, p. 77 |
Janet M. Ferrier |
"SEULEMENT POUR VOUS ENDOCTRINER": THE AUTHOR'S USE OF "EXEMPLA" IN "LE MÉNAGIER DE PARIS" |
|
48/1, p. 77 |
PENNY SULLIVAN |
THE PRESENTATION OF ENIDE IN THE "PREMIER VERS" OF CHRETIEN'S "EREC ET ENIDE" |
|
52/1, p. 77 |
Ethel Seaton |
ROBERT MANNYNG OF BRUNNE IN LINCOLN |
|
12/, p. 77 |
CORDULA POLITIS |
The taming of the Amazon: Pentesilie in Ulrich von Türheim’s Rennewart |
|
77/1, p. 77 |
M.M. Lascelles |
ALEXANDER AND THE EARTHLY PARADISE IN MEDIÆVAL ENGLISH WRITINGS (Continued) |
|
5/2, p. 79 |
Ida L. Gordon |
THE MURDER OF PORGRÍMR IN "GÍSLASAGA SÚRSSONAR" |
|
3/2, p. 79 |
B. DIENSBERG |
THE ETYMOLOGY OF MODERN ENGLISH "BOY": A NEW HYPOTHESIS |
|
50/1, p. 79 |
PRISCILLA J. BAWCUTT |
The Boston Public Library manuscript of John Lydgate's Siege of Thebes: its Scottish owners and inscriptions |
|
70/1, p. 80 |
J.E. Cross |
KING ARTHUR IN THE OLD SWEDISH LEGENDARY |
|
30/2, p. 80 |
J.H. BAKER |
A FRENCH VOCABULARY AND CONVERSATION-GUIDE IN A FIFTEENTH-CENTURY LEGAL NOTEBOOK |
|
58/1, p. 80 |
John Frankis |
Taste and patronage in late medieval England as reflected in versions of Guy of Warwick |
|
66/1, p. 80 |
RICHARD INGHAM |
Mixing languages on the manor |
|
78/1, p. 80 |
Charles W. Jones |
THE BYRHTFERTH GLOSSES |
|
7/2, p. 81 |
E.V. Gordon, Eugène Vinaver |
NEW LIGHT ON THE TEXT OF THE ALLITERATIVE "MORTE ARTHURE" |
|
6/2, p. 81 |
W.M. Temple |
THE WEEPING RACHEL |
|
28/2, p. 81 |
Margaret E. Goldsmith |
THE CHRISTIAN THEME OF "BEOWULF" |
|
29/2, p. 81 |
HEATHER O'DONOGHUE |
What has Baldr to do with Lamech? The lethal shot of a blind man in Old Norse myth and Jewish exegetical traditions |
|
72/1, p. 82 |
Nevill Coghill |
TWO NOTES ON "PIERS PLOWMAN": I. THE ABBOT OF ABINGDON AND THE DATE OF THE C TEXT |
|
4/2, p. 83 |
N.R. Ker |
AN ELEVENTH-CENTURY OLD ENGLISH LEGEND OF THE CROSS BEFORE CHRIST |
|
9/2, p. 84 |
Robert Easting |
St Patrick’s Purgatory: fragments of a second copy of the Middle English stanzaic Owayne Miles |
|
75/1, p. 84 |
J.K. Bostock |
THE ANT'S WAIST: A QUERY |
|
25/2, p. 84 |
J.S. McKINNELL |
Wisdom from the dead: the Ljóðatal section of Hávamál |
|
76/1, p. 85 |
Georgine Brereton |
"CUEILLIR" 'ACCUEILLIR' : ESSAI D'EXPLICATION SEMANTIQUE |
|
11/, p. 85 |
Edward B. Ham |
A FRAGMENT OF THE "CHANSON DES LORRAINS" |
|
10/2, p. 86 |
C.T. Onions |
'GAPING AGAINST AN OVEN' |
|
9/2, p. 86 |
D.J.A. Ross |
A FIFTEENTH-CENTURY REVISION OF THE OLD FRENCH PROSE ALEXANDER |
|
27/2, p. 86 |
EILEEN GARDINER |
A SOLUTION TO THE PROBLEM OF DATING IN THE "VISION OF TUNDALE" |
|
51/1, p. 86 |
A. McI. Trounce |
THE ENGLISH TAIL-RHYME ROMANCES |
|
|
Elizabeth V. Mead |
TWO ANGLO-NORMAN DEVOTIONAL POEMS |
|
28/2, p. 87 |
P.J. FOURACRE |
THE CONTEXT OF THE OHG "LUDWIGSLIED" |
|
54/1, p. 87 |
GEOFF RECTOR |
En sa chambre sovent le lit: literary leisure and the chamber sociabilities of early Anglo-French literature (c.1100-1150) |
|
81/2, p. 88 |
W.P. Albrecht |
A SEVENTEENTH-CENTURY TEXT OF THOMAS OF ERCELDOUNE |
|
23/2, p. 88 |
Maldwyn Mills |
THE COMPOSITION AND STYLE OF THE 'SOUTHERN' "OCTAVIAN, SIR LAUNFAL" AND "LIBEAUS DESCONUS" |
|
31/2, p. 88 |
Conrad Mainzer |
ALBERTANO OF BRESCIA'S "LIBER CONSOLATIONIS ET CONSILII" AS A SOURCE-BOOK OF GOWER'S "CONFESSIO AMANTIS" |
|
47/1, p. 88 |
John Leyerle |
BEOWULF THE HERO AND THE KING |
|
34/2, p. 89 |
O.D. Macrae-Gibson |
HOW HISTORICAL IS "THE BATTLE OF MALDON?" |
|
39/2, p. 89 |
Tony Hunt |
The Middle French alchemical treatises in MS Oxford, Bodleian Library, Digby 164 |
|
79/1, p. 90 |
Raphael Levy |
POUR L'INTERPRÉTATION DU "JEU DE SAINT NICOLAS" |
|
24/2, p. 91 |
R. Wayne Hamm |
A CRITICAL EVALUATION OF THE "CONFISYON DEL AMANTE", THE CASTILIAN TRANSLATION OF GOWER'S "CONFESSIO AMANTIS" |
|
47/1, p. 91 |
Peter Ainsworth |
KNIFE, KEY, BEAR AND BOOK: POISONED METONYMIES AND THE PROBLEM OF "TRANSLATIO" IN FROISSART'S "LATER CHRONIQUES" |
|
59/1, p. 91 |
WILLIAM E. COLEMAN |
CHAUCER, THE "TESEIDA", AND THE VISCONTI LIBRARY AT PAVIA: A HYPOTHESIS |
|
51/1, p. 92 |
A.I. Doyle |
MORE LIGHT ON JOHN SHIRLEY |
|
30/2, p. 93 |
Alexander Bell |
NOTES ON GAIMAR'S MILITARY VOCABULARY |
|
40/2, p. 93 |
MALCOLM JONES |
The parodic sermon in medieval and early modern England |
|
66/1, p. 94 |
R.M. Dawkins |
THE 'GRAN VEGLIO' OF "INFERNO XIV" |
|
|
J.R.R. Tolkien |
SIGELWARA LAND. (Continued) |
|
3/2, p. 95 |
Albert B. Friedman |
THE LATE MEDIÆVAL BALLADE AND THE ORIGIN OF BROADSIDE BALLADRY |
|
27/2, p. 95 |
NICOLE D. SMITH |
Estreitement bendé: Marie de France’s Guigemar and the erotics of tight dress |
|
77/1, p. 96 |
C.A. Robson |
THE CHARACTER OF TURPIN IN THE "CHANSON DE ROLAND" |
|
10/2, p. 97 |
Diana B. Tyson |
THE EPITAPH OF EDWARD THE BLACK PRINCE |
|
46/1, p. 98 |
P.J.C. Field |
Morte Arthure, the Montagus, and Milan |
|
78/1, p. 98 |
G.V. Smithers |
THE MEANING OF "THE SEAFARER" AND "THE WANDERER": APPENDIX |
|
28/2, p. 99 |
Jane Roberts |
EVIDENCES FOR WITCHCRAFT IN ANGLO-SAXON ENGLAND |
|
32/2, p. 99 |
S. Harrison Thomson |
THE DATE OF THE EARLY ENGLISH TRANSLATION OF THE "CANDET NUDATUM PECTUS" |
|
4/2, p. 100 |
R.L. Reynolds |
AN ECHO OF "BEOWULF" in ATHELSTAN'S CHARTERS OF 931-933 A.D.? |
|
24/2, p. 101 |
Richard Beadle |
Fifteenth-century political verses from the Holkham archives |
|
71/1, p. 101 |
Thomas Aqu. Michels |
TWO CORRUPT VERSES IN THE "CANTILENA SUPER STATUM REGIS ALBERTI" |
|
10/2, p. 102 |
Dorena Allen Wright |
ORPHEUS AND ORFEO: THE DEAD AND THE "TAKEN" |
|
33/2, p. 102 |
W. Rothwell |
MEDIÆVAL FRENCH "BUREAU" |
|
29/2, p. 102 |
Joseph Szövérffy |
THE UNERRING BOW AND PETRUS OLAVI |
|
30/2, p. 102 |
W.B. LOCKWOOD |
SOME EXPRESSIONS FOR THE SETTING SUN |
|
48/1, p. 102 |
RICHARD DAVID WISSOLIK |
DUKE WILLIAM'S MESSENGERS: AN 'INSOLUBLE, REVERSE-ORDER' SCENE OF THE BAYEUX TAPESTRY |
|
51/1, p. 102 |
MÍĊEÁL F. VAUGHAN |
Personal politics and Thomas Gascoigne’s account of Chaucer’s death |
|
75/1, p. 103 |
Joy Russell-Smith |
KEIS IN "SAWLES WARDE" |
|
22/2, p. 104 |
William J. Entwistle |
ON THE PASSIVITY OF THE BASQUE VERB |
|
5/2, p. 105 |
|
Corrigendum: THE INTRODUCTION TO THE DREAM IN "PEARL" |
|
48/1, p. 106 |
William A. Craigie |
NEW EDITIONS OF THE ICELANDIC SAGAS |
|
21/, p. 106 |
ÁRMANN JAKOBSSON |
King Sverrir of Norway and the foundations of his power: kingship ideology and narrative in Sverris saga |
|
84/1, p. 109 |
R.M. Dawkins |
A CRETAN TRANSLATION OF "BARLAAM AND IOASAPH," WITH SOME NOTES ON THE TRANSLITERATION OF GREEK IN LATIN CHARACTERS |
|
|
Norman Davis, G.S. Ivy |
MS. WALTER RYE 38 AND ITS FRENCH GRAMMAR |
|
31/2, p. 110 |
C.T. Onions |
MIDDLE ENGLISH "GAWNE": A CORRECTION, WITH SOME NOTES |
|
22/2, p. 111 |
Eric Colledge |
ALIRI |
|
27/2, p. 111 |
Joseph Szövérffy |
VIRGIL AND A LATIN CHRISTMAS CAROL |
|
26/2, p. 111 |
Phyllis Abrahams |
THE MERCATOR-SCENES IN MEDIÆVAL FRENCH PASSION-PLAYS |
|
3/2, p. 112 |
Dominica Legge, Georgine Brereton |
THREE HITHERTO UNLISTED MSS. OF THE FRENCH PROSE "BRUTE CHRONICLE" |
|
7/2, p. 113 |
G.W.S. Friedrichsen |
GOTHIC NOTES |
|
26/2, p. 113 |
C.T. Onions |
THE TYPE 'A TALBOT' |
|
26/2, p. 114 |
N.R. Ker |
MS. COTTON GALBA A. XIX: "THE PROVERBS OF ALFRED" |
|
5/2, p. 115 |
BARBARA N. SARGENT-BAUR |
MEDIÆVAL RIRE, RIDERE: A LAUGHING MATTER? |
|
43/2, p. 116 |
JOHN NORTON-SMITH |
CHAUCER'S "ETAS PRIMA" |
|
32/2, p. 117 |
C.T. Onions |
THE PHRASE "END OF ONE'S KIN" |
|
7/2, p. 118 |
R.A. Dwyer |
ASENATH OF EGYPT IN MIDDLE ENGLISH |
|
39/2, p. 118 |
Dominica Legge |
A FUER DE GUERRE |
|
5/2, p. 121 |
J.S. McKINNELL |
ON THE DATE OF "THE BATTLE OF MALDON" |
|
|
P.L. Heyworth |
SIR GAWAIN'S CROSSING OF DEE |
|
41/2, p. 124 |
R.I. Page |
THE OLD ENGLISH RUNE "EOH, ÍH, 'YEW-TREE'" |
|
37/2, p. 125 |
D.J.A. Ross |
ALEXANDER IN THE "LIBER FLORIDUS" OF LAMBERT OF ST. OMER |
|
31/2, p. 125 |
E.V. Gordon, C.T. Onions |
NOTES ON THE TEXT AND INTERPRETATION OF "PEARL" |
|
|
Jean Marx |
CORRESPONDENCE |
|
23/2, p. 131 |
Desmond Paul Henry |
SAINT ANSELM'S "RUSTICI" |
|
33/2, p. 131 |
Robert A. Caldwell |
BEOWULF vv. 413b-414 |
|
42/2, p. 131 |
C.S. Lewis |
DANTE'S STATIUS |
|
25/3, p. 133 |
Mark Eccles |
"LUDUS COVENTRIÆ" LINCOLN OR NORFOLK? |
|
40/2, p. 135 |
DONALD G. BZDYL |
PRAYER IN OLD ENGLISH NARRATIVES |
|
51/2, p. 135 |
N.R. Ker |
SOME NOTES ON THE PETERBOROUGH CHRONICLE |
|
3/2, p. 136 |
James L. Rosier |
"HEAFOD" AND "HELM": CONTEXTUAL COMPOSITION IN "BEOWULF" |
|
37/2, p. 137 |
A.T. Baker |
OLD FRENCH "BEUBELET, BEAUBELET" |
|
|
H.E. Butler |
SOME NEW PAGES OF GIRALDUS CAMBRENSIS |
|
4/3, p. 143 |
Wolfgang Becker |
THE LATIN MANUSCRIPT SOURCES OF THE OLD ENGLISH TRANSLATIONS OF THE SERMON "REMEDIA PECCATORUM" |
|
45/2, p. 145 |
JOHN C. HIRSH |
AUTHOR AND SCRIBE IN "THE BOOK OF MARGERY KEMPE" |
|
|
James Shiel |
THE LATIN ARISTOTLE |
|
42/2, p. 147 |
C.E. Wright |
A POSTSCRIPT TO 'LATE OLD ENGLISH RUNE-NAMES' (M.Æ. I 24-34) |
|
5/2, p. 149 |
Donald Schueler |
THE AGE OF THE LOVER IN GOWER'S "CONFESSIO AMANTIS" |
|
36/2, p. 152 |
T.D. CRAWFORD |
ON THE LINGUISTIC COMPETENCE OF GEOFFREY OF MONMOUTH |
|
51/2, p. 152 |
H.B. Willson |
CONCORD AND DISCORD: THE DIALECTIC OF THE "NIBELUNGENLIED" |
|
28/3, p. 153 |
John B. Beston |
THE CASE AGAINST COMMON AUTHORSHIP OF "LAY LE FREINE" AND "SIR ORFEO" |
|
45/2, p. 153 |
H. Peter Clive |
"FLORIDAN ET ELVIDE": A CRITICAL EDITION |
|
26/3, p. 154 |
Alfred Ewert |
THE GLASGOW LATIN-FRENCH GLOSSARY |
|
25/3, p. 154 |
Gwyn Jones |
FJÖRBAUGSGARƉR |
|
9/3, p. 155 |
Mario Roques |
LES SERMENTS DE STRASBOURG |
|
5/3, p. 157 |
John Scattergood |
POLITICAL CONTEXT, DATE AND COMPOSITION OF "THE SAYINGS OF THE FOUR PHILOSOPHERS" |
|
37/2, p. 157 |
Kathleen Chesney |
TWO COLLECTIONS OF EARLY SIXTEENTH-CENTURY FRENCH RONDEAUX |
|
40/2, p. 157 |
EMMA MASON |
ST WULFSTAN'S STAFF: A LEGEND AND ITS USES |
|
53/2, p. 157 |
C.T. Onions |
MIDDLE ENGLISH "WRABBE, WROBBE" |
|
10/3, p. 159 |
JOHN NORTON-SMITH |
AUERBACH ON LITERARY LANGUAGE |
|
36/2, p. 159 |
Michael C. Seymour |
THE ORIGIN OF THE EGERTON VERSION OF "MANDEVILLE'S TRAVELS" |
|
30/3, p. 159 |
Tony Hunt |
"DELICIAE CLERICORUM": INTELLECTUAL AND SCIENTIFIC PURSUITS IN TWO DORSET MONASTERIES |
|
56/2, p. 159 |
Robert Easting |
OWEIN AT ST PATRICK'S PURGATORY |
|
55/2, p. 159 |
M.A.L. Locherbie-Cameron |
BYRHTNOTH, HIS NOBLE COMPANION AND HIS SISTER'S SON |
|
57/2, p. 159 |
Roger Sherman Loomis |
"ISDERNUS" AGAIN |
|
|
Angus J. Kennedy, Kenneth Varty |
"VERNAGE": TWO CORRECTIONS TO GODEFROY |
|
|
Roger Ellis |
'FLORES AD FABRICANDAM ... CORONAM': AN INVESTIGATION INTO THE USES OF THE REVELATIONS OF ST BRIDGET OF SWEDEN IN FIFTEENTH-CENTURY ENGLAND |
|
51/2, p. 163 |
Alfred Ewert |
ANGLO-NORMAN STUDIES |
|
7/2, p. 164 |
Mildred K. Pope |
THE "ROMANCE OF HORN" AND "KING HORN" |
|
25/3, p. 164 |
S.T. Knight |
THE ORAL TRANSMISSION OF "SIR LAUNFAL" |
|
38/2, p. 164 |
E.V. Gordon, C.T. Onions |
NOTES ON THE TEXT AND INTERPRETATION OF "PEARL" (Continued) |
|
|
Michael C. Seymour |
A FIFTEENTH-CENTURY EAST ANGLIAN SCRIBE |
|
37/2, p. 166 |
Curt F. Bühler |
A LOLLARD TRACT: ON TRANSLATING THE BIBLE INTO ENGLISH |
|
7/3, p. 167 |
Ethel Seaton |
"THE PARLEMENT OF FOULES" AND LIONEL OF CLARENCE |
|
25/3, p. 168 |
E.V. Gordon |
"WEALHþEOW" AND RELATED NAMES |
|
4/3, p. 169 |
Gavin Bone |
A NOTE ON "PEARL" AND "THE BUKE OF THE HOWLAT" |
|
6/2, p. 169 |
Peter N. Dunn |
THEMES AND IMAGES IN THE "COPLAS POR LA MUERTE DE SU PADRE" OF JORGE MANRIQUE |
|
33/3, p. 169 |
C.E. Wright |
ROBERT TALBOT AND "DOMITIAN A. IX" |
|
6/2, p. 170 |
Richard Leighton Greene |
A MIDDLE ENGLISH LOVE POEM AND THE 'O-AND-I' REFRAIN-PHRASE |
|
30/3, p. 170 |
Dominica Legge |
PLACE-NAMES AND THE DATE OF BEROUL |
|
38/2, p. 171 |
Karl P. Wentersdorf |
OBSERVATIONS ON "THE RUIN" |
|
46/2, p. 171 |
JOCELYN PRICE |
LA VIE DE SAINTE MODWENNE: A NEGLECTED ANGLO-NORMAN HAGIOGRAPHIC TEXT, AND SOME IMPLICATIONS FOR ENGLISH SECULAR LITERATURE |
|
57/2, p. 172 |
M.M. Lascelles |
ALEXANDER AND THE EARTHLY PARADISE IN MEDIÆVAL ENGLISH WRITINGS (Continued) |
|
5/3, p. 173 |
R.M. Dawkins |
ALEXANDER AND THE WATER OF LIFE |
|
6/3, p. 173 |
Georgine Brereton |
VIPER INTO WEASEL: (A note on a line in Chaucer's "Melibee") |
|
27/3, p. 173 |
Constance Bullock-Davies |
L'UEVRE SALEMUN |
|
29/3, p. 173 |
Peter Orton |
THE OE 'SOUL AND BODY': A FURTHER EXAMINATION |
|
48/2, p. 173 |
W. Rothwell |
THE MISSING LINK IN ENGLISH ETYMOLOGY: ANGLO-FRENCH |
|
60/2, p. 173 |
Roger Sherman Loomis |
A COMMON SOURCE FOR "EREC" AND "GEREINT" |
|
27/3, p. 175 |
Eugène Vinaver |
THE DOLOROUS STROKE |
|
25/3, p. 175 |
Henry Chadwick |
THETA ON PHILOSOPHY'S DRESS IN BOETHIUS |
|
49/2, p. 175 |
Edward B. Ham |
THE LANGUAGE OF THE "ROMAN DE WALDEF" |
|
4/3, p. 176 |
B.D.H. Miller |
TWO NOTES ON "DAME SIRITH" |
|
28/3, p. 180 |
VALERIE EDDEN |
A CAROLINGIAN PARODY OF PASTORAL |
|
49/2, p. 180 |
Roger Sherman Loomis |
ONOMASTIC RIDDLES IN MALORY'S "BOOK OF ARTHUR AND HIS KNIGHTS" |
|
25/3, p. 181 |
J.R.R. Tolkien |
SIGELWARA LAND |
|
|
Alexander Bell |
MAISTRE GEFFREI GAIMAR |
|
7/3, p. 184 |
W.R.J. BARRON |
"JOSEPH OF ARIMATHIE" AND THE "ESTOIRE DEL SAINT GRAAL" |
|
33/3, p. 184 |
Alison Hanham |
THE TEXT OF THE CELY LETTERS |
|
26/3, p. 186 |
Jane L. Curry |
APPROACHES TO A TRANSLATION OF THE ANGLO-SAXON "THE WIFE'S LAMENT" |
|
35/3, p. 187 |
Mishtooni Bose |
FROM EXEGESIS TO APPROPRIATION: THE MEDIEVAL SOLOMON |
|
65/2, p. 187 |
Daniel Anlezark |
An ideal marriage: Abraham and Sarah in Old English literature |
|
69/2, p. 187 |
B.D.H. Miller |
'SHE WHO HATH DRUNK ANY POTION' ... |
|
31/3, p. 188 |
ALAN J. FLETCHER |
THE SERMON BOOKLETS OF FRIAR NICHOLAS PHILIP |
|
55/2, p. 188 |
Tony Hunt |
Fécamp and vernacular historiography |
|
72/2, p. 189 |
NANCY MASON BRADBURY |
The erosion of oath-based relationships: a cultural context for Athelston |
|
73/2, p. 189 |
J.K. Bostock |
THE ORTHOGRAPHY OF THE OLD HIGH GERMAN "GEORGSLIED" |
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5/3, p. 189 |
H.B. Willson |
'NEMT, VROWE, DISEN KRANZ' |
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34/3, p. 189 |
RALPH HANNA III |
Editing ‘Middle English Lyrics’: the case of Candet nudatum pectus |
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80/1, p. 189 |
MILIJA N. PAVLOVIĆ, Roger M. Walker |
A REAPPRAISAL OF THE CLOSING SCENES OF THE "POEMA DE MIO CID" II: THE DUELS |
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58/2, p. 189 |
Olive Sayce |
LESLIE SEIFFERT (1934-1990) |
|
59/2, p. 189 |
Andrew Galloway |
Word-play and political satire: solving the riddle of the text of Jezebel |
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68/2, p. 189 |
PETER DAMIAN-GRINT |
Estoire as word and genre: meaning and literary usage in the twelfth century |
|
66/2, p. 189 |
Janet M. Bately |
Did King Alfred actually translate anything? The integrity of the Alfredian canon revisited |
|
78/2, p. 189 |
BEN PARSONS |
Shearing the shepherds: violence and anticlerical satire in Langland’s Piers Plowman |
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79/2, p. 189 |
Alexander Bell |
THE ROYAL "BRUT" INTERPOLATION |
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32/3, p. 190 |
G.V. Smithers |
THE STYLE OF "HAUELOK" |
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57/2, p. 190 |
A.T. FEAR |
Taming Rasputin? Braulio and St Aemilian |
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76/2, p. 191 |
R.D. FULK |
Six cruces in the Finnsburg Fragment and Episode |
|
74/2, p. 191 |
Ad Putter |
The text of Sir Perceval of Galles |
|
70/2, p. 191 |
Michael Winterbottom |
THREE LIVES OF SAINT ETHELWOLD |
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41/3, p. 191 |
Georgia Ronan Crampton |
CHAUCER'S SINGULAR PRAYER |
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59/2, p. 191 |
A.G. Rigg |
The tortoise and the snail: a lexical shellgame |
|
77/2, p. 191 |
C.A.J. Armstrong |
VERSES BY JEAN MIÉLOT ON EDWARD IV AND RICHARD EARL OF WARWICK |
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8/3, p. 193 |
Hugh Shields |
ORAL TECHNIQUES IN WRITTEN VERSE: PHILIPPE DE THAON'S "LIVRE DE SIBILE" |
|
49/2, p. 194 |
CHARLOTTE BREWER |
Z AND THE A- B- AND C-TEXTS OF "PIERS PLOWMAN" |
|
53/2, p. 194 |
F.E.A. Arnold |
THE SOURCE OF THE ALEXANDER HISTORY IN B.M. MS SLOANE 289 |
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33/3, p. 195 |
J.A.W. Bennett |
DUNBAR'S BIRTH OF ANTICHRIST, 31-2 |
|
26/3, p. 196 |
William J. Entwistle |
SOME COMPARATIVE NOTES ON BALLADS: DANISH, CASTILIAN, YUGOSLAVIC |
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MILIJA N. PAVLOVIĆ, Roger M. Walker |
MONEY, MARRIAGE AND THE LAW IN THE "POEMA DE MIO CID" |
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51/2, p. 197 |
BRUCE BURNAM |
AN UNEDITED ANGLO-NORMAN PROLOGUE TO THE "PASSION DES JONGLEURS" AND ITS RELATION TO THE "PASSIO CHRISTI" OF CLERMONT-FERRAND |
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60/2, p. 197 |
S.D. Stirk |
DER WETTSTREIT DER DREI LEIBPAGEN DES KÖNIG DARIUS |
|
5/3, p. 199 |
Henry L. Savage |
A NOTE ON "SIR GAWAIN AND THE GREEN KNIGHT" 1. 1700 |
|
4/3, p. 199 |
MARGARET LAING |
Notes on Oxford, Bodleian Library, MS Digby 86, The Names of a Hare in English |
|
67/2, p. 201 |
Betty Hill |
THE FIFTEENTH-CENTURY PROSE "LEGEND OF THE CROSS BEFORE CHRIST" |
|
34/3, p. 203 |
Betty Hill |
THE HISTORY OF JESUS COLLEGE, OXFORD MS. 29 |
|
32/3, p. 203 |
John Scattergood |
SKELTON AND TRADITIONAL SATIRE: WARE THE HAUKE |
|
55/2, p. 203 |
GERALD MORGAN |
Experience and the judgement of poetry: a reconsideration of the Franklin’s Tale |
|
70/2, p. 204 |
Alison Finlay |
‘Intolerable love’: Tristrams saga and the Carlisle Tristan fragment |
|
73/2, p. 205 |
JANET SCHRUNK ERICKSEN |
Legalizing the Fall of Man |
|
74/2, p. 205 |
DOROTHY S. SEVERIN, HARVEY L. SHARRER |
FIFTEENTH-CENTURY SPANISH FRAGMENTS OF A LOST PROSE ALEXANDER |
|
48/2, p. 205 |
Douglas Gray |
A TRIBUTE TO J. A. W. BENNETT (1911-1981) |
|
50/2, p. 205 |
C.T. Onions |
MIDDLE ENGLISH "ALOD, OLOD" |
|
|
T.M. Smallwood |
'GOD WAS BORN IN BETHLEHEM ...': THE TRADITION OF A MIDDLE ENGLISH CHARM |
|
58/2, p. 206 |
BELLA MILLETT |
THE ORIGINS OF "ANCRENE WISSE": NEW ANSWERS, NEW QUESTIONS |
|
61/2, p. 206 |
NICHOLAS PERKINS |
Reading the Bible in Sawles Warde and Ancrene Wisse |
|
72/2, p. 207 |
Linda Marshall |
THE AUTHORSHIP OF THE ANGLO-NORMAN POEM "CORSET" |
|
42/3, p. 207 |
N.R. Ker |
OLD ENGLISH "HROHIAN" |
|
|
Laurence Eldredge, KARI ANNE RAND SCHMIDT, M. B. Smith |
Four medieval manuscripts with mathematical games |
|
68/2, p. 209 |
C. ANNETTE GRISÉ |
Women’s devotional reading in late-medieval England and the gendered reader |
|
71/2, p. 209 |
Johan Vising |
DEUX CAS DE MÉTATHÈSE VOCALIQUE EN FRANÇAIS |
|
6/3, p. 210 |
DEBORAH YOUNGS |
Vision in a Trance: a fifteenth-century vision of Purgatory |
|
67/2, p. 212 |
Kemp Malone |
THE LIDWICINGS OF "WIDSITH" |
|
6/3, p. 213 |
Daniel McCann |
Words of fire and fruit: the psychology of prayer words in the Cloud of Unknowing |
|
84/2, p. 213 |
P.J.C. Field |
THOMAS MALORY: THE HUTTON DOCUMENTS |
|
48/2, p. 213 |
Linda M. Paterson |
GREAT COURT FESTIVALS IN THE SOUTH OF FRANCE AND CATALONIA IN THE TWELFTH AND THIRTEENTH CENTURIES |
|
51/2, p. 213 |
Conrad Mainzer |
JOHN GOWER'S USE OF THE 'MEDIÆVAL OVID' IN THE "CONFESSIO AMANTIS" |
|
41/3, p. 215 |
Peter Godman |
THE ANGLO-LATIN "OPUS GEMINATUM": FROM ALDHELM TO ALCUIN |
|
50/2, p. 215 |
Elizabeth Boyle |
Neoplatonic thought in medieval Ireland: the evidence of Scéla na esérgi |
|
78/2, p. 216 |
A.T.P. Byles, P.G.C. Campbell |
NOTES ON "THE BOOK OF FAYTTES OF ARMES AND OF CHYVALRYE" |
|
|
Nicholas Orme |
Children and literature in medieval England |
|
68/2, p. 218 |
RUPERT T. PICKENS |
Arthurian time and space: Chrétien’s Conte del Graal and Wace’s Brut |
|
75/2, p. 219 |
Ludwig Bieler |
MUIRCHÚ'S LIFE OF ST. PATRICK AS A WORK OF LITERATURE |
|
43/3, p. 219 |
T.M. Smallwood |
THE TEXT OF LANGTOFT'S CHRONICLE |
|
46/2, p. 219 |
A.K. Brown |
THE ENGLISH COMPASS POINTS |
|
47/2, p. 221 |
RUTH E. HARVEY |
"JOGLARS" AND THE PROFESSIONAL STATUS OF THE EARLY TROUBADOURS |
|
62/2, p. 221 |
|
VOL. XXIX, pp. 49-80: ERRATA |
|
29/3, p. 223 |
LAWRENCE WARNER |
The ending, and end, of Piers Plowman B: the C-version origins of the final two passus |
|
76/2, p. 225 |
MARIE JENNEQUIN-LEROY, VIRGINIE MINET-MAHY |
Allégorie et voies de sagesse chez Georges Chastelain et Jean Molinet: citation, images et analogie |
|
79/2, p. 225 |
F.J.E. Raby |
"TURRIS ALETHIE" AND THE "ECLOGA THEODULI" |
|
34/3, p. 226 |
EMMA J. CAYLEY |
Collaborative communities: the manuscript context of Alain Chartier’s Belle Dame sans mercy |
|
71/2, p. 226 |
Dennis Green |
THE "MILLSTÄTTER EXODUS" AND ITS BIBLICAL SOURCE |
|
38/3, p. 227 |
ROY J. PEARCY |
Anglo-Norman fabliaux and Chaucer's Merchant's Tale |
|
69/2, p. 227 |
LORI WALTERS |
THE POET-NARRATOR'S ADDRESS TO HIS LADY AS STRUCTURAL DEVICE IN "PARTONOPEU DE BLOIS" |
|
61/2, p. 229 |
N.R. Ker |
MIDDLE ENGLISH VERSES AND A LATIN LETTER IN A MANUSCRIPT AT STANBROOK ABBEY |
|
34/3, p. 230 |
Rachel Hands |
HORSE-DEALING LORE, OR A FIFTEENTH-CENTURY 'HELP TO DISCOURSE'? |
|
41/3, p. 230 |
Olive Sayce |
CHAUCER'S 'RETRACTIONS': THE CONCLUSION OF THE "CANTERBURY TALES" AND ITS PLACE IN LITERARY TRADITION |
|
40/3, p. 230 |
Roger M. Walker |
FROM FRENCH VERSE TO SPANISH PROSE: "LA CHANSON DE FLORENCE DE ROME" AND "EL CUENTO DEL ENPERADOR OTAS DE ROMA" |
|
49/2, p. 230 |
Neil Cartlidge |
THE DATE OF "THE OWL AND THE NIGHTINGALE" |
|
65/2, p. 230 |
James I. Wimsatt |
THE SOURCES OF CHAUCER'S 'SEYS AND ALCYONE' |
|
36/3, p. 231 |
Laurence Wright |
"CHANTER A GRESILLON(S)" AND "CHANTER ES GRESILLONS" |
|
35/3, p. 231 |
Allan Westphall |
On not melting into tears: managing meditative reading in Michigan State University Library, MS 1 and Cambridge, Magdalene College, MS Pepys 2125 |
|
84/2, p. 231 |
Michael Van Dussen |
Three verse eulogies of Anna of Bohemia |
|
78/2, p. 231 |
M.L. Samuels |
LANGLAND'S DIALECT |
|
54/2, p. 232 |
Carolyne Larrington |
"LEIZLA RANNVEIGAR": GENDER AND POLITICS IN THE OTHERWORLD VISION |
|
64/2, p. 232 |
Dennis Green |
EPIC EXPANSION AND THE PROBLEM OF RHYME IN THE MILLSTÄTTER EXODUS |
|
43/3, p. 234 |
MARILYN CORRIE |
The compilation of Oxford, Bodleian Library, MS Digby 86 |
|
66/2, p. 236 |
T.M. Smallwood |
THE INTERPRETATION OF "SOMER SONEDAY" |
|
42/3, p. 238 |
R.W. Hunt |
A MANUSCRIPT CONTAINING EXTRACTS FROM THE "DISTINCTIONS MONASTICAE" |
|
44/3, p. 238 |
Ian Short |
THE PATRONAGE OF BENEIT'S "VIE DE THOMAS BECKET" |
|
56/2, p. 239 |
Thomas D. Hill |
‘The Ballad of St Stephen and Herod’: biblical history and medieval popular religious culture |
|
70/2, p. 240 |
JOHN NORTON-SMITH |
EKPHRASIS AS A STYLISTIC ELEMENT IN DOUGLAS'S "PALIS OF HONOURE" |
|
48/2, p. 240 |
Mabel Day |
TWO NOTES ON "PEARL" |
|
3/3, p. 241 |
Peter S. Noble |
SOME TRACES OF ANGLO-NORMAN INFLUENCE IN EARLY FIFTEENTH-CENTURY AGENAIS |
|
46/2, p. 241 |
BENJAMIN T. HUDSON |
‘Brjáns Saga’ |
|
71/2, p. 241 |
Helen C.R. Laurie |
A NOTE OF THE COMPOSITION OF MARIE'S "GUIGEMAR" |
|
44/3, p. 242 |
B.K. Martin |
"THE LAMENT OF THE OLD WOMAN OF BEARE": A CRITICAL EVALUATION |
|
38/3, p. 245 |
JOHN WALL |
THE LYRIC IMPULSE OF THE SEQUENCE |
|
|
Jane Roberts |
On giving Scribe B a name and a clutch of London manuscripts from c.1400 |
|
80/1, p. 247 |
BARBARA K. ALTMANN, F. REGINA PSAKI |
Considering holy war in Le Charroi de Nîmes |
|
75/2, p. 247 |
SIMON HOROBIN |
‘In London and Opelond’: the dialect and circulation of the C version of Piers Plowman |
|
74/2, p. 248 |
ROBERT MULLALLY |
DANCE TERMINOLOGY IN THE WORKS OF MACHAUT AND FROISSART |
|
59/2, p. 248 |
PHILLIPA HARDMAN |
LYDGATE'S "LIFE OF OUR LADY": A TEXT IN TRANSITION |
|
65/2, p. 248 |
Fred C. Robinson |
THE ROYAL EPITHET "ENGLE LEO" IN THE OLD ENGLISH "DURHAM" POEM |
|
37/3, p. 249 |
A.G. Rigg |
'JAM NUNC IN PROXIMO': A LATIN MORTALITY POEM |
|
36/3, p. 249 |
D. Tecwyn Lloyd, Nicolas Jacobs |
The ‘Stanzas of the months’: maxims from late medieval Wales |
|
70/2, p. 250 |
N.R. HAVELY |
WHITE WORDS, FALSE WORLD: CHAUCER'S PANDARUS AND THE ANTIFRATERNAL TRADITION IN "TROILUS", BOOKS I-III |
|
61/2, p. 250 |
ROGER DALRYMPLE |
THE LITERARY USE OF RELIGIOUS FORMULAE IN CERTAIN MIDDLE ENGLISH ROMANCES |
|
64/2, p. 250 |
PHILLIPA HARDMAN |
READING THE SPACES: PICTORIAL INTENTIONS IN THE THORNTON MSS, LINCOLN CATHEDRAL MS 91, AND BL MS ADD. 31042 |
|
63/2, p. 250 |
Neil Cartlidge |
The composition and social context of Oxford, Jesus College, MS 29(ii) and London, British Library, MS Cotton Caligula A.ix |
|
66/2, p. 250 |
Alexander Murray |
Did Simone Serdini ('Il Saviozzo') really commit suicide? |
|
79/2, p. 250 |
J. Marrow |
DUTCH ILLUMINATION AND THE "DEVOTIO MODERNA" |
|
42/3, p. 251 |
Neville Denny |
ASPECTS OF THE STAGING OF "MANKIND" |
|
43/3, p. 252 |
Lynette Muir |
KING ARTHUR'S NORTHERN CONQUESTS IN THE "LEGES ANGLORUM LONDONIIS COLLECTAE" |
|
37/3, p. 253 |
Martin Plessner |
ORIENTALISTISCHE BEMERKUNGEN ZU RELIGIONS-HISTORISCHEN DEUTUNGEN VON WOLFRAMS "PARZIVAL" |
|
36/3, p. 253 |
Cecily Clark |
CHARLES D'ORLEANS: SOME ENGLISH PERSPECTIVES |
|
40/3, p. 254 |
Alastair Minnis |
A NOTE ON CHAUCER AND THE "OVIDE MORALISÉ" |
|
48/2, p. 254 |
J.K. Walsh |
SANCTITY AND GENDER IN BERCEO'S "SANTA ORIA" |
|
57/2, p. 254 |
Jane H.M. Taylor |
THE PATTERN OF PERFECTION: JEHAN DE SAINTRÉ AND THE CHIVALRIC IDEAL |
|
53/2, p. 254 |
Graham A. Runnalls |
MEDIÆVAL TRADE GUILDS AND THE "MIRACLES DE NOSTRE DAME PAR PERSONNAGES" |
|
39/3, p. 257 |
T.J. Gorton |
ARABIC WORDS AND REFRAINS IN PROVENÇAL AND PORTUGUESE POETRY |
|
|
D.A. Trotter |
THE INFLUENCE OF BIBLE COMMENTARIES ON OLD FRENCH BIBLE TRANSLATIONS |
|
56/2, p. 257 |
BENJAMIN T. HUDSON |
THE VIKING AND THE IRISHMAN |
|
60/2, p. 257 |
JAKE WALSH MORRISSEY |
‘To al indifferent’: the virtues of Lydgate’s ‘Dietary’ |
|
84/2, p. 258 |
Brian Murdoch |
THE HOLY HOSTAGE: "DE FILIO MULIERIS" IN THE MIDDLE CORNISH PLAY "BEUNANS MERIASEK" |
|
58/2, p. 258 |
J.J. Anderson |
TWO DIFFICULTIES IN "THE MEETING IN THE WOOD" |
|
49/2, p. 258 |
HEATHER STUART |
'IC ME ON ÞISSE GYRDE BELUCE': THE STRUCTURE AND MEANING OF THE OLD ENGLISH "JOURNEY CHARM" |
|
50/2, p. 259 |
Daniel Wakelin |
The occasion, author, and readers of Knyghthode and Bataile |
|
73/2, p. 260 |
LAWRENCE C. BESSERMAN |
THE DANCERS OF COLBEK |
|
49/2, p. 260 |
Kathleen Palti |
An unpublished fifteenth-century carol collection: Oxford, Lincoln College MS Lat. 141 |
|
77/2, p. 260 |
Anthony P. Bale |
A Norfolk gentlewoman and Lydgatian patronage: Lady Sibylle Boys and her cultural environment |
|
78/2, p. 261 |
CARTER REVARD |
From French 'fabliau manuscripts' and MS Harley 2253 to the Decameron and the Canterbury Tales |
|
69/2, p. 261 |
P.B. Grout |
CONTEMPORARY LIFE AND SOCIETY IN THE "ROMAN DE THÈBES" |
|
38/3, p. 262 |